Tony Molina has never suffered a shortage of musical outlets over the years. He was the frontman of the late, great SF band Ovens. He played in Sopors. He's the lead guitarist for Violent Change and also sings for Caged Animal. Now he's back with his first solo effort, a punk-infused indie rock record called Dissed and Dismissed, out yesterday on SF label Melters.
Dissed and Dismissed's 12 tracks live up to the record's outsider-oriented title, reeking of disenchantment and disaffection, with Molina's laid back vocal style coursing over the top of fuzzed out riffs. In fact, Molina's songwriting exudes such an air of disillusionment and alienation, that even his attention span for his own craft is maddeningly short – the entire record clocks in at just over 11 minutes.
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Dissed and Dismissed's 12 tracks live up to the record's outsider-oriented title, reeking of disenchantment and disaffection, with Molina's laid back vocal style coursing over the top of fuzzed out riffs. In fact, Molina's songwriting exudes such an air of disillusionment and alienation, that even his attention span for his own craft is maddeningly short – the entire record clocks in at just over 11 minutes.
Tony Molina has never suffered a shortage of musical outlets over the years. He was the frontman of the late, great SF band Ovens. He played in Sopors. He's the lead guitarist for Violent Change and also sings for Caged Animal. Now he's back with his first solo effort, a punk-infused indie rock record called Dissed and Dismissed, out yesterday on SF label Melters.
Dissed and Dismissed's 12 tracks live up to the record's outsider-oriented title, reeking of disenchantment and disaffection, with Molina's laid back vocal style coursing over the top of fuzzed out riffs. In fact, Molina's songwriting exudes such an air of disillusionment and alienation, that even his attention span for his own craft is maddeningly short – the entire record clocks in at just over 11 minutes.
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Dissed and Dismissed's 12 tracks live up to the record's outsider-oriented title, reeking of disenchantment and disaffection, with Molina's laid back vocal style coursing over the top of fuzzed out riffs. In fact, Molina's songwriting exudes such an air of disillusionment and alienation, that even his attention span for his own craft is maddeningly short – the entire record clocks in at just over 11 minutes.
show less
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