All Day All Night invites you to another day party at the Historic San Francisco Mint on August 5th featuring Cassian, Jeremy Olander, Dosem, and Banksia. This heavily curated lineup is one for the record books. Expect progressive house, deep house, and techno at one of the most beautiful venues in the country.
About the Mint: To put it simply, The San Francisco Mint is spectacular. Also affectionately known as The Granite Lady, was said to have held nearly 1/3 of the nation's wealth in its heyday. Opening in 1874, it miraculously withstood the devastating effects of the 1906 earthquake and fire and continued operation until 1937. The Old Mint was designated a National Historic Landmark in 1961.
21+
~~~~~~~~
Cassian
https://cassianmusic.com
Cassian is a live electronic musician currently based in Los Angeles. An accomplished producer, DJ, and mixing engineer, he has cemented his name as one of the most versatile talents to emerge from Sydney's flourishing electronic scene. In 2018, Cassian became the first artist on RÜFÜS DU SOL's imprint Rose Avenue, where he's released buzzing singles "Lafayette," "Same Things," and "Magical" with ZOLLY (Phil Slabber of Crooked Colours). A respected and seasoned performer, Cassian has played for tens of thousands alongside the likes of Hayden James, Dom Dolla, RÜFÜS DU SOL, and Yotto, while also selling out headline shows and commanding festival sets. Now, after a year filled with new singles and remixes, a second ARIA award, and a Grammy nomination, he's gearing up to release his long-awaited debut album, Laps: a raw, analog-driven LP showcasing his tenacity for polished songwriting and dramatic sonic landscapes. Cassian is undeniably coming into his own as an artist, and it's impossible not to be excited for what's to come.
~~~~~~~~
Jeremy Olander
https://www.instagram.com/jeremyolander/
Since bursting onto the scene in 2011, DJ, producer and label owner Jeremy Olander has been described as the savior of the true progressive style once made famous by Sasha and John Digweed.
Looking in the rear mirror, Olander got his start eight years ago on Eric Prydz's Pryda Friends imprint. He went on to put out an unprecedented seven releases with Prydz, play New York City's Madison Square Garden and record a BBC Essential Mix that was shortlisted as one of the best of the year.
Born in Fairfax, VA in America to a Swedish father and an Indian mother, Jeremy was brought up in Stockholm and become exposed to the city's small but passionate electronic scene in his early teens. With role models in the likes of Adam Beyer, Cari Lekebusch and Joel Mull leading the charge, Jeremy found sources of inspiration at defunct legendary club Grodan Cocktail Club among Stockholm techno royalty, as well with Michael Jackson, Elvis Presley, Berry Gordy, Shigeru Miyamoto and east coast hip-hop.
His deep and emotionally charged style aside, true to his Swedish electronic music heritage, Jeremy also masters the craft of driving, drum-oriented techno under his enigmatic Dhillon monicker. With multiple tracks on fellow Swede Adam Beyer's Drumcode label, one of the most coveted in the world, Olander displays his near uncanny breadth as a producer.
In the last three years, the now 30-year-old has kicked his career into the proverbial next gear. Almost reemerging as a new artist after finishing his formative years at Pryda, Olander appeared on Canadian label microCastle, home to Guy J, Eagles & Butterflies, Chaim, Navar, with the stupendous three-track 'Goliath' EP that also featured a Marc Marzenit remix. To this day, the EP remains the best performing release in the label's history, making #1 and #2 on Beatport's genre and overall releases charts respectively.
Shortly after, Olander was invited to join Suara, home to Gaiser, Pete Tong, Betoko, Harvey McKay, Edu Imbernon, DJ Hell and more, by label founder Coyu himself. The Spanish powerhouse, that's been Resident Advisor's most charted label for multiple years straight, released the 'Hanover' and 'Talespin' EPs that both became two of the best-selling releases of the year in 2015 and 2016. Particularly noteworthy is 'Panorama' off the 'Talespin' EP, that made the Top 30 on the Beatport Top 100 and stayed at #1 on the Beatport Top 100 Progressive Chart for astonishing 35 days straight.
On the remix tip, Jeremy has been commissioned by a who's who electronic music legends such as Digitalism, Henry Saiz, Dosem and 16 Bit Lolitas, all requesting the touch of Jeremy's magic hand. His latest treatment on Sailor & I and Eekkoo's 'LETTERS' on Big Beat/Atlantic has amassed over 1.1 million streams on Spotify and topped the Beatport charts despite heavy competition from fellow remix artists Doctor Dru, Kidnap Kid and Diynamic's young guns NTFO.
Even though he's technically a producer first and DJ second, one would think the opposite when experiencing Olander in an intimate club environment or large festival setting. He's graced virtually all festival stages in the world worth their salts such as Creamfields, Mysteryland, Baum Park, CRSSD, EDC and Ultra. With his relentless touring schedule and ever growing demand in club globally, he's visited Amnesia in Ibiza, Bahrein in Buenos Aires, Sound in Los Angeles, Output in New York City, Goodbar in Sydney, Kyo in Singapore, Spybar in Chicago and The Cat & Dog in Tel Aviv to name a few. Adding to this already impressive list of achievements, in 2017, Jeremy was rewarded with a residency at Sound Nightclub in Los Angeles, where industry legends such as Pete Tong, Guy Gerber and Marco Carola are counted as alumni.
In late 2015, in an attempt to gain control and vertically integrate his creative visions in all aspects of his career, Olander founded Vivrant. Now, almost two years into its existence, the label has become one of the most exciting and forward-thinking in recent memory. With a clear vision and well-crafted profile, 7 of 8 of its EP releases has made it to #1 on Beatport. With a steady stream of peer and fan support, it's clear as day the label's sound has filled a void. Described by Olander as a creative refuge for himself and others, Vivrant is already home to established artists in the likes of Henry Saiz, Finnebassen and Jamie Stevens, as well as to new, emerging talent such as Khen, Eekkoo, Charlie Thorstensson and Tim Engelhardt.
