CROSSROADS 2022

CROSSROADS 2022 is the thirteenth manifestation of Cinematheque's annual film festival. CROSSROADS 2022 features 67 works of film, video and performance by 71 artists representing 18 countries and territories presented in 10 curated programs. Cinematheque is proud to announce that, of these 71 featured artists, 32 are receiving their CROSSROADS debut this year.


Schedule
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CROSSROADS 2022 -- program 1
beauty can fool you
Friday, August 26, 7pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-1/

SCREENING: Squish! (2021) by Tulapop Saenjaroen (Thailand/Singapore); digital video, color, sound, 18 minutes. Color Prism Suite #2: Withering Ends (2021) by Zack Parrinella (US); 16mm, color, sound, 4 minutes. Up Close (2021) by Sam Gurry (US); digital video, color, sound, 3 minutes. Skinship (2022) by Mike Hoolboom (Canada); digital video, color, sound, 6 minutes. Sea of Sighs (2022) by J.M. Martínez (US); digital video, color, sound, 5 minutes. young, (2009) by Dale Hoyt (US); digital video, color, sound, 8 minutes. Polycephaly in D (2021) by Michael Robinson (US); digital video, color, sound, 23 minutes.

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CROSSROADS 2022 -- program 2
table of the elements
Friday, August 26, 9:30pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-2/

SCREENING: SEAM (2021) by Sheri Wills (US); digital video, color, sound, 4 minutes. The Day Lives Briefly Unscented (2021) by Brandon Wilson (US); digital video, color, sound, 4 minutes. ghost is hungry (2021) by Brandon Wilson (US); digital video, color, sound, 5 minutes. Wasteland No. 3: Moons, Sons (2021) by Jodie Mack (US/UK); 16mm, color, silent, 5 minutes. III. (2022) by Alexandre Larose (Canada); 35mm screened as digital video, color, sound, 15 minutes; live soundtrack by Ashley Bellouin (US) & Ben Bracken (US). The Waterfall (2017) by Matthieu Hallé (Canada); film/video performance, color, sound, 30 minutes; live soundtrack by Unitions.

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CROSSROADS 2022 -- program 3
it takes the world to make a feather fall
Saturday, August 27, 1pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-3/

SCREENING: Future from Inside (2021) by Dani Leventhal ReStack (Canada/US) & Sheilah ReStack (Canada/US); digital video, color, sound, 19 minutes. Configurations (2021) by James Edmonds (UK/Germany); 16mm, color, sound, 8 minutes. SHASHIN NO MA (2021) by Tetsuya Maruyama (Brazil/Japan); digital video, color, sound, 6 minutes. Home When You Return (2021) by Carl Elsaesser (US); digital video, color, sound, 30 minutes.

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CROSSROADS 2022 -- program 4
before you witnessed this entropy
Saturday, August 27, 3:15pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-4/

SCREENING: A Perfect Storm (2022) by Karel Doing (UK); 16mm, color, sound, 3 minutes. Mnemonics of Shape and Reason (2021) by Sky Hopinka (Ho-Chunk/Pechanga); digital video, color, sound, 5 minutes. Lácrimas (2021) by Jeremy Moss (US); digital video, color, sound, 14 minutes. Puncture (2021) by Carleen Maur (US); digital video, color, sound, 4 minutes. Ontogeny (2022) by Janis Crystal Lipzin (US); digital video, color, sound, 9 minutes. Amaryllis--a study (2020) by Jayne Parker (UK); digital video, color, sound, 7 minutes. M*U*S*H (2022) by Jodie Mack (US/UK); 16mm, color, silent, 8 minutes. from time without beginning (2021) by Lorenzo Gattorna (US); digital video, color, sound, 7 minutes. Solace (2021) by Chantal Partamian (Lebanon): digital video, color, sound, 1 minute. Alone Sleeps the Water, Frozen She Awakes (2021) by Sofia Petersen (Argentina/Spain): digital video, color, silent, 5 minutes.

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CROSSROADS 2022 -- program 5
Ernst Karel & Veronika Kusumaryati's Expedition Content
Saturday, August 27, 5:15pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-5/

SCREENING: Expedition Content (2020) by Ernst Karel (US) & Veronika Kusumaryati (Indonesia); digital video, color, sound, 78 minutes.

