Broncho
It makes sense then, that BRONCHO, born out of out a film project, its initial incarnation sparked when founder Ryan Lindsey was asked to create music, “to set to an early 80s punk film.” “That’s all I knew about it,” he remembers, “they were looking for songs that touched this era. And songs kept coming to me and turned something on inside of me artistically.” Lindsey found himself in the midst of prolific run of songs and he liked the idea “of starting out there and seeing where it could go.”
What’s evolved from those first tracks there has been a steady run of success, critical accolades and two full-length albums; 2011’s Can't Get Past the Lips, 2014’s Just Enough Hip to Be Woman. And beneath it all – the music has been constantly mutating and ceaselessly experimental. From that first inception as a soundtrack in 2010, BRONCHO has taken on a life of its' own – initial inspiration still there, but now pushing far beyond the stiff confines of score. And what began as an ode to ramshackle, high-energy early punk has become something deeper, weirder, and much more nuanced. The undercurrent of early 1980 punk is still there, but The Ramones pogo has been replaced more often by a kind of Love and Rockets inspired, honeyed, cotton-mouthed drift.
Double Vanity is Lindsey and band mates Ben King, Nathan Price and Penny Pitchlynn steadily moving ahead, transforming the raw angst of the first record into a sound decidedly more layered and complex. Tracks like “New Karma" or “Two Step" riff off the later explorations of punk, culling up refracted images of John Hughes prom nights, love songs echoing from a boom box held high. "Jenny Loves Jenae" and "Speed Demon" strut with an when 80s met 50s swagger, discord transformed into a jagged, frenetic pop. "Señora Borealis" is all bad boy sneer - sensual, moody, with a sly and predatory swagger. "I Know You" is simultaneously infectious and brooding, somehow both exalting and heartsick.
The result is a record that veers gleefully from BRONCHO’s roots, moving from graffiti spray backrooms into a sleeker, plusher sound, a place bright with the polished gleam of chrome and bleached white sunlight. Close your eyes and what you feel is the raw wound pulse of adolescence, what you see behind your lids is suburban shopping mall wastelands, glazed eyes, dead grass, lips glossed in bubblegum pink. There is the burst chest thump of teenage longing, the smell of hairspray and cigarette. There is glow of neon and the glint of streetlight rolling across hood.
Double Vanity evokes a shared nostalgia, for the past and for the unknown future, as BRONCHO takes a turn off the wide freeways and into a world of intimate, intricate - but always universal - emotion.
Billy Changer
Billy Changer is a California native whose paths crossed roundabouts 2012 and translated into Rob joining Tracy's band called Corners as it's bassist. Prior to this, Rob had been playing with a very minimalistic, garagey, and slightly dark 3-piece group called 3 1/2 and translated the bassy guitar drive of his octave pedaled six-string quite well into the 4-string bass.
Winter
Winter is a breezy dose of sultry shoegaze and drippy dream pop whose sound was conceived in Boston. Beginning as a collaborative effort between Samira Winter and Nolan Eley, their first recordings culminated into the 2012 EP entitled Daydreaming. Following the release, Samira's relocation to Los Angeles brought on the recruit of additional members to create a band that would manifest her ultimate dreams.
The quartet released their first full-length album in cahoots with Los Angeles' Lolipop Records, earlier this year. The album - made from a coast-to-coast correspondence - features yet again a creative collaboration with Samira Winter (LA) and Nolan Eley (NY). The aptly titled Supreme Blue Dream floats on with a youthful sense of nostalgia and romanticized segues into adulthood. Touching on not one, but two languages (English and Portuguese), this bi-lingual group of dreamers do their part to lay us down softly while keeping listeners eager for each tune.
After their own month-long residency at The Echo for Supreme Blue Dream, and brushing shoulders on bills with acts like Luna, Iceage and Craft Spells, the group made themselves a home in the California scene while honing their distinct, east-coast brand of ethereal vocals layered over melodic guitars.
With Samira Winter at the helm, the live band features the talents of Matt Hogan (guitar), David Yorr (bass), and Garren Orr (drums) - a group whose passionate connection has flourished since the four were students together in Boston. Winter aspires to connect others with their inner child by making blissful, beautiful and ethereal pop music. They add love and positivity to the world as well as being positive role models for both boys and girls; especially those who are just starting to form their own musical opinions. Winter continues to tour the world and spread beauty and magic to people everywhere.
show less
It makes sense then, that BRONCHO, born out of out a film project, its initial incarnation sparked when founder Ryan Lindsey was asked to create music, “to set to an early 80s punk film.” “That’s all I knew about it,” he remembers, “they were looking for songs that touched this era. And songs kept coming to me and turned something on inside of me artistically.” Lindsey found himself in the midst of prolific run of songs and he liked the idea “of starting out there and seeing where it could go.”