Coupled with its steady stream of quality releases, Vivrant has also become synonymous with sold out label showcases. In October of 2016, Olander took Vivrant to an abandoned 1200 capacity warehouse in the outskirts of Stockholm. He invited Henry Saiz and Finnebassen to join him, marking Saiz's first-ever show on Swedish soil, and ended up selling out the venue with fans outside the venue clamoring to get inside.
In the summer of 2017, Olander created another offshoot Vivrant event concept succinctly called Vivrant Open. Described as a free, no-nonsense open air show conceived in collaboration with Heineken as a means of giving back to fans, the event was announced the same week it took place and attracted a massive 1800 person crowd at Långholmen in central Stockholm.
Halfway into 2017, Olander is well on its way to making this year his best yet. Musically, he realised a long time dream with the release of the celebrated debut EP on John Digweed's Bedrock alongside Knee Deep In Sound mainstay Cristoph, a treasure chest filled with what feels like an infinite amount of unreleased material ready for Vivrant, another rumoured collaboratui an incessant tour schedule, which includes a guest play with Sasha, John Digweed, Art Department and Dubfire at Privilege and a first-ever Vivrant showcase outside Stockholm at ADE in October, one is hard pressed to argue the contrary.
~~~~~~~~
Dosem
https://www.dosem.net
The exploration of the deeper side of techno by Dosem, since busting onto the scene almost 10 years ago, has seen him clock up countless air miles, release a string of hit club tracks and earn accolades from many of his peers, who deem him to be one of the most influential underground Spanish DJs in the scene today. The demand for Dosem's infusion of deep textured sounds, relentless precision drums and driving rhythms which make up his club cuts that are making dance floors shake the world over shows no sign of slowing.
First emerging in 2008 with a number of early releases, it was his eloquently carved club hit 'Silent Drop' that was released on Technasia's label SINO in 2009 which first cemented his name into the consciousness of fans of deep and soulful club music. But it was the release of the cosmic classic 'Beach Kisses' in 2009 via Joris Voorn's influential Green label that confirmed his position as one of the scenes leading new artists. The coming years saw his profile flourishing with an expansive booking diary and a host of releases on a wide scope of labels including Danny Howells famed UK Label Dig Deeper and the Barcelona based Suara owned by Spanish tech-house mainstay Coyu. But the true marker to Dosem's potential came in 2011 when he unveiled his critically acclaim, debut album called 'Parallel.' Hinting at his rich pallet, he delivered atmospheric techno, with sweeping pads conjuring epic, ethereal soundscape and laid down a blueprint for the Dosem sound, that had been steadily maturing, for the coming years.
The immediate years following saw him drop tracks and remixes on some of the biggest labels around, making Dosem one of the key influences within the bubbling melodic techno scene. Labels such as Christian Smiths Tronic, Hernan Cattaneo's Sudbeat, Slam's Soma Records and John Digweeds seminal Bedrock all feature in Dosems swollen back catalogue. Yet it was the 2013' album 'Origin,' the follow up to 'Parallel,' that heralded the next chapter of his esteemed production career. 'Origin,' saw Dosem re-explore his roots, diving further into the sounds and ideas which inspired him, the result saw tougher, club driven tracks interspersed with soulful melodies and interstellar funk that became a firm fan favourite.
A host of releases followed, revisiting labels which felt like extended family, such as Carl Cox's Intec and Coyu's Suara as well as making new bonds with releases on US label Halocyan and Gregor Tresher's 'Break New Soil' label. During this period he dropped his third, full-length artist album 'City Cuts' in 2014. The accomplished release touched upon influences running throughout the Dosem sound. The referencing of urban life harked back to an earlier era on electronic music looking to the earlier Detroit techno pioneers use of music to capture the imagery of the city's industrial heritage, the synth lead explorations of sound undertaken by artists such as Mike Oldfield and William Orbit and Vangelis's conjuring of a dystopian future with his Oscar award winning scores are all prevalent. Dosem applied these ideas of 'City Cuts' and produced a deep, soulful album touching upon his love of techno, house and urban club music. Dub-influenced gems, disco-tinged anthems and rave-inspired floor-fillers, 'City Cuts' - that again saw him release on the esteemed Suara - also took home Spanish publication Vicious Magazine's 'Album Of The Year' award that same year, indicating the Catalan's supreme passion, talent, depth and versatility as a producer.
Most recent releases, from his remix of Hot Since 82's 'Planes & Trains' which reached No.1 in Beatports Techno charts to working his deep house magic on Umek & Mike Vale's 'All I Want'- that has kept dancefloors rolling deep into 2015 and upon its release taking the #1 spot on Beatport's deep house chart - make it apparent that the demand for his productions shows no sign of slowing and thankfully for his fans, neither does the rate at which he produces such seismic beats.
Earning a coveted spot as one of Beatport's Top 5 techno artists of 2014, Dosem's global acclaim a as a producer and highly prized re-mixer continues to spread. But his skills as a DJ are equally heralded and a relentless touring scheduled since appearing on the international circuit has won him not only the adoration of his fans but also the respect of his peers within the scene itself. This summer saw his most prolific Ibiza schedule to date taking apart Sankeys, Blue Marlin and Privilege Vista Club, as well as Ushuaïa, Space and Pacha on previous visits to the island, Dosem's versatility between festival annihilator and beach party connoisseur, magnifies his appeal and his dexterity when crowd reading and critically knowing when to play the right record at the right time have left audience in raptures.
Career defining sets at Berghain (Berlin,) Womb (Toyko,) Gashouder (Amsterdam,) Nitsa Apolo (Barcelona,) Rex Club (Paris,) Space Ibiza (New York,) and Ministry of Sound (London) as well as festival performances at Sónar, Ultra Music Festival, Loveland, Awakenings, BPM Festival and Monegros as well as many more have put Dosem in the bracket of top Dj-Producers at the moment.
