Join us on Wednesday, September 20th at 7pm PT when Barbara Tomash celebrates her latest collection, Her Scant State, with Elizabeth Robinson at 9th Ave!
Masks Encouraged for In-Person Attendance
Or watch online/Livestream here: https://youtube.com/live/qve07TXE6Pc
Praise for Her Scant State
"Playing with the themes of the source text--women's independence and the struggle and sacrifice required to maintain it--Barbara Tomash creates, not a portrait of a lady, but a compound portrait of women seen through the lens of these concerns throughout time. We can feel the thread of Henry James' masterpiece vibrating in the background of these brilliantly selected and re-engineered phrases. Often rooted in vivid concrete imagery, her language (and it does become her own, completely) strikes a dynamic between first and third person, nineteenth and twenty-first centuries, and the opening of a novel and its denouement. It's a work that's both deeply moving and ingeniously playful." -Cole Swensen
"Here was history: asserts one section of Her Scant State--but note that the colon is suspended over the page's free-falling white space. Such is Barbara Tomash's excavation and reclamation of Henry James's Portrait of a Lady. Her virtuosic erasure is so attuned that the reader sighs with pleasure before absorbing the thousands of small disruptive/processes incised by Tomash's exquisitely sharp lyric knife. Refigured from a nineteenth century narrative, this poetry points to corruptions of money, empire, ownership and misogyny so continuous and contemporary that a woman thinks she may doubt time. Tomash breaks through the smooth, blank surfaces we would interpose between ourselves and reality. Recognizing the caught creatures we are, this poetry unlocks the door of our vast cage." -Elizabeth Robinson
About Her Scant State
In Barbara Tomash's brilliant reworking of Henry James's The Portrait of a Lady, the continuity and causality of the nineteenth-century novel are transformed into the isolate flecks of twenty-first century poetry.
In a masterpiece of excision and refashioning, Tomash has uncovered the troubling, luminous strands within the text, and given us a revelatory and radical new experience of her protagonist, Isabel. If the novelist built a world that is stable, the poet unveils a world that is fluid or broken or shifting and shimmering, in which the language has its own story to tell. When that language is set free in the poem, placed in dialogue with silence, what do we find in Her Scant State? America, men, marriage, money: the familiar detritus of our capitalism. And a breathtaking lyricism, alive inside every word of this powerful poem.
About Barbara Tomash
Barbara Tomash is the author of four previous full-length books of poetry including, most recently, PRE- (Black Radish), and two chapbooks: Of Residue (Drop Leaf) and A Woman Reflected (palabrosa). Her writing has been a finalist for the Dorset Prize, the Colorado Prize, the Test Site Poetry Prize, and the Black Box Poetry Prize. She lives in Berkeley, California and teaches creative writing at San Francisco State University.
About Elizabeth Robinson
Elizabeth Robinson is the author, most recently, of Excursive (Roof Books) and Thirst & Surfeit (Threadsuns Press). Rendered Paradise, written collaboratively with Susanne Dyckman, will soon be out from Apogee Press. Robinson has recently been the winner of a Pushcart Prize and Editors' Choice Prizes from Scoundrel Time and New Letters. A recipient of grants from the Fund for Poetry and the Foundation for Contemporary Arts, Robinson has also been a finalist for The Los Angeles Times Book Award. She lives in Pinole, CA.
show less
Masks Encouraged for In-Person Attendance
Or watch online/Livestream here: https://youtube.com/live/qve07TXE6Pc
Praise for Her Scant State
"Playing with the themes of the source text--women's independence and the struggle and sacrifice required to maintain it--Barbara Tomash creates, not a portrait of a lady, but a compound portrait of women seen through the lens of these concerns throughout time. We can feel the thread of Henry James' masterpiece vibrating in the background of these brilliantly selected and re-engineered phrases. Often rooted in vivid concrete imagery, her language (and it does become her own, completely) strikes a dynamic between first and third person, nineteenth and twenty-first centuries, and the opening of a novel and its denouement. It's a work that's both deeply moving and ingeniously playful." -Cole Swensen
"Here was history: asserts one section of Her Scant State--but note that the colon is suspended over the page's free-falling white space. Such is Barbara Tomash's excavation and reclamation of Henry James's Portrait of a Lady. Her virtuosic erasure is so attuned that the reader sighs with pleasure before absorbing the thousands of small disruptive/processes incised by Tomash's exquisitely sharp lyric knife. Refigured from a nineteenth century narrative, this poetry points to corruptions of money, empire, ownership and misogyny so continuous and contemporary that a woman thinks she may doubt time. Tomash breaks through the smooth, blank surfaces we would interpose between ourselves and reality. Recognizing the caught creatures we are, this poetry unlocks the door of our vast cage." -Elizabeth Robinson
About Her Scant State
In Barbara Tomash's brilliant reworking of Henry James's The Portrait of a Lady, the continuity and causality of the nineteenth-century novel are transformed into the isolate flecks of twenty-first century poetry.
