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Sat November 4, 2023

Ardalan

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Born in Tehran, Ardalan found himself gravitating towards an unlikely passion for music at an early age Enamored first by traditional Iranian music and classic jazz and rock, Ardalan's taste began to transform with his childhood years spent moving back and forth from Iran and California. With each intercontinental return, Ardalan grew his treasure trove of mixtapes filled with rare musical gems like gangsta rap, Italo disco, and movie and video game soundtracks-the best of the West.

Naturally, when he permanently returned to California in 2006, his distinct taste in music drew him towards long-lasting friendships, which were born through exchanges of mixtape gold and out seeking underground excursions. Ardalan became a regular of the underground scene in the Bay Area, absorbing the sounds of house and techno from the likes of Solar and Galen at the legendary Sunset Sound System parties, and it wasn't long before he was hooked. Full of his signature charm, spark of energy, and an insatiable curiosity for left-of-center music, soon he found his way to a fateful BBQ in San Francisco, a legendary party that is largely known as the origin story lore of the Dirtybird crew. Immediately, the crew took to young Ardy like family.

Then came "Mr. Spock." Call it beginner's luck, or more likely, a sign of what was to come-in2010, Ardalan shared one of his earliest studio explorations with Justin Martin, which became the foundation for the breakout hit. "Mr. Spock," in its bizarre and booty-shaking glory, has been accredited as one of the "tracks that made Dirtybird famous," helping to define the label's now darling reputation as a trusted source of ridiculous, off-the-wall dance floor bangers. Since, he continued to translate his deep-rooted connection to the dance floor in the studio with remixes on Toy Tonics, Play It Down, Yoshitoshi, and Dirtybird.

A decade later, Ardy is a favored act on line-ups who trust in his ability to fire up a crowd with his DJ prowess and ability to make eclectic selections feel right at home on the dancefloor. He's played at Coachella, Dirtybird Campout, CRSSD, Secret Garden, Desert Hearts and at esteemed venues like Space Miami, New York's Output, and Detroit's TV Lounge.

Next, Ardalan sets his sights on defining his own sound in the studio with the release of his debut album, Mr. Good. He's set out to push his reputation as a musical chameleon to the limits with his record; a powerful melding of tough, jarring beats with lush melodies. Equally, rowdy as it is introspective, it's safe to say that like Ardalan himself, there's nothing out there like Mr. Good.

21+

~~~~~~~~

Range, appeal and a massive dose of nasty, gritty bass are the three chief weapons every Dirtybird artist has in his quiver, but Ardalan seems to be the peak culmination of all those assets in one wieldy point. This young archer has had the incomprehensible luck to fall into crew with his idols, be reared by their best and given some of their most guarded musical secrets, then hoisted to a platform to blare his prodigious beats from places where most creators can only dream of being.

Born in Tehran, Iran, Ardalan possesses a peculiar, fresh perspective on music genesis without even trying. His mixes, remixes and dubs are known for their sass, energy and wickedly wry samples that snap like a wet towel to the face, but his original records are where his efforts shine, like those released with Justin Martin --"Mr. Spock," a 2010 party anthem charted by Diplo and Jesse Rose, "LEZGO," charted by Dog Blood (Skrillex and Boyz Noise) and "Function", the 2015 banger that keeps giving -- as well as two of his own EP's that were released on Dirtybird, "The Yeah / No" and "Thunderdad". It is no wonder he has been given the nod by everyone, from Papa Dirtybird himself (Claude VonStroke) and A-Trak, to those who are charting his remixes, like Maya Jane Coles, Audiojack, and Riva Starr.

The greatest strength in Ardy's music is his ability to whip out hits that work equally well from the dankest basements to the most opulent dance-floors; sounds that satisfy those with diverse tastes who can unite under his single agenda of having a good time.
Born in Tehran, Ardalan found himself gravitating towards an unlikely passion for music at an early age Enamored first by traditional Iranian music and classic jazz and rock, Ardalan's taste began to transform with his childhood years spent moving back and forth from Iran and California. With each intercontinental return, Ardalan grew his treasure trove of mixtapes filled with rare musical gems like gangsta rap, Italo disco, and movie and video game soundtracks-the best of the West.

Naturally, when he permanently returned to California in 2006, his distinct taste in music drew him towards long-lasting friendships, which were born through exchanges of mixtape gold and out seeking underground excursions. Ardalan became a regular of the underground scene in the Bay Area, absorbing the sounds of house and techno from the likes of Solar and Galen at the legendary Sunset Sound System parties, and it wasn't long before he was hooked. Full of his signature charm, spark of energy, and an insatiable curiosity for left-of-center music, soon he found his way to a fateful BBQ in San Francisco, a legendary party that is largely known as the origin story lore of the Dirtybird crew. Immediately, the crew took to young Ardy like family.

Then came "Mr. Spock." Call it beginner's luck, or more likely, a sign of what was to come-in2010, Ardalan shared one of his earliest studio explorations with Justin Martin, which became the foundation for the breakout hit. "Mr. Spock," in its bizarre and booty-shaking glory, has been accredited as one of the "tracks that made Dirtybird famous," helping to define the label's now darling reputation as a trusted source of ridiculous, off-the-wall dance floor bangers. Since, he continued to translate his deep-rooted connection to the dance floor in the studio with remixes on Toy Tonics, Play It Down, Yoshitoshi, and Dirtybird.

A decade later, Ardy is a favored act on line-ups who trust in his ability to fire up a crowd with his DJ prowess and ability to make eclectic selections feel right at home on the dancefloor. He's played at Coachella, Dirtybird Campout, CRSSD, Secret Garden, Desert Hearts and at esteemed venues like Space Miami, New York's Output, and Detroit's TV Lounge.

Next, Ardalan sets his sights on defining his own sound in the studio with the release of his debut album, Mr. Good. He's set out to push his reputation as a musical chameleon to the limits with his record; a powerful melding of tough, jarring beats with lush melodies. Equally, rowdy as it is introspective, it's safe to say that like Ardalan himself, there's nothing out there like Mr. Good.

21+

~~~~~~~~

Range, appeal and a massive dose of nasty, gritty bass are the three chief weapons every Dirtybird artist has in his quiver, but Ardalan seems to be the peak culmination of all those assets in one wieldy point. This young archer has had the incomprehensible luck to fall into crew with his idols, be reared by their best and given some of their most guarded musical secrets, then hoisted to a platform to blare his prodigious beats from places where most creators can only dream of being.

Born in Tehran, Iran, Ardalan possesses a peculiar, fresh perspective on music genesis without even trying. His mixes, remixes and dubs are known for their sass, energy and wickedly wry samples that snap like a wet towel to the face, but his original records are where his efforts shine, like those released with Justin Martin --"Mr. Spock," a 2010 party anthem charted by Diplo and Jesse Rose, "LEZGO," charted by Dog Blood (Skrillex and Boyz Noise) and "Function", the 2015 banger that keeps giving -- as well as two of his own EP's that were released on Dirtybird, "The Yeah / No" and "Thunderdad". It is no wonder he has been given the nod by everyone, from Papa Dirtybird himself (Claude VonStroke) and A-Trak, to those who are charting his remixes, like Maya Jane Coles, Audiojack, and Riva Starr.

The greatest strength in Ardy's music is his ability to whip out hits that work equally well from the dankest basements to the most opulent dance-floors; sounds that satisfy those with diverse tastes who can unite under his single agenda of having a good time.
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