So given his history, its no surprise that he has also gained wide support across the electronic spectrum and with fans and followers of the Catalonian's unique perspective of electronic music, 2016 is set to be a big year.
show less
About the Mint: To put it simply, The San Francisco Mint is spectacular. Also affectionately known as The Granite Lady, was said to have held nearly 1/3 of the nation's wealth in its heyday. Opening in 1874, it miraculously withstood the devastating effects of the 1906 earthquake and fire and continued operation until 1937. The Old Mint was designated a National Historic Landmark in 1961.
21+
~~~~~~~~
Cassian
https://cassianmusic.com
Cassian is a live electronic musician currently based in Los Angeles. An accomplished producer, DJ, and mixing engineer, he has cemented his name as one of the most versatile talents to emerge from Sydney's flourishing electronic scene. In 2018, Cassian became the first artist on RÜFÜS DU SOL's imprint Rose Avenue, where he's released buzzing singles "Lafayette," "Same Things," and "Magical" with ZOLLY (Phil Slabber of Crooked Colours). A respected and seasoned performer, Cassian has played for tens of thousands alongside the likes of Hayden James, Dom Dolla, RÜFÜS DU SOL, and Yotto, while also selling out headline shows and commanding festival sets. Now, after a year filled with new singles and remixes, a second ARIA award, and a Grammy nomination, he's gearing up to release his long-awaited debut album, Laps: a raw, analog-driven LP showcasing his tenacity for polished songwriting and dramatic sonic landscapes. Cassian is undeniably coming into his own as an artist, and it's impossible not to be excited for what's to come.
~~~~~~~~
Jeremy Olander
https://www.instagram.com/jeremyolander/
Since bursting onto the scene in 2011, DJ, producer and label owner Jeremy Olander has been described as the savior of the true progressive style once made famous by Sasha and John Digweed.
Looking in the rear mirror, Olander got his start eight years ago on Eric Prydz's Pryda Friends imprint. He went on to put out an unprecedented seven releases with Prydz, play New York City's Madison Square Garden and record a BBC Essential Mix that was shortlisted as one of the best of the year.
Born in Fairfax, VA in America to a Swedish father and an Indian mother, Jeremy was brought up in Stockholm and become exposed to the city's small but passionate electronic scene in his early teens. With role models in the likes of Adam Beyer, Cari Lekebusch and Joel Mull leading the charge, Jeremy found sources of inspiration at defunct legendary club Grodan Cocktail Club among Stockholm techno royalty, as well with Michael Jackson, Elvis Presley, Berry Gordy, Shigeru Miyamoto and east coast hip-hop.
His deep and emotionally charged style aside, true to his Swedish electronic music heritage, Jeremy also masters the craft of driving, drum-oriented techno under his enigmatic Dhillon monicker. With multiple tracks on fellow Swede Adam Beyer's Drumcode label, one of the most coveted in the world, Olander displays his near uncanny breadth as a producer.
In the last three years, the now 30-year-old has kicked his career into the proverbial next gear. Almost reemerging as a new artist after finishing his formative years at Pryda, Olander appeared on Canadian label microCastle, home to Guy J, Eagles & Butterflies, Chaim, Navar, with the stupendous three-track 'Goliath' EP that also featured a Marc Marzenit remix. To this day, the EP remains the best performing release in the label's history, making #1 and #2 on Beatport's genre and overall releases charts respectively.
Shortly after, Olander was invited to join Suara, home to Gaiser, Pete Tong, Betoko, Harvey McKay, Edu Imbernon, DJ Hell and more, by label founder Coyu himself. The Spanish powerhouse, that's been Resident Advisor's most charted label for multiple years straight, released the 'Hanover' and 'Talespin' EPs that both became two of the best-selling releases of the year in 2015 and 2016. Particularly noteworthy is 'Panorama' off the 'Talespin' EP, that made the Top 30 on the Beatport Top 100 and stayed at #1 on the Beatport Top 100 Progressive Chart for astonishing 35 days straight.
On the remix tip, Jeremy has been commissioned by a who's who electronic music legends such as Digitalism, Henry Saiz, Dosem and 16 Bit Lolitas, all requesting the touch of Jeremy's magic hand. His latest treatment on Sailor & I and Eekkoo's 'LETTERS' on Big Beat/Atlantic has amassed over 1.1 million streams on Spotify and topped the Beatport charts despite heavy competition from fellow remix artists Doctor Dru, Kidnap Kid and Diynamic's young guns NTFO.
Even though he's technically a producer first and DJ second, one would think the opposite when experiencing Olander in an intimate club environment or large festival setting. He's graced virtually all festival stages in the world worth their salts such as Creamfields, Mysteryland, Baum Park, CRSSD, EDC and Ultra. With his relentless touring schedule and ever growing demand in club globally, he's visited Amnesia in Ibiza, Bahrein in Buenos Aires, Sound in Los Angeles, Output in New York City, Goodbar in Sydney, Kyo in Singapore, Spybar in Chicago and The Cat & Dog in Tel Aviv to name a few. Adding to this already impressive list of achievements, in 2017, Jeremy was rewarded with a residency at Sound Nightclub in Los Angeles, where industry legends such as Pete Tong, Guy Gerber and Marco Carola are counted as alumni.
In late 2015, in an attempt to gain control and vertically integrate his creative visions in all aspects of his career, Olander founded Vivrant. Now, almost two years into its existence, the label has become one of the most exciting and forward-thinking in recent memory. With a clear vision and well-crafted profile, 7 of 8 of its EP releases has made it to #1 on Beatport. With a steady stream of peer and fan support, it's clear as day the label's sound has filled a void. Described by Olander as a creative refuge for himself and others, Vivrant is already home to established artists in the likes of Henry Saiz, Finnebassen and Jamie Stevens, as well as to new, emerging talent such as Khen, Eekkoo, Charlie Thorstensson and Tim Engelhardt.