In a masterpiece of excision and refashioning, Tomash has uncovered the troubling, luminous strands within the text, and given us a revelatory and radical new experience of her protagonist, Isabel. If the novelist built a world that is stable, the poet unveils a world that is fluid or broken or shifting and shimmering, in which the language has its own story to tell. When that language is set free in the poem, placed in dialogue with silence, what do we find in Her Scant State? America, men, marriage, money: the familiar detritus of our capitalism. And a breathtaking lyricism, alive inside every word of this powerful poem.
About Barbara Tomash
Barbara Tomash is the author of four previous full-length books of poetry including, most recently, PRE- (Black Radish), and two chapbooks: Of Residue (Drop Leaf) and A Woman Reflected (palabrosa). Her writing has been a finalist for the Dorset Prize, the Colorado Prize, the Test Site Poetry Prize, and the Black Box Poetry Prize. She lives in Berkeley, California and teaches creative writing at San Francisco State University.
About Elizabeth Robinson
Elizabeth Robinson is the author, most recently, of Excursive (Roof Books) and Thirst & Surfeit (Threadsuns Press). Rendered Paradise, written collaboratively with Susanne Dyckman, will soon be out from Apogee Press. Robinson has recently been the winner of a Pushcart Prize and Editors' Choice Prizes from Scoundrel Time and New Letters. A recipient of grants from the Fund for Poetry and the Foundation for Contemporary Arts, Robinson has also been a finalist for The Los Angeles Times Book Award. She lives in Pinole, CA.
Join us on Wednesday, September 20th at 7pm PT when Barbara Tomash celebrates her latest collection, Her Scant State, with Elizabeth Robinson at 9th Ave!
Masks Encouraged for In-Person Attendance
Or watch online/Livestream here: https://youtube.com/live/qve07TXE6Pc
Praise for Her Scant State
"Playing with the themes of the source text--women's independence and the struggle and sacrifice required to maintain it--Barbara Tomash creates, not a portrait of a lady, but a compound portrait of women seen through the lens of these concerns throughout time. We can feel the thread of Henry James' masterpiece vibrating in the background of these brilliantly selected and re-engineered phrases. Often rooted in vivid concrete imagery, her language (and it does become her own, completely) strikes a dynamic between first and third person, nineteenth and twenty-first centuries, and the opening of a novel and its denouement. It's a work that's both deeply moving and ingeniously playful." -Cole Swensen
"Here was history: asserts one section of Her Scant State--but note that the colon is suspended over the page's free-falling white space. Such is Barbara Tomash's excavation and reclamation of Henry James's Portrait of a Lady. Her virtuosic erasure is so attuned that the reader sighs with pleasure before absorbing the thousands of small disruptive/processes incised by Tomash's exquisitely sharp lyric knife. Refigured from a nineteenth century narrative, this poetry points to corruptions of money, empire, ownership and misogyny so continuous and contemporary that a woman thinks she may doubt time. Tomash breaks through the smooth, blank surfaces we would interpose between ourselves and reality. Recognizing the caught creatures we are, this poetry unlocks the door of our vast cage." -Elizabeth Robinson
About Her Scant State
In Barbara Tomash's brilliant reworking of Henry James's The Portrait of a Lady, the continuity and causality of the nineteenth-century novel are transformed into the isolate flecks of twenty-first century poetry.
In a masterpiece of excision and refashioning, Tomash has uncovered the troubling, luminous strands within the text, and given us a revelatory and radical new experience of her protagonist, Isabel. If the novelist built a world that is stable, the poet unveils a world that is fluid or broken or shifting and shimmering, in which the language has its own story to tell. When that language is set free in the poem, placed in dialogue with silence, what do we find in Her Scant State? America, men, marriage, money: the familiar detritus of our capitalism. And a breathtaking lyricism, alive inside every word of this powerful poem.