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CROSSROADS 2022 -- program 6
the dark of the screen
Saturday, August 27, 8:30pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-6/

SCREENING: irradiance (2020) by Ramey Newell (Canada); digital video, color, sound, 3 minutes. Estuary (2021) by Ross Meckfessel (US); 16mm, color, sound, 12 minutes. death by fantasies by mirrors (2022) by Charlotte Clermont (Thiothià:ke/Montreal); digital video, color, sound, 13 minutes. Pigment-Dispersion Syndrome (2022) by Jennifer Reeves (US); digital video, color, sound, 6 minutes. Thalassophobia (2022) by Kit Young (US) & Colleen Kelly (US); video performance with live sound, color, sound, 15 minutes. Dreams Under Confinement (2020) by Christopher Harris (US); digital video, color, sound, 3 minutes. Autoimmune (2020) by Douglas McCausland (US), Ian Kirkpatrick (US) and Marcos Serafim (Brazil/US); digital video, color, sound, 13 minutes.

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CROSSROADS 2022 -- program 7
we have tasted planets
Sunday, August 28, 1pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-7/

SCREENING: The Silver Reel (2022) by Josh Gibson (US); digital video, color, sound, 24 minutes. A Valley Without Trees (2021) by Janelle VanderKelen (US); digital video, color, sound, 6 minutes. Curve the Night Sky (2021) by Peggy Ahwesh (US); digital video, color, sound, 5 minutes. Looking Backward (2022) by Ben Balcom (US); digital video, b&w, sound, 10 minutes. Missing Time (2019) by Morgan Quaintance (UK); digital video, b&w, sound, 15 minutes.

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CROSSROADS 2022 -- program 8
divisions of labor
Sunday, August 28, 3:15pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-8/

SCREENING: Light Signal (2022) by Emily Chao (US); digital video, color, sound, 13 minutes. Paper Bag Test (2019) by Trevon Jakaar Coleman (US); digital video, color, sound, 5 minutes. Pinhole Park (2021) by Alex MacKenzie (Canada); digital video, b&w, sound, 11 minutes. Feriado (2021) by Azucena Losana (Mexico/Argentina); digital video, b&w, sound, 2 minutes. Madness Remixed (2021) by Rhea Storr (UK); digital video, color, sound, 11 minutes. Carbon Loops (2022) by Elia Vargas (US); 16mm double projection, color, silent, 3 minutes (loop). Prometheus (2021) by Dominic Angerame (US); digital video, b&w, sound, 4 minutes. Patent 1,571,148 (2022) by Kevin Jerome Everson (US); digital video, b&w, sound, 5 minutes. Singing in Oblivion (2021) by Eve Heller (US/Austria); digital video, b&w, sound, 13 minutes.

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CROSSROADS 2022 -- program 9
i remember those days (it could have been different)
Sunday, August 28, 5:30pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-9/

SCREENING: Time Crystals (2021) by Abinadi Meza (Wixárika); digital video, color, sound, 6 minutes. BERLIN FEUER (2021) by Pedro Maia (Portugal/Germany); digital video, color, sound, 6 minutes. Microcosmos (2022) by Makino Takashi (Japan); digital video, color, sound, 12 minutes. THAT WAS WHEN I THOUGHT I COULD HEAR YOU (2021) by Matt Whitman (US); digital video, color, silent, 9 minutes. Show Me Other Places (2021) by Rajee Samarasinghe (Sri Lanka); digital video, color, sound, 12 minutes. The Deep (2022) by Gavin Hipkins (Aotearoa/New Zealand); digital video, color, sound, 11 minutes. High Heel Beloved (2021) by Leslie Thornton (US); digital video, b&w, sound, 5 minutes.

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CROSSROADS 2022 -- program 10
around her the shadows trembled
Sunday, August 28, 7:45pm
https://www.sfcinematheque.org/video-programs/crossroads-2022-program-10/

SCREENING: shadow swells (2022) by Karissa Hahn (US); digital video, b&w, sound, 3 minutes. Sometimes a little Sin is good for the Soul (2020) by Alex Beriault (Canada); digital video, color, sound, 9 minutes. The Girl Who Is (2021) by Sara Sowell (US); digital video, b&w, sound, 6 minutes. First Hypnotic Suggestion (2020) by Brittany Gravely (US) & Ken Linehan (US); 16mm double projection, color, sound, 10 minutes. Dans les cieux et sur la terre (2022) by Erin Weisgerber (Canada); 16mm screened as digital video, color, sound, 12 minutes. Object Permanence (2022) by Alix Blevins (US); 16mm, color, sound, 1 minute. Of This Beguiling Membrane (2021) by Charlotte Pryce (US/UK); digital video, color, sound, 5 minutes. la mia camera (2019) by Friedl vom Gröller (Austria); 16mm, color, silent, 2 minutes. Das Rad (2021) by Friedl vom Gröller (Austria); 16mm, b&w, silent, 3 minutes. Ertrunken (2022) by Friedl vom Gröller (Austria); 16mm, b&w, silent, 3 minutes. Am Rande des Vorhangs (2022) by Antoinette Zwirchmayr (Austria); 16mm, color, sound, 10 minutes.