What’s evolved from those first tracks there has been a steady run of success, critical accolades and two full-length albums; 2011’s Can't Get Past the Lips, 2014’s Just Enough Hip to Be Woman. And beneath it all – the music has been constantly mutating and ceaselessly experimental. From that first inception as a soundtrack in 2010, BRONCHO has taken on a life of its' own – initial inspiration still there, but now pushing far beyond the stiff confines of score. And what began as an ode to ramshackle, high-energy early punk has become something deeper, weirder, and much more nuanced. The undercurrent of early 1980 punk is still there, but The Ramones pogo has been replaced more often by a kind of Love and Rockets inspired, honeyed, cotton-mouthed drift.
Double Vanity is Lindsey and band mates Ben King, Nathan Price and Penny Pitchlynn steadily moving ahead, transforming the raw angst of the first record into a sound decidedly more layered and complex. Tracks like “New Karma" or “Two Step" riff off the later explorations of punk, culling up refracted images of John Hughes prom nights, love songs echoing from a boom box held high. "Jenny Loves Jenae" and "Speed Demon" strut with an when 80s met 50s swagger, discord transformed into a jagged, frenetic pop. "Señora Borealis" is all bad boy sneer - sensual, moody, with a sly and predatory swagger. "I Know You" is simultaneously infectious and brooding, somehow both exalting and heartsick.
The result is a record that veers gleefully from BRONCHO’s roots, moving from graffiti spray backrooms into a sleeker, plusher sound, a place bright with the polished gleam of chrome and bleached white sunlight. Close your eyes and what you feel is the raw wound pulse of adolescence, what you see behind your lids is suburban shopping mall wastelands, glazed eyes, dead grass, lips glossed in bubblegum pink. There is the burst chest thump of teenage longing, the smell of hairspray and cigarette. There is glow of neon and the glint of streetlight rolling across hood.
Double Vanity evokes a shared nostalgia, for the past and for the unknown future, as BRONCHO takes a turn off the wide freeways and into a world of intimate, intricate - but always universal - emotion.
Billy Changer
Billy Changer is a California native whose paths crossed roundabouts 2012 and translated into Rob joining Tracy's band called Corners as it's bassist. Prior to this, Rob had been playing with a very minimalistic, garagey, and slightly dark 3-piece group called 3 1/2 and translated the bassy guitar drive of his octave pedaled six-string quite well into the 4-string bass.
Winter
Winter is a breezy dose of sultry shoegaze and drippy dream pop whose sound was conceived in Boston. Beginning as a collaborative effort between Samira Winter and Nolan Eley, their first recordings culminated into the 2012 EP entitled Daydreaming. Following the release, Samira's relocation to Los Angeles brought on the recruit of additional members to create a band that would manifest her ultimate dreams.
The quartet released their first full-length album in cahoots with Los Angeles' Lolipop Records, earlier this year. The album - made from a coast-to-coast correspondence - features yet again a creative collaboration with Samira Winter (LA) and Nolan Eley (NY). The aptly titled Supreme Blue Dream floats on with a youthful sense of nostalgia and romanticized segues into adulthood. Touching on not one, but two languages (English and Portuguese), this bi-lingual group of dreamers do their part to lay us down softly while keeping listeners eager for each tune.
After their own month-long residency at The Echo for Supreme Blue Dream, and brushing shoulders on bills with acts like Luna, Iceage and Craft Spells, the group made themselves a home in the California scene while honing their distinct, east-coast brand of ethereal vocals layered over melodic guitars.
With Samira Winter at the helm, the live band features the talents of Matt Hogan (guitar), David Yorr (bass), and Garren Orr (drums) - a group whose passionate connection has flourished since the four were students together in Boston. Winter aspires to connect others with their inner child by making blissful, beautiful and ethereal pop music. They add love and positivity to the world as well as being positive role models for both boys and girls; especially those who are just starting to form their own musical opinions. Winter continues to tour the world and spread beauty and magic to people everywhere.
