Feed Me in The Midway's Gods & Monsters room.
For British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Transforming between the electro/ house sounds of Feed Me, the dark drum and bass of Spor and the more creative leftfield output of Seventh Stitch, Jon has released multiple projects across multiple labels, most notably becoming the first outside act to sign with deadmau5's label, mau5trap in 2010.
Fast forward to 2019 and Feed Me's critically acclaimed album High Street Creeps receives widespread press and radio support, in turn leading to a multi date "Live Teeth" US tour and an appearance at multiple UK festivals, including a set on the generator stage at Creamfields. Entering 2020 off the back of two releases via Spinnin' and Nightmode, this year is set to be even bigger for the DJ/producer as Jon and his many aliases continues to grow and evolve.
https://www.instagram.com/feedme
https://feedmerch.com
21+
~~~
Fitting in within the current world of electronic music might be something most producers have usually figured out after a decade plus on the scene, but for British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Moving through genres as Feed Me, Spor and Seventh Stitch, Jon has given himself the freedom to become whatever he wants to be, and create as he sees fit.
"I have no idea how I fit into electronic music as a scene, but I hope I can keep it that way." he says, "Shifting identities has let me pursue all these avenues, create new places to exist. From the day I joined the internet I was an alias in some form or other, and each time you can start again."
show less
For British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Transforming between the electro/ house sounds of Feed Me, the dark drum and bass of Spor and the more creative leftfield output of Seventh Stitch, Jon has released multiple projects across multiple labels, most notably becoming the first outside act to sign with deadmau5's label, mau5trap in 2010.
Fast forward to 2019 and Feed Me's critically acclaimed album High Street Creeps receives widespread press and radio support, in turn leading to a multi date "Live Teeth" US tour and an appearance at multiple UK festivals, including a set on the generator stage at Creamfields. Entering 2020 off the back of two releases via Spinnin' and Nightmode, this year is set to be even bigger for the DJ/producer as Jon and his many aliases continues to grow and evolve.
https://www.instagram.com/feedme
https://feedmerch.com
21+
~~~
Fitting in within the current world of electronic music might be something most producers have usually figured out after a decade plus on the scene, but for British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Moving through genres as Feed Me, Spor and Seventh Stitch, Jon has given himself the freedom to become whatever he wants to be, and create as he sees fit.
"I have no idea how I fit into electronic music as a scene, but I hope I can keep it that way." he says, "Shifting identities has let me pursue all these avenues, create new places to exist. From the day I joined the internet I was an alias in some form or other, and each time you can start again."
Feed Me in The Midway's Gods & Monsters room.
For British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Transforming between the electro/ house sounds of Feed Me, the dark drum and bass of Spor and the more creative leftfield output of Seventh Stitch, Jon has released multiple projects across multiple labels, most notably becoming the first outside act to sign with deadmau5's label, mau5trap in 2010.
Fast forward to 2019 and Feed Me's critically acclaimed album High Street Creeps receives widespread press and radio support, in turn leading to a multi date "Live Teeth" US tour and an appearance at multiple UK festivals, including a set on the generator stage at Creamfields. Entering 2020 off the back of two releases via Spinnin' and Nightmode, this year is set to be even bigger for the DJ/producer as Jon and his many aliases continues to grow and evolve.
https://www.instagram.com/feedme
https://feedmerch.com
21+
~~~
Fitting in within the current world of electronic music might be something most producers have usually figured out after a decade plus on the scene, but for British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Moving through genres as Feed Me, Spor and Seventh Stitch, Jon has given himself the freedom to become whatever he wants to be, and create as he sees fit.
"I have no idea how I fit into electronic music as a scene, but I hope I can keep it that way." he says, "Shifting identities has let me pursue all these avenues, create new places to exist. From the day I joined the internet I was an alias in some form or other, and each time you can start again."
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For British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Transforming between the electro/ house sounds of Feed Me, the dark drum and bass of Spor and the more creative leftfield output of Seventh Stitch, Jon has released multiple projects across multiple labels, most notably becoming the first outside act to sign with deadmau5's label, mau5trap in 2010.
Fast forward to 2019 and Feed Me's critically acclaimed album High Street Creeps receives widespread press and radio support, in turn leading to a multi date "Live Teeth" US tour and an appearance at multiple UK festivals, including a set on the generator stage at Creamfields. Entering 2020 off the back of two releases via Spinnin' and Nightmode, this year is set to be even bigger for the DJ/producer as Jon and his many aliases continues to grow and evolve.
https://www.instagram.com/feedme
https://feedmerch.com
21+
~~~
Fitting in within the current world of electronic music might be something most producers have usually figured out after a decade plus on the scene, but for British born DJ/ producer Jon Gooch, fitting in has never been much of a priority. Moving through genres as Feed Me, Spor and Seventh Stitch, Jon has given himself the freedom to become whatever he wants to be, and create as he sees fit.
"I have no idea how I fit into electronic music as a scene, but I hope I can keep it that way." he says, "Shifting identities has let me pursue all these avenues, create new places to exist. From the day I joined the internet I was an alias in some form or other, and each time you can start again."
show less
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