About Barbara Tomash
Barbara Tomash is the author of four previous full-length books of poetry including, most recently, PRE- (Black Radish), and two chapbooks: Of Residue (Drop Leaf) and A Woman Reflected (palabrosa). Her writing has been a finalist for the Dorset Prize, the Colorado Prize, the Test Site Poetry Prize, and the Black Box Poetry Prize. She lives in Berkeley, California and teaches creative writing at San Francisco State University.
About Elizabeth Robinson
Elizabeth Robinson is the author, most recently, of Excursive (Roof Books) and Thirst & Surfeit (Threadsuns Press). Rendered Paradise, written collaboratively with Susanne Dyckman, will soon be out from Apogee Press. Robinson has recently been the winner of a Pushcart Prize and Editors' Choice Prizes from Scoundrel Time and New Letters. A recipient of grants from the Fund for Poetry and the Foundation for Contemporary Arts, Robinson has also been a finalist for The Los Angeles Times Book Award. She lives in Pinole, CA.
read more
Masks Encouraged for In-Person Attendance
Or watch online/Livestream here: https://youtube.com/live/qve07TXE6Pc
Praise for Her Scant State
"Playing with the themes of the source text--women's independence and the struggle and sacrifice required to maintain it--Barbara Tomash creates, not a portrait of a lady, but a compound portrait of women seen through the lens of these concerns throughout time. We can feel the thread of Henry James' masterpiece vibrating in the background of these brilliantly selected and re-engineered phrases. Often rooted in vivid concrete imagery, her language (and it does become her own, completely) strikes a dynamic between first and third person, nineteenth and twenty-first centuries, and the opening of a novel and its denouement. It's a work that's both deeply moving and ingeniously playful." -Cole Swensen
"Here was history: asserts one section of Her Scant State--but note that the colon is suspended over the page's free-falling white space. Such is Barbara Tomash's excavation and reclamation of Henry James's Portrait of a Lady. Her virtuosic erasure is so attuned that the reader sighs with pleasure before absorbing the thousands of small disruptive/processes incised by Tomash's exquisitely sharp lyric knife. Refigured from a nineteenth century narrative, this poetry points to corruptions of money, empire, ownership and misogyny so continuous and contemporary that a woman thinks she may doubt time. Tomash breaks through the smooth, blank surfaces we would interpose between ourselves and reality. Recognizing the caught creatures we are, this poetry unlocks the door of our vast cage." -Elizabeth Robinson
About Her Scant State
In Barbara Tomash's brilliant reworking of Henry James's The Portrait of a Lady, the continuity and causality of the nineteenth-century novel are transformed into the isolate flecks of twenty-first century poetry.
In a masterpiece of excision and refashioning, Tomash has uncovered the troubling, luminous strands within the text, and given us a revelatory and radical new experience of her protagonist, Isabel. If the novelist built a world that is stable, the poet unveils a world that is fluid or broken or shifting and shimmering, in which the language has its own story to tell. When that language is set free in the poem, placed in dialogue with silence, what do we find in Her Scant State? America, men, marriage, money: the familiar detritus of our capitalism. And a breathtaking lyricism, alive inside every word of this powerful poem.
About Barbara Tomash
Barbara Tomash is the author of four previous full-length books of poetry including, most recently, PRE- (Black Radish), and two chapbooks: Of Residue (Drop Leaf) and A Woman Reflected (palabrosa). Her writing has been a finalist for the Dorset Prize, the Colorado Prize, the Test Site Poetry Prize, and the Black Box Poetry Prize. She lives in Berkeley, California and teaches creative writing at San Francisco State University.
About Elizabeth Robinson
Elizabeth Robinson is the author, most recently, of Excursive (Roof Books) and Thirst & Surfeit (Threadsuns Press). Rendered Paradise, written collaboratively with Susanne Dyckman, will soon be out from Apogee Press. Robinson has recently been the winner of a Pushcart Prize and Editors' Choice Prizes from Scoundrel Time and New Letters. A recipient of grants from the Fund for Poetry and the Foundation for Contemporary Arts, Robinson has also been a finalist for The Los Angeles Times Book Award. She lives in Pinole, CA.
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