"We’re noticing the same vibes that ring true with our person when we listen to Empire Of The Sun, Foster The People, Work Drugs and The Neighbourhood." --Killing Moon
"The three tracks on their debut EP are slow, downbeat but commercial ballads underpinned by pummeling bass, embellished with guitars and propelled by synths. They make us think of a chillwave Coldplay, while the singer's tone recalls Chris Martin and his delivery suggests a rhythmic affinity with the cadences of rap – he even goes "yeee-ah", all blase, like, at the start of one song, just like hip-hoppers do. There are shades, too, of Adam Levine of Maroon 5, probably why there have been a lot of comparisons between Sir Sly and the Neighbourhood." -- Guardian UK
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"The three tracks on their debut EP are slow, downbeat but commercial ballads underpinned by pummeling bass, embellished with guitars and propelled by synths. They make us think of a chillwave Coldplay, while the singer's tone recalls Chris Martin and his delivery suggests a rhythmic affinity with the cadences of rap – he even goes "yeee-ah", all blase, like, at the start of one song, just like hip-hoppers do. There are shades, too, of Adam Levine of Maroon 5, probably why there have been a lot of comparisons between Sir Sly and the Neighbourhood." -- Guardian UK
"We’re noticing the same vibes that ring true with our person when we listen to Empire Of The Sun, Foster The People, Work Drugs and The Neighbourhood." --Killing Moon
"The three tracks on their debut EP are slow, downbeat but commercial ballads underpinned by pummeling bass, embellished with guitars and propelled by synths. They make us think of a chillwave Coldplay, while the singer's tone recalls Chris Martin and his delivery suggests a rhythmic affinity with the cadences of rap – he even goes "yeee-ah", all blase, like, at the start of one song, just like hip-hoppers do. There are shades, too, of Adam Levine of Maroon 5, probably why there have been a lot of comparisons between Sir Sly and the Neighbourhood." -- Guardian UK
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"The three tracks on their debut EP are slow, downbeat but commercial ballads underpinned by pummeling bass, embellished with guitars and propelled by synths. They make us think of a chillwave Coldplay, while the singer's tone recalls Chris Martin and his delivery suggests a rhythmic affinity with the cadences of rap – he even goes "yeee-ah", all blase, like, at the start of one song, just like hip-hoppers do. There are shades, too, of Adam Levine of Maroon 5, probably why there have been a lot of comparisons between Sir Sly and the Neighbourhood." -- Guardian UK
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