Wanubi Project Presents

Wayne Wonder

When
Sat Jan 19, 2013
Where
Brick & Mortar Music Hall
Time
Doors: 8:00 pm / Show: 9:00 pm
Cost
$20 - $25
Tags
Music

Description

Born Von Wayne Charles on July 26 in Buff Bay, Portland, Wayne s initial singing inspiration came from attending Sunday school, where singing was compulsory, and from his mother who sang in church. As a child Wayne and his family moved all over eastern Kingston, living in areas such as Dunkirk, Franklin Town and Rae Town, home of the weekly Sunday night Reggae/R&B oldies street dance. The exposure to vintage 45′s at these dances would provide Wayne with a richer, more soulful vocal approach to a Reggae rhythm track than many of his contemporaries. It was at secondary school where Waynes thoughtfulness and philosophical nature led to the acquisition of the nickname Wonder; young Wayne sang at school, at home, at church and for his friends and wherever he sang, he was encouraged to pursue his craft professionally.

The first producer Wayne recorded for was the legendary creator of dub, the late King Tubby. Wayne voiced three original songs for Tubby, but the one that caught the publics attention was his cover version of British heartthrob Rick Astleys Never Gonna Give You Up. In 1988, Wayne was devastated by the death of Tubby who was among the most significant influences in his early career. Wayne then linked up with producer Lloyd Dennis voicing the hit Its Over Now on the popular Cover Me rhythm (titled after the hit by Ninja Man and Tinga Stewart) for Dennis Pickout label. That was actually the first song that start to play, like I could go to the dance and look forward to hearing it, Wayne recalls, so my inspiration grew more from there. Wayne also recorded his debut album No More Chance on the Pickout label. No More Chance conta+ined seven original tracks and several obligatory cover versions, reflecting Jamaican producers preference for recording singers doing American R&B hits. When I first started out, I got so frustrated, because you carry original material to the studio and they act like they dont even want to hear it, Wayne explains. They dont accept it. They want you to sing over something that everybody already know. Them dont spend time to hear your creativity or what you try to originate.

Around 1989, Wayne began collaborating with his childhood friend Dave Kelly. At the time, Kelly was an engineer for Donovan Germaines Penthouse Records, the label synonymous with Dancehall Reggae hits of the late 80s/early 90s. Together Wayne and Dave created a steady stream of successful Penthouse tunes including Im Only Human, Baby You and I and Saddest Day (which Wayne re-recorded in combination with Foxy Brown on her 2001 Def Jam Records Broken Silence CD). Wayne became well known for his 1991 cover version of the late Jamaican singer Delroy Wilsons I Don t Know Why re-titled Movie Star. The same song in combination with Buju Banton (whom Wayne brought to Penthouse Records) Bonafide Love proved to be a huge success as well, remaining a heavily requested tune even today.

Wayne achieved several hits with Penthouse covering the work of American artists including Tracy Chapmans Fast Car, PM Dawns Die Without You and En Vogues Hold On but in 1993 he pledged he would only record original material. From that time, I havent covered a song, everything is all original music, declares Wayne who has co-written hits for other artists including Buju Bantons Deportees and Murderer. Wayne says,I dont feel proud if I cannot sing my songs, its a different feel that it gives you than singing someone elses song. How can I be touring and singing other peoples songs? Im supposed to be touring and singing my songs!

Wayne and Dave Kelly continued their successful musical relationship when Kelly founded his own Madhouse and Xtra Large labels. Wayne recorded many hits for Madhouse spanning the mid to late 90s, including Joyride, Bashment Gal, and Keep Them Coming. Wayne introduced an extra dimension with Let Your Conscience Set You Free recorded in combination with his alter ego, deejay Surprize. I have a lot of tracks on the road like Wayne Wonder featuring Surprize. Really, Im the deejay as well as the singer, that is the surprise. My creative juices get crazy on me so I apply them in different ways. Surprize was also featured on several tracks of Waynes 2001 release Schizophrenic as was Waynes underground group Entourage, featuring his deejay protege Showki Ru (pronounced sho-kee roo). Wayne launched his own record label Singso in 2000 and has released singles by several artists including Baby Cham, Alley Cat, Frankie Sly, and Mr. Easy.

In 2002, Wayne earned the first #1 hit of his career pledging a lifetime of devotion on the sweetly romantic hit No Letting Go. Steve Lenky Marsden, the multitalented musician and producer, whose hypnotic Diwali rhythm track supports Waynes sweet serenading on No Letting Go is one of the featured producers on the album, along with heavy hitters Tony Kelly and Sly Dunbar.

Much of the pre-production work was done in Waynes home studio in the US, as well as recording tracks in Jamaica. Wayne wrote or co-wrote all of the songs on No Holding Back and the album featured the same superlative vocal and songwriting standards his fans have come to expect from him over the years. Wonders career exploded globally in 2003 when his album No Holding Back and the single No Letting Go were released on the major label, Atlantic Records. The smooth single dominated Urban and Pop radio (reaching #11 on the Billboard Hot 100 Pop chart) in America and the album, No Holding Back received a Grammy nomination for Best Reggae Album, a MOBO Award in the UK, three BMI Urban awards, and a live performance on NBC Televisions Saturday Night Live. The follow-up single and video Bounce Along reached #12 on the UK pop charts.

His inspired version of Hold Me Now (originally recorded by the Thompson Twins) appeared on the 2004′s successful 50 First Dates (starring Adam Sandler / Drew Barrymore) movie soundtrack and was produced by No Doubts Tony Kanal with a video directed by Gil Green for Madonnas Maverick Records label. Wayne also anchored the hit track Anything Goes (w/ CNN: Capone & N.O.R.E and Lexxus) for the Def Jamaica compilation which received a Grammy nomination for Best Reggae Album. These songs among so many of Waynes bonafide hits were crowd favorites as he headlined an extensive world tour with his Entourage Band in 2004-05 performing in N. America, the Caribbean, Europe, Asia, and Africa

I just want to do good songs, Wayne concludes. Im keeping the mainstream recognition in mind but adding my creative flow to it because I want people to know that Wayne Wonder is not limited. Once I finish an album, Ill hit the road and tour. I got a good band together and I really feel pleased. I can go out there now and really represent myself.

More Info

Link
http://www.brickandmortarmusic.com
Call
415.800.8782
Call
415.552.2671 (Box Office)
Email
Contact Form (account required)

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Location

  1. Brick & Mortar Music Hall
    1710 Mission Street, San Francisco, CA