Broncho
It makes sense then, that BRONCHO, born out of out a film project, its initial incarnation sparked when founder Ryan Lindsey was asked to create music, “to set to an early 80s punk film.” “That’s all I knew about it,” he remembers, “they were looking for songs that touched this era. And songs kept coming to me and turned something on inside of me artistically.” Lindsey found himself in the midst of prolific run of songs and he liked the idea “of starting out there and seeing where it could go.”
What’s evolved from those first tracks there has been a steady run of success, critical accolades and two full-length albums; 2011’s Can't Get Past the Lips, 2014’s Just Enough Hip to Be Woman. And beneath it all – the music has been constantly mutating and ceaselessly experimental. From that first inception as a soundtrack in 2010, BRONCHO has taken on a life of its' own – initial inspiration still there, but now pushing far beyond the stiff confines of score. And what began as an ode to ramshackle, high-energy early punk has become something deeper, weirder, and much more nuanced. The undercurrent of early 1980 punk is still there, but The Ramones pogo has been replaced more often by a kind of Love and Rockets inspired, honeyed, cotton-mouthed drift.
Double Vanity is Lindsey and band mates Ben King, Nathan Price and Penny Pitchlynn steadily moving ahead, transforming the raw angst of the first record into a sound decidedly more layered and complex. Tracks like “New Karma" or “Two Step" riff off the later explorations of punk, culling up refracted images of John Hughes prom nights, love songs echoing from a boom box held high. "Jenny Loves Jenae" and "Speed Demon" strut with an when 80s met 50s swagger, discord transformed into a jagged, frenetic pop. "Señora Borealis" is all bad boy sneer - sensual, moody, with a sly and predatory swagger. "I Know You" is simultaneously infectious and brooding, somehow both exalting and heartsick.
The result is a record that veers gleefully from BRONCHO’s roots, moving from graffiti spray backrooms into a sleeker, plusher sound, a place bright with the polished gleam of chrome and bleached white sunlight. Close your eyes and what you feel is the raw wound pulse of adolescence, what you see behind your lids is suburban shopping mall wastelands, glazed eyes, dead grass, lips glossed in bubblegum pink. There is the burst chest thump of teenage longing, the smell of hairspray and cigarette. There is glow of neon and the glint of streetlight rolling across hood.
Double Vanity evokes a shared nostalgia, for the past and for the unknown future, as BRONCHO takes a turn off the wide freeways and into a world of intimate, intricate - but always universal - emotion.
Billy Changer
Billy Changer is a California native whose paths crossed roundabouts 2012 and translated into Rob joining Tracy's band called Corners as it's bassist. Prior to this, Rob had been playing with a very minimalistic, garagey, and slightly dark 3-piece group called 3 1/2 and translated the bassy guitar drive of his octave pedaled six-string quite well into the 4-string bass.
Winter
Winter is a breezy dose of sultry shoegaze and drippy dream pop whose sound was conceived in Boston. Beginning as a collaborative effort between Samira Winter and Nolan Eley, their first recordings culminated into the 2012 EP entitled Daydreaming. Following the release, Samira's relocation to Los Angeles brought on the recruit of additional members to create a band that would manifest her ultimate dreams.
The quartet released their first full-length album in cahoots with Los Angeles' Lolipop Records, earlier this year. The album - made from a coast-to-coast correspondence - features yet again a creative collaboration with Samira Winter (LA) and Nolan Eley (NY). The aptly titled Supreme Blue Dream floats on with a youthful sense of nostalgia and romanticized segues into adulthood. Touching on not one, but two languages (English and Portuguese), this bi-lingual group of dreamers do their part to lay us down softly while keeping listeners eager for each tune.
After their own month-long residency at The Echo for Supreme Blue Dream, and brushing shoulders on bills with acts like Luna, Iceage and Craft Spells, the group made themselves a home in the California scene while honing their distinct, east-coast brand of ethereal vocals layered over melodic guitars.
With Samira Winter at the helm, the live band features the talents of Matt Hogan (guitar), David Yorr (bass), and Garren Orr (drums) - a group whose passionate connection has flourished since the four were students together in Boston. Winter aspires to connect others with their inner child by making blissful, beautiful and ethereal pop music. They add love and positivity to the world as well as being positive role models for both boys and girls; especially those who are just starting to form their own musical opinions. Winter continues to tour the world and spread beauty and magic to people everywhere.