Coupled with its steady stream of quality releases, Vivrant has also become synonymous with sold out label showcases. In October of 2016, Olander took Vivrant to an abandoned 1200 capacity warehouse in the outskirts of Stockholm. He invited Henry Saiz and Finnebassen to join him, marking Saiz's first-ever show on Swedish soil, and ended up selling out the venue with fans outside the venue clamoring to get inside.
In the summer of 2017, Olander created another offshoot Vivrant event concept succinctly called Vivrant Open. Described as a free, no-nonsense open air show conceived in collaboration with Heineken as a means of giving back to fans, the event was announced the same week it took place and attracted a massive 1800 person crowd at Långholmen in central Stockholm.
Halfway into 2017, Olander is well on its way to making this year his best yet. Musically, he realised a long time dream with the release of the celebrated debut EP on John Digweed's Bedrock alongside Knee Deep In Sound mainstay Cristoph, a treasure chest filled with what feels like an infinite amount of unreleased material ready for Vivrant, another rumoured collaboratui an incessant tour schedule, which includes a guest play with Sasha, John Digweed, Art Department and Dubfire at Privilege and a first-ever Vivrant showcase outside Stockholm at ADE in October, one is hard pressed to argue the contrary.
~~~~~~~~
Dosem
https://www.dosem.net
The exploration of the deeper side of techno by Dosem, since busting onto the scene almost 10 years ago, has seen him clock up countless air miles, release a string of hit club tracks and earn accolades from many of his peers, who deem him to be one of the most influential underground Spanish DJs in the scene today. The demand for Dosem's infusion of deep textured sounds, relentless precision drums and driving rhythms which make up his club cuts that are making dance floors shake the world over shows no sign of slowing.
First emerging in 2008 with a number of early releases, it was his eloquently carved club hit 'Silent Drop' that was released on Technasia's label SINO in 2009 which first cemented his name into the consciousness of fans of deep and soulful club music. But it was the release of the cosmic classic 'Beach Kisses' in 2009 via Joris Voorn's influential Green label that confirmed his position as one of the scenes leading new artists. The coming years saw his profile flourishing with an expansive booking diary and a host of releases on a wide scope of labels including Danny Howells famed UK Label Dig Deeper and the Barcelona based Suara owned by Spanish tech-house mainstay Coyu. But the true marker to Dosem's potential came in 2011 when he unveiled his critically acclaim, debut album called 'Parallel.' Hinting at his rich pallet, he delivered atmospheric techno, with sweeping pads conjuring epic, ethereal soundscape and laid down a blueprint for the Dosem sound, that had been steadily maturing, for the coming years.
The immediate years following saw him drop tracks and remixes on some of the biggest labels around, making Dosem one of the key influences within the bubbling melodic techno scene. Labels such as Christian Smiths Tronic, Hernan Cattaneo's Sudbeat, Slam's Soma Records and John Digweeds seminal Bedrock all feature in Dosems swollen back catalogue. Yet it was the 2013' album 'Origin,' the follow up to 'Parallel,' that heralded the next chapter of his esteemed production career. 'Origin,' saw Dosem re-explore his roots, diving further into the sounds and ideas which inspired him, the result saw tougher, club driven tracks interspersed with soulful melodies and interstellar funk that became a firm fan favourite.
A host of releases followed, revisiting labels which felt like extended family, such as Carl Cox's Intec and Coyu's Suara as well as making new bonds with releases on US label Halocyan and Gregor Tresher's 'Break New Soil' label. During this period he dropped his third, full-length artist album 'City Cuts' in 2014. The accomplished release touched upon influences running throughout the Dosem sound. The referencing of urban life harked back to an earlier era on electronic music looking to the earlier Detroit techno pioneers use of music to capture the imagery of the city's industrial heritage, the synth lead explorations of sound undertaken by artists such as Mike Oldfield and William Orbit and Vangelis's conjuring of a dystopian future with his Oscar award winning scores are all prevalent. Dosem applied these ideas of 'City Cuts' and produced a deep, soulful album touching upon his love of techno, house and urban club music. Dub-influenced gems, disco-tinged anthems and rave-inspired floor-fillers, 'City Cuts' - that again saw him release on the esteemed Suara - also took home Spanish publication Vicious Magazine's 'Album Of The Year' award that same year, indicating the Catalan's supreme passion, talent, depth and versatility as a producer.
Most recent releases, from his remix of Hot Since 82's 'Planes & Trains' which reached No.1 in Beatports Techno charts to working his deep house magic on Umek & Mike Vale's 'All I Want'- that has kept dancefloors rolling deep into 2015 and upon its release taking the #1 spot on Beatport's deep house chart - make it apparent that the demand for his productions shows no sign of slowing and thankfully for his fans, neither does the rate at which he produces such seismic beats.
Earning a coveted spot as one of Beatport's Top 5 techno artists of 2014, Dosem's global acclaim a as a producer and highly prized re-mixer continues to spread. But his skills as a DJ are equally heralded and a relentless touring scheduled since appearing on the international circuit has won him not only the adoration of his fans but also the respect of his peers within the scene itself. This summer saw his most prolific Ibiza schedule to date taking apart Sankeys, Blue Marlin and Privilege Vista Club, as well as Ushuaïa, Space and Pacha on previous visits to the island, Dosem's versatility between festival annihilator and beach party connoisseur, magnifies his appeal and his dexterity when crowd reading and critically knowing when to play the right record at the right time have left audience in raptures.
Career defining sets at Berghain (Berlin,) Womb (Toyko,) Gashouder (Amsterdam,) Nitsa Apolo (Barcelona,) Rex Club (Paris,) Space Ibiza (New York,) and Ministry of Sound (London) as well as festival performances at Sónar, Ultra Music Festival, Loveland, Awakenings, BPM Festival and Monegros as well as many more have put Dosem in the bracket of top Dj-Producers at the moment.
So given his history, its no surprise that he has also gained wide support across the electronic spectrum and with fans and followers of the Catalonian's unique perspective of electronic music, 2016 is set to be a big year.
