Solo exhibitions of new large-scale drawings and prints by Josephine Taylor, titled Bomb Landscape, and six video works by Kate Gilmore in the Video Room, have been extended through January 24, 2009.
Taylor's post-apocalyptic scenes of survival unfold with ghostly white figures caught, as if by a flash from a nuclear explosion, in dark, cavernous spaces populated by wild animals, marking a departure from her past work in approach to color and content.
Gilmore acts out nearly impossible and somewhat absurd physical challenges, exhibiting a persistent desire to succeed in the face of challenging obstacles and an ability to cope with self-imposed high expectations.
Solo exhibitions of new large-scale drawings and prints by Josephine Taylor, titled Bomb Landscape, and six video works by Kate Gilmore in the Video Room, have been extended through January 24, 2009.
Taylor's post-apocalyptic scenes of survival unfold with ghostly white figures caught, as if by a flash from a nuclear explosion, in dark, cavernous spaces populated by wild animals, marking a departure from her past work in approach to color and content.
Gilmore acts out nearly impossible and somewhat absurd physical challenges, exhibiting a persistent desire to succeed in the face of challenging obstacles and an ability to cope with self-imposed high expectations.
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