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It makes sense then, that BRONCHO, born out of out a film project, its initial incarnation sparked when founder Ryan Lindsey was asked to create music, “to set to an early 80s punk film.” “That’s all I knew about it,” he remembers, “they were looking for songs that touched this era. And songs kept coming to me and turned something on inside of me artistically.” Lindsey found himself in the midst of prolific run of songs and he liked the idea “of starting out there and seeing where it could go.”
What’s evolved from those first tracks there has been a steady run of success, critical accolades and two full-length albums; 2011’s Can't Get Past the Lips, 2014’s Just Enough Hip to Be Woman. And beneath it all – the music has been constantly mutating and ceaselessly experimental. From that first inception as a soundtrack in 2010, BRONCHO has taken on a life of its' own – initial inspiration still there, but now pushing far beyond the stiff confines of score. And what began as an ode to ramshackle, high-energy early punk has become something deeper, weirder, and much more nuanced. The undercurrent of early 1980 punk is still there, but The Ramones pogo has been replaced more often by a kind of Love and Rockets inspired, honeyed, cotton-mouthed drift.
Double Vanity is Lindsey and band mates Ben King, Nathan Price and Penny Pitchlynn steadily moving ahead, transforming the raw angst of the first record into a sound decidedly more layered and complex. Tracks like “New Karma" or “Two Step" riff off the later explorations of punk, culling up refracted images of John Hughes prom nights, love songs echoing from a boom box held high. "Jenny Loves Jenae" and "Speed Demon" strut with an when 80s met 50s swagger, discord transformed into a jagged, frenetic pop. "Señora Borealis" is all bad boy sneer - sensual, moody, with a sly and predatory swagger. "I Know You" is simultaneously infectious and brooding, somehow both exalting and heartsick.
The result is a record that veers gleefully from BRONCHO’s roots, moving from graffiti spray backrooms into a sleeker, plusher sound, a place bright with the polished gleam of chrome and bleached white sunlight. Close your eyes and what you feel is the raw wound pulse of adolescence, what you see behind your lids is suburban shopping mall wastelands, glazed eyes, dead grass, lips glossed in bubblegum pink. There is the burst chest thump of teenage longing, the smell of hairspray and cigarette. There is glow of neon and the glint of streetlight rolling across hood.
Double Vanity evokes a shared nostalgia, for the past and for the unknown future, as BRONCHO takes a turn off the wide freeways and into a world of intimate, intricate - but always universal - emotion.
Billy Changer
Billy Changer is a California native whose paths crossed roundabouts 2012 and translated into Rob joining Tracy's band called Corners as it's bassist. Prior to this, Rob had been playing with a very minimalistic, garagey, and slightly dark 3-piece group called 3 1/2 and translated the bassy guitar drive of his octave pedaled six-string quite well into the 4-string bass.
Winter
Winter is a breezy dose of sultry shoegaze and drippy dream pop whose sound was conceived in Boston. Beginning as a collaborative effort between Samira Winter and Nolan Eley, their first recordings culminated into the 2012 EP entitled Daydreaming. Following the release, Samira's relocation to Los Angeles brought on the recruit of additional members to create a band that would manifest her ultimate dreams.
The quartet released their first full-length album in cahoots with Los Angeles' Lolipop Records, earlier this year. The album - made from a coast-to-coast correspondence - features yet again a creative collaboration with Samira Winter (LA) and Nolan Eley (NY). The aptly titled Supreme Blue Dream floats on with a youthful sense of nostalgia and romanticized segues into adulthood. Touching on not one, but two languages (English and Portuguese), this bi-lingual group of dreamers do their part to lay us down softly while keeping listeners eager for each tune.
After their own month-long residency at The Echo for Supreme Blue Dream, and brushing shoulders on bills with acts like Luna, Iceage and Craft Spells, the group made themselves a home in the California scene while honing their distinct, east-coast brand of ethereal vocals layered over melodic guitars.
With Samira Winter at the helm, the live band features the talents of Matt Hogan (guitar), David Yorr (bass), and Garren Orr (drums) - a group whose passionate connection has flourished since the four were students together in Boston. Winter aspires to connect others with their inner child by making blissful, beautiful and ethereal pop music. They add love and positivity to the world as well as being positive role models for both boys and girls; especially those who are just starting to form their own musical opinions. Winter continues to tour the world and spread beauty and magic to people everywhere.
show less
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