All Day All Night invites you to another day party at the Historic San Francisco Mint on August 5th featuring Cassian, Jeremy Olander, Dosem, and Banksia. This heavily curated lineup is one for the record books. Expect progressive house, deep house, and techno at one of the most beautiful venues in the country.
About the Mint: To put it simply, The San Francisco Mint is spectacular. Also affectionately known as The Granite Lady, was said to have held nearly 1/3 of the nation's wealth in its heyday. Opening in 1874, it miraculously withstood the devastating effects of the 1906 earthquake and fire and continued operation until 1937. The Old Mint was designated a National Historic Landmark in 1961.
21+
~~~~~~~~
Cassian
https://cassianmusic.com
Cassian is a live electronic musician currently based in Los Angeles. An accomplished producer, DJ, and mixing engineer, he has cemented his name as one of the most versatile talents to emerge from Sydney's flourishing electronic scene. In 2018, Cassian became the first artist on RÜFÜS DU SOL's imprint Rose Avenue, where he's released buzzing singles "Lafayette," "Same Things," and "Magical" with ZOLLY (Phil Slabber of Crooked Colours). A respected and seasoned performer, Cassian has played for tens of thousands alongside the likes of Hayden James, Dom Dolla, RÜFÜS DU SOL, and Yotto, while also selling out headline shows and commanding festival sets. Now, after a year filled with new singles and remixes, a second ARIA award, and a Grammy nomination, he's gearing up to release his long-awaited debut album, Laps: a raw, analog-driven LP showcasing his tenacity for polished songwriting and dramatic sonic landscapes. Cassian is undeniably coming into his own as an artist, and it's impossible not to be excited for what's to come.
~~~~~~~~
Jeremy Olander
https://www.instagram.com/jeremyolander/
Since bursting onto the scene in 2011, DJ, producer and label owner Jeremy Olander has been described as the savior of the true progressive style once made famous by Sasha and John Digweed.
Looking in the rear mirror, Olander got his start eight years ago on Eric Prydz's Pryda Friends imprint. He went on to put out an unprecedented seven releases with Prydz, play New York City's Madison Square Garden and record a BBC Essential Mix that was shortlisted as one of the best of the year.
Born in Fairfax, VA in America to a Swedish father and an Indian mother, Jeremy was brought up in Stockholm and become exposed to the city's small but passionate electronic scene in his early teens. With role models in the likes of Adam Beyer, Cari Lekebusch and Joel Mull leading the charge, Jeremy found sources of inspiration at defunct legendary club Grodan Cocktail Club among Stockholm techno royalty, as well with Michael Jackson, Elvis Presley, Berry Gordy, Shigeru Miyamoto and east coast hip-hop.
His deep and emotionally charged style aside, true to his Swedish electronic music heritage, Jeremy also masters the craft of driving, drum-oriented techno under his enigmatic Dhillon monicker. With multiple tracks on fellow Swede Adam Beyer's Drumcode label, one of the most coveted in the world, Olander displays his near uncanny breadth as a producer.
In the last three years, the now 30-year-old has kicked his career into the proverbial next gear. Almost reemerging as a new artist after finishing his formative years at Pryda, Olander appeared on Canadian label microCastle, home to Guy J, Eagles & Butterflies, Chaim, Navar, with the stupendous three-track 'Goliath' EP that also featured a Marc Marzenit remix. To this day, the EP remains the best performing release in the label's history, making #1 and #2 on Beatport's genre and overall releases charts respectively.
Shortly after, Olander was invited to join Suara, home to Gaiser, Pete Tong, Betoko, Harvey McKay, Edu Imbernon, DJ Hell and more, by label founder Coyu himself. The Spanish powerhouse, that's been Resident Advisor's most charted label for multiple years straight, released the 'Hanover' and 'Talespin' EPs that both became two of the best-selling releases of the year in 2015 and 2016. Particularly noteworthy is 'Panorama' off the 'Talespin' EP, that made the Top 30 on the Beatport Top 100 and stayed at #1 on the Beatport Top 100 Progressive Chart for astonishing 35 days straight.
On the remix tip, Jeremy has been commissioned by a who's who electronic music legends such as Digitalism, Henry Saiz, Dosem and 16 Bit Lolitas, all requesting the touch of Jeremy's magic hand. His latest treatment on Sailor & I and Eekkoo's 'LETTERS' on Big Beat/Atlantic has amassed over 1.1 million streams on Spotify and topped the Beatport charts despite heavy competition from fellow remix artists Doctor Dru, Kidnap Kid and Diynamic's young guns NTFO.
Even though he's technically a producer first and DJ second, one would think the opposite when experiencing Olander in an intimate club environment or large festival setting. He's graced virtually all festival stages in the world worth their salts such as Creamfields, Mysteryland, Baum Park, CRSSD, EDC and Ultra. With his relentless touring schedule and ever growing demand in club globally, he's visited Amnesia in Ibiza, Bahrein in Buenos Aires, Sound in Los Angeles, Output in New York City, Goodbar in Sydney, Kyo in Singapore, Spybar in Chicago and The Cat & Dog in Tel Aviv to name a few. Adding to this already impressive list of achievements, in 2017, Jeremy was rewarded with a residency at Sound Nightclub in Los Angeles, where industry legends such as Pete Tong, Guy Gerber and Marco Carola are counted as alumni.
In late 2015, in an attempt to gain control and vertically integrate his creative visions in all aspects of his career, Olander founded Vivrant. Now, almost two years into its existence, the label has become one of the most exciting and forward-thinking in recent memory. With a clear vision and well-crafted profile, 7 of 8 of its EP releases has made it to #1 on Beatport. With a steady stream of peer and fan support, it's clear as day the label's sound has filled a void. Described by Olander as a creative refuge for himself and others, Vivrant is already home to established artists in the likes of Henry Saiz, Finnebassen and Jamie Stevens, as well as to new, emerging talent such as Khen, Eekkoo, Charlie Thorstensson and Tim Engelhardt.
