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Fri September 9, 2016

Wee Willie Walker

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Sometime in 1968, Willie Walker, sometimes known as Wee Willie Walker, recorded his final tracks for Goldwax Records. Goldwax was once the home of one of the premier Soul singers of all, James Carr, as well as Spencer Wiggins, Louis Williams and the Ovations and a host of others. To the best of my knowledge, Mr. Walker had laid down nine sides for the Memphis based company. That's an odd number, which makes me want to believe there's at least one more side out there.

Throughout the time he recorded in Memphis, he lived in Minnesota, and still does. The circumstances surrounding it all are rather unique but not sensational; as many others‚ life stories would be. The most spectacular part of it all was his voice. That was Willie's vehicle that took him everywhere, from churches to Jewish Community Centers, from Sam Phillips‚ Studio to Rick Hall's Fame Studio, and from Memphis to Minneapolis and back to Memphis.

Most recently, Willie has collaborated with the legendary Twin Cities-based soul/blues/R & B powerhouse The Butanes. Together, they recorded three highly acclaimed modern soul records and toured the Netherlands, Switzerland and Japan. He also fronts his own R & B unit, Willie Walker and We “R” with whom he has a monthly residency at the Minnesota Music Café in St. Paul. Willie has also partnered up with Minnesota’s own Paul Metsa, renowned singer, songwriter, author and teller of tales. It’s just Paul’s guitar work and Willie’s voice interpreting everything from “Blowin’ In The Wind” and “My Girl” to “What A Wonderful World” and “Good Time Charlie’s Got The Blues.”
Walker's music comes from a different time, a different place and a different point of view. He's one of the few vocalists from the era that is still standing and that can still sing. And the fact that we're north of Chicago, there aren't many people in this town that has a past like Walker. Willie, it's good to have you in town.
Sometime in 1968, Willie Walker, sometimes known as Wee Willie Walker, recorded his final tracks for Goldwax Records. Goldwax was once the home of one of the premier Soul singers of all, James Carr, as well as Spencer Wiggins, Louis Williams and the Ovations and a host of others. To the best of my knowledge, Mr. Walker had laid down nine sides for the Memphis based company. That's an odd number, which makes me want to believe there's at least one more side out there.

Throughout the time he recorded in Memphis, he lived in Minnesota, and still does. The circumstances surrounding it all are rather unique but not sensational; as many others‚ life stories would be. The most spectacular part of it all was his voice. That was Willie's vehicle that took him everywhere, from churches to Jewish Community Centers, from Sam Phillips‚ Studio to Rick Hall's Fame Studio, and from Memphis to Minneapolis and back to Memphis.

Most recently, Willie has collaborated with the legendary Twin Cities-based soul/blues/R & B powerhouse The Butanes. Together, they recorded three highly acclaimed modern soul records and toured the Netherlands, Switzerland and Japan. He also fronts his own R & B unit, Willie Walker and We “R” with whom he has a monthly residency at the Minnesota Music Café in St. Paul. Willie has also partnered up with Minnesota’s own Paul Metsa, renowned singer, songwriter, author and teller of tales. It’s just Paul’s guitar work and Willie’s voice interpreting everything from “Blowin’ In The Wind” and “My Girl” to “What A Wonderful World” and “Good Time Charlie’s Got The Blues.”
Walker's music comes from a different time, a different place and a different point of view. He's one of the few vocalists from the era that is still standing and that can still sing. And the fact that we're north of Chicago, there aren't many people in this town that has a past like Walker. Willie, it's good to have you in town.
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