Join City Lights Books as we celebrate another installment in the City Lights Spotlight Series. The latest edition is Deep Code by John Coletti. John will read from his new collection with special guest and Spotlight Series alumnus Micah Ballard.
Deep Code explores "side language," as a subset of other languages, whether slang or metaphor, to both communicate and obfuscate.
Combining a bent lyric perception with a fragmentation redolent of French cubism, Coletti portrays contemporary urban experience, from power relations and personal loss to nights among city dwellers recording their convivial distress, glad and dissolute at once. Part teddy bear fleeing the cultish outlines of the American northwest, part Apollinaire in Brooklyn, Coletti culls his materials from the ether and assembles them into resonant structures at once intensely personal and strangely universal—a little outrageous—both confusingly lovely and apt in their ungainliness. Lines like "I'm nearly home is what everyone says" and "triceratops & the bad glue / that made us good friends," only begin to demonstrate the astute linguistic eye and deft line break sense of John Coletti.
Join City Lights Books as we celebrate another installment in the City Lights Spotlight Series. The latest edition is Deep Code by John Coletti. John will read from his new collection with special guest and Spotlight Series alumnus Micah Ballard.
Deep Code explores "side language," as a subset of other languages, whether slang or metaphor, to both communicate and obfuscate.
Combining a bent lyric perception with a fragmentation redolent of French cubism, Coletti portrays contemporary urban experience, from power relations and personal loss to nights among city dwellers recording their convivial distress, glad and dissolute at once. Part teddy bear fleeing the cultish outlines of the American northwest, part Apollinaire in Brooklyn, Coletti culls his materials from the ether and assembles them into resonant structures at once intensely personal and strangely universal—a little outrageous—both confusingly lovely and apt in their ungainliness. Lines like "I'm nearly home is what everyone says" and "triceratops & the bad glue / that made us good friends," only begin to demonstrate the astute linguistic eye and deft line break sense of John Coletti.
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