Coupled with its steady stream of quality releases, Vivrant has also become synonymous with sold out label showcases. In October of 2016, Olander took Vivrant to an abandoned 1200 capacity warehouse in the outskirts of Stockholm. He invited Henry Saiz and Finnebassen to join him, marking Saiz's first-ever show on Swedish soil, and ended up selling out the venue with fans outside the venue clamoring to get inside.
In the summer of 2017, Olander created another offshoot Vivrant event concept succinctly called Vivrant Open. Described as a free, no-nonsense open air show conceived in collaboration with Heineken as a means of giving back to fans, the event was announced the same week it took place and attracted a massive 1800 person crowd at Långholmen in central Stockholm.
Halfway into 2017, Olander is well on its way to making this year his best yet. Musically, he realised a long time dream with the release of the celebrated debut EP on John Digweed's Bedrock alongside Knee Deep In Sound mainstay Cristoph, a treasure chest filled with what feels like an infinite amount of unreleased material ready for Vivrant, another rumoured collaboratui an incessant tour schedule, which includes a guest play with Sasha, John Digweed, Art Department and Dubfire at Privilege and a first-ever Vivrant showcase outside Stockholm at ADE in October, one is hard pressed to argue the contrary.
~~~~~~~~
Dosem
https://www.dosem.net
The exploration of the deeper side of techno by Dosem, since busting onto the scene almost 10 years ago, has seen him clock up countless air miles, release a string of hit club tracks and earn accolades from many of his peers, who deem him to be one of the most influential underground Spanish DJs in the scene today. The demand for Dosem's infusion of deep textured sounds, relentless precision drums and driving rhythms which make up his club cuts that are making dance floors shake the world over shows no sign of slowing.
First emerging in 2008 with a number of early releases, it was his eloquently carved club hit 'Silent Drop' that was released on Technasia's label SINO in 2009 which first cemented his name into the consciousness of fans of deep and soulful club music. But it was the release of the cosmic classic 'Beach Kisses' in 2009 via Joris Voorn's influential Green label that confirmed his position as one of the scenes leading new artists. The coming years saw his profile flourishing with an expansive booking diary and a host of releases on a wide scope of labels including Danny Howells famed UK Label Dig Deeper and the Barcelona based Suara owned by Spanish tech-house mainstay Coyu. But the true marker to Dosem's potential came in 2011 when he unveiled his critically acclaim, debut album called 'Parallel.' Hinting at his rich pallet, he delivered atmospheric techno, with sweeping pads conjuring epic, ethereal soundscape and laid down a blueprint for the Dosem sound, that had been steadily maturing, for the coming years.
The immediate years following saw him drop tracks and remixes on some of the biggest labels around, making Dosem one of the key influences within the bubbling melodic techno scene. Labels such as Christian Smiths Tronic, Hernan Cattaneo's Sudbeat, Slam's Soma Records and John Digweeds seminal Bedrock all feature in Dosems swollen back catalogue. Yet it was the 2013' album 'Origin,' the follow up to 'Parallel,' that heralded the next chapter of his esteemed production career. 'Origin,' saw Dosem re-explore his roots, diving further into the sounds and ideas which inspired him, the result saw tougher, club driven tracks interspersed with soulful melodies and interstellar funk that became a firm fan favourite.
A host of releases followed, revisiting labels which felt like extended family, such as Carl Cox's Intec and Coyu's Suara as well as making new bonds with releases on US label Halocyan and Gregor Tresher's 'Break New Soil' label. During this period he dropped his third, full-length artist album 'City Cuts' in 2014. The accomplished release touched upon influences running throughout the Dosem sound. The referencing of urban life harked back to an earlier era on electronic music looking to the earlier Detroit techno pioneers use of music to capture the imagery of the city's industrial heritage, the synth lead explorations of sound undertaken by artists such as Mike Oldfield and William Orbit and Vangelis's conjuring of a dystopian future with his Oscar award winning scores are all prevalent. Dosem applied these ideas of 'City Cuts' and produced a deep, soulful album touching upon his love of techno, house and urban club music. Dub-influenced gems, disco-tinged anthems and rave-inspired floor-fillers, 'City Cuts' - that again saw him release on the esteemed Suara - also took home Spanish publication Vicious Magazine's 'Album Of The Year' award that same year, indicating the Catalan's supreme passion, talent, depth and versatility as a producer.
Most recent releases, from his remix of Hot Since 82's 'Planes & Trains' which reached No.1 in Beatports Techno charts to working his deep house magic on Umek & Mike Vale's 'All I Want'- that has kept dancefloors rolling deep into 2015 and upon its release taking the #1 spot on Beatport's deep house chart - make it apparent that the demand for his productions shows no sign of slowing and thankfully for his fans, neither does the rate at which he produces such seismic beats.
Earning a coveted spot as one of Beatport's Top 5 techno artists of 2014, Dosem's global acclaim a as a producer and highly prized re-mixer continues to spread. But his skills as a DJ are equally heralded and a relentless touring scheduled since appearing on the international circuit has won him not only the adoration of his fans but also the respect of his peers within the scene itself. This summer saw his most prolific Ibiza schedule to date taking apart Sankeys, Blue Marlin and Privilege Vista Club, as well as Ushuaïa, Space and Pacha on previous visits to the island, Dosem's versatility between festival annihilator and beach party connoisseur, magnifies his appeal and his dexterity when crowd reading and critically knowing when to play the right record at the right time have left audience in raptures.
Career defining sets at Berghain (Berlin,) Womb (Toyko,) Gashouder (Amsterdam,) Nitsa Apolo (Barcelona,) Rex Club (Paris,) Space Ibiza (New York,) and Ministry of Sound (London) as well as festival performances at Sónar, Ultra Music Festival, Loveland, Awakenings, BPM Festival and Monegros as well as many more have put Dosem in the bracket of top Dj-Producers at the moment.
