Alejandro Saravia discusses his new novel from Biblioasis, Red, Yellow, and Green, with translator María José Gimenez. Sponsored by the Center for the Art of Translation.
About Red, Yellow, and Green
In Montreal, Alfredo struggles with his memories of being ordered to commit an atrocity by the Bolivian army. Despising his nation as an oppressive sham, he falls for a woman who has no nation—a Kurdish freedom-fighter trying to blast an independent Kurdistan into existence. As the net of intrigue closes in on his lover, Alfredo must finally face his past. Refusing to be bound by style, genre, or language, Alejandro Saravia captures the tumultuous existence of the exile.
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About Red, Yellow, and Green
In Montreal, Alfredo struggles with his memories of being ordered to commit an atrocity by the Bolivian army. Despising his nation as an oppressive sham, he falls for a woman who has no nation—a Kurdish freedom-fighter trying to blast an independent Kurdistan into existence. As the net of intrigue closes in on his lover, Alfredo must finally face his past. Refusing to be bound by style, genre, or language, Alejandro Saravia captures the tumultuous existence of the exile.
Alejandro Saravia discusses his new novel from Biblioasis, Red, Yellow, and Green, with translator María José Gimenez. Sponsored by the Center for the Art of Translation.
About Red, Yellow, and Green
In Montreal, Alfredo struggles with his memories of being ordered to commit an atrocity by the Bolivian army. Despising his nation as an oppressive sham, he falls for a woman who has no nation—a Kurdish freedom-fighter trying to blast an independent Kurdistan into existence. As the net of intrigue closes in on his lover, Alfredo must finally face his past. Refusing to be bound by style, genre, or language, Alejandro Saravia captures the tumultuous existence of the exile.
read more
About Red, Yellow, and Green
In Montreal, Alfredo struggles with his memories of being ordered to commit an atrocity by the Bolivian army. Despising his nation as an oppressive sham, he falls for a woman who has no nation—a Kurdish freedom-fighter trying to blast an independent Kurdistan into existence. As the net of intrigue closes in on his lover, Alfredo must finally face his past. Refusing to be bound by style, genre, or language, Alejandro Saravia captures the tumultuous existence of the exile.
show less
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