Morgan Neville, who charmed SFFILM Festival audiences this spring with his look at Mr. Rogers and his neighborhood, now playfully takes on the story of Orson Welles's last production, The Other Side of the Wind, a semi-mythological cinematic experiment, posthumously completed and receiving its first public release this year. Neville eschews scholars and critics and lets those who knew and worked with the mercurial filmmaker tell the story of "the greatest movie never released." The result is as lively and inventive as the work of the master it reveals.
Morgan Neville, who charmed SFFILM Festival audiences this spring with his look at Mr. Rogers and his neighborhood, now playfully takes on the story of Orson Welles's last production, The Other Side of the Wind, a semi-mythological cinematic experiment, posthumously completed and receiving its first public release this year. Neville eschews scholars and critics and lets those who knew and worked with the mercurial filmmaker tell the story of "the greatest movie never released." The result is as lively and inventive as the work of the master it reveals.
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