So given his history, its no surprise that he has also gained wide support across the electronic spectrum and with fans and followers of the Catalonian's unique perspective of electronic music, 2016 is set to be a big year.
read more
About the Mint: To put it simply, The San Francisco Mint is spectacular. Also affectionately known as The Granite Lady, was said to have held nearly 1/3 of the nation's wealth in its heyday. Opening in 1874, it miraculously withstood the devastating effects of the 1906 earthquake and fire and continued operation until 1937. The Old Mint was designated a National Historic Landmark in 1961.
21+
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Cassian
https://cassianmusic.com
Cassian is a live electronic musician currently based in Los Angeles. An accomplished producer, DJ, and mixing engineer, he has cemented his name as one of the most versatile talents to emerge from Sydney's flourishing electronic scene. In 2018, Cassian became the first artist on RÜFÜS DU SOL's imprint Rose Avenue, where he's released buzzing singles "Lafayette," "Same Things," and "Magical" with ZOLLY (Phil Slabber of Crooked Colours). A respected and seasoned performer, Cassian has played for tens of thousands alongside the likes of Hayden James, Dom Dolla, RÜFÜS DU SOL, and Yotto, while also selling out headline shows and commanding festival sets. Now, after a year filled with new singles and remixes, a second ARIA award, and a Grammy nomination, he's gearing up to release his long-awaited debut album, Laps: a raw, analog-driven LP showcasing his tenacity for polished songwriting and dramatic sonic landscapes. Cassian is undeniably coming into his own as an artist, and it's impossible not to be excited for what's to come.
~~~~~~~~
Jeremy Olander
https://www.instagram.com/jeremyolander/
Since bursting onto the scene in 2011, DJ, producer and label owner Jeremy Olander has been described as the savior of the true progressive style once made famous by Sasha and John Digweed.
Looking in the rear mirror, Olander got his start eight years ago on Eric Prydz's Pryda Friends imprint. He went on to put out an unprecedented seven releases with Prydz, play New York City's Madison Square Garden and record a BBC Essential Mix that was shortlisted as one of the best of the year.
Born in Fairfax, VA in America to a Swedish father and an Indian mother, Jeremy was brought up in Stockholm and become exposed to the city's small but passionate electronic scene in his early teens. With role models in the likes of Adam Beyer, Cari Lekebusch and Joel Mull leading the charge, Jeremy found sources of inspiration at defunct legendary club Grodan Cocktail Club among Stockholm techno royalty, as well with Michael Jackson, Elvis Presley, Berry Gordy, Shigeru Miyamoto and east coast hip-hop.
His deep and emotionally charged style aside, true to his Swedish electronic music heritage, Jeremy also masters the craft of driving, drum-oriented techno under his enigmatic Dhillon monicker. With multiple tracks on fellow Swede Adam Beyer's Drumcode label, one of the most coveted in the world, Olander displays his near uncanny breadth as a producer.
In the last three years, the now 30-year-old has kicked his career into the proverbial next gear. Almost reemerging as a new artist after finishing his formative years at Pryda, Olander appeared on Canadian label microCastle, home to Guy J, Eagles & Butterflies, Chaim, Navar, with the stupendous three-track 'Goliath' EP that also featured a Marc Marzenit remix. To this day, the EP remains the best performing release in the label's history, making #1 and #2 on Beatport's genre and overall releases charts respectively.
Shortly after, Olander was invited to join Suara, home to Gaiser, Pete Tong, Betoko, Harvey McKay, Edu Imbernon, DJ Hell and more, by label founder Coyu himself. The Spanish powerhouse, that's been Resident Advisor's most charted label for multiple years straight, released the 'Hanover' and 'Talespin' EPs that both became two of the best-selling releases of the year in 2015 and 2016. Particularly noteworthy is 'Panorama' off the 'Talespin' EP, that made the Top 30 on the Beatport Top 100 and stayed at #1 on the Beatport Top 100 Progressive Chart for astonishing 35 days straight.
On the remix tip, Jeremy has been commissioned by a who's who electronic music legends such as Digitalism, Henry Saiz, Dosem and 16 Bit Lolitas, all requesting the touch of Jeremy's magic hand. His latest treatment on Sailor & I and Eekkoo's 'LETTERS' on Big Beat/Atlantic has amassed over 1.1 million streams on Spotify and topped the Beatport charts despite heavy competition from fellow remix artists Doctor Dru, Kidnap Kid and Diynamic's young guns NTFO.
Even though he's technically a producer first and DJ second, one would think the opposite when experiencing Olander in an intimate club environment or large festival setting. He's graced virtually all festival stages in the world worth their salts such as Creamfields, Mysteryland, Baum Park, CRSSD, EDC and Ultra. With his relentless touring schedule and ever growing demand in club globally, he's visited Amnesia in Ibiza, Bahrein in Buenos Aires, Sound in Los Angeles, Output in New York City, Goodbar in Sydney, Kyo in Singapore, Spybar in Chicago and The Cat & Dog in Tel Aviv to name a few. Adding to this already impressive list of achievements, in 2017, Jeremy was rewarded with a residency at Sound Nightclub in Los Angeles, where industry legends such as Pete Tong, Guy Gerber and Marco Carola are counted as alumni.
In late 2015, in an attempt to gain control and vertically integrate his creative visions in all aspects of his career, Olander founded Vivrant. Now, almost two years into its existence, the label has become one of the most exciting and forward-thinking in recent memory. With a clear vision and well-crafted profile, 7 of 8 of its EP releases has made it to #1 on Beatport. With a steady stream of peer and fan support, it's clear as day the label's sound has filled a void. Described by Olander as a creative refuge for himself and others, Vivrant is already home to established artists in the likes of Henry Saiz, Finnebassen and Jamie Stevens, as well as to new, emerging talent such as Khen, Eekkoo, Charlie Thorstensson and Tim Engelhardt.
Coupled with its steady stream of quality releases, Vivrant has also become synonymous with sold out label showcases. In October of 2016, Olander took Vivrant to an abandoned 1200 capacity warehouse in the outskirts of Stockholm. He invited Henry Saiz and Finnebassen to join him, marking Saiz's first-ever show on Swedish soil, and ended up selling out the venue with fans outside the venue clamoring to get inside.
In the summer of 2017, Olander created another offshoot Vivrant event concept succinctly called Vivrant Open. Described as a free, no-nonsense open air show conceived in collaboration with Heineken as a means of giving back to fans, the event was announced the same week it took place and attracted a massive 1800 person crowd at Långholmen in central Stockholm.
Halfway into 2017, Olander is well on its way to making this year his best yet. Musically, he realised a long time dream with the release of the celebrated debut EP on John Digweed's Bedrock alongside Knee Deep In Sound mainstay Cristoph, a treasure chest filled with what feels like an infinite amount of unreleased material ready for Vivrant, another rumoured collaboratui an incessant tour schedule, which includes a guest play with Sasha, John Digweed, Art Department and Dubfire at Privilege and a first-ever Vivrant showcase outside Stockholm at ADE in October, one is hard pressed to argue the contrary.
~~~~~~~~
Dosem
https://www.dosem.net
The exploration of the deeper side of techno by Dosem, since busting onto the scene almost 10 years ago, has seen him clock up countless air miles, release a string of hit club tracks and earn accolades from many of his peers, who deem him to be one of the most influential underground Spanish DJs in the scene today. The demand for Dosem's infusion of deep textured sounds, relentless precision drums and driving rhythms which make up his club cuts that are making dance floors shake the world over shows no sign of slowing.
First emerging in 2008 with a number of early releases, it was his eloquently carved club hit 'Silent Drop' that was released on Technasia's label SINO in 2009 which first cemented his name into the consciousness of fans of deep and soulful club music. But it was the release of the cosmic classic 'Beach Kisses' in 2009 via Joris Voorn's influential Green label that confirmed his position as one of the scenes leading new artists. The coming years saw his profile flourishing with an expansive booking diary and a host of releases on a wide scope of labels including Danny Howells famed UK Label Dig Deeper and the Barcelona based Suara owned by Spanish tech-house mainstay Coyu. But the true marker to Dosem's potential came in 2011 when he unveiled his critically acclaim, debut album called 'Parallel.' Hinting at his rich pallet, he delivered atmospheric techno, with sweeping pads conjuring epic, ethereal soundscape and laid down a blueprint for the Dosem sound, that had been steadily maturing, for the coming years.
The immediate years following saw him drop tracks and remixes on some of the biggest labels around, making Dosem one of the key influences within the bubbling melodic techno scene. Labels such as Christian Smiths Tronic, Hernan Cattaneo's Sudbeat, Slam's Soma Records and John Digweeds seminal Bedrock all feature in Dosems swollen back catalogue. Yet it was the 2013' album 'Origin,' the follow up to 'Parallel,' that heralded the next chapter of his esteemed production career. 'Origin,' saw Dosem re-explore his roots, diving further into the sounds and ideas which inspired him, the result saw tougher, club driven tracks interspersed with soulful melodies and interstellar funk that became a firm fan favourite.
A host of releases followed, revisiting labels which felt like extended family, such as Carl Cox's Intec and Coyu's Suara as well as making new bonds with releases on US label Halocyan and Gregor Tresher's 'Break New Soil' label. During this period he dropped his third, full-length artist album 'City Cuts' in 2014. The accomplished release touched upon influences running throughout the Dosem sound. The referencing of urban life harked back to an earlier era on electronic music looking to the earlier Detroit techno pioneers use of music to capture the imagery of the city's industrial heritage, the synth lead explorations of sound undertaken by artists such as Mike Oldfield and William Orbit and Vangelis's conjuring of a dystopian future with his Oscar award winning scores are all prevalent. Dosem applied these ideas of 'City Cuts' and produced a deep, soulful album touching upon his love of techno, house and urban club music. Dub-influenced gems, disco-tinged anthems and rave-inspired floor-fillers, 'City Cuts' - that again saw him release on the esteemed Suara - also took home Spanish publication Vicious Magazine's 'Album Of The Year' award that same year, indicating the Catalan's supreme passion, talent, depth and versatility as a producer.
Most recent releases, from his remix of Hot Since 82's 'Planes & Trains' which reached No.1 in Beatports Techno charts to working his deep house magic on Umek & Mike Vale's 'All I Want'- that has kept dancefloors rolling deep into 2015 and upon its release taking the #1 spot on Beatport's deep house chart - make it apparent that the demand for his productions shows no sign of slowing and thankfully for his fans, neither does the rate at which he produces such seismic beats.
Earning a coveted spot as one of Beatport's Top 5 techno artists of 2014, Dosem's global acclaim a as a producer and highly prized re-mixer continues to spread. But his skills as a DJ are equally heralded and a relentless touring scheduled since appearing on the international circuit has won him not only the adoration of his fans but also the respect of his peers within the scene itself. This summer saw his most prolific Ibiza schedule to date taking apart Sankeys, Blue Marlin and Privilege Vista Club, as well as Ushuaïa, Space and Pacha on previous visits to the island, Dosem's versatility between festival annihilator and beach party connoisseur, magnifies his appeal and his dexterity when crowd reading and critically knowing when to play the right record at the right time have left audience in raptures.
Career defining sets at Berghain (Berlin,) Womb (Toyko,) Gashouder (Amsterdam,) Nitsa Apolo (Barcelona,) Rex Club (Paris,) Space Ibiza (New York,) and Ministry of Sound (London) as well as festival performances at Sónar, Ultra Music Festival, Loveland, Awakenings, BPM Festival and Monegros as well as many more have put Dosem in the bracket of top Dj-Producers at the moment.
So given his history, its no surprise that he has also gained wide support across the electronic spectrum and with fans and followers of the Catalonian's unique perspective of electronic music, 2016 is set to be a big year.
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