ROSEMARY’S BABY 2:35, 7:00
Roman Polanski’s first American picture depicts the mental deterioration of a pregnant woman (Mia Farrow) as she comes to the horrifying suspicion that the child she is carrying is not of this world. Ingenious in design, the camerawork leaves the most grotesque frights to the viewer’s imagination. Ruth Gordon won the Oscar for her role as the nosy neighbor, backed by John Cassavetes and Ralph Bellamy in creepy turns. (1968, 137 min, DCP)
+ THE SENTINEL 5:10, 9:30
A severely neurotic fashion model (Cristina Raines) moves into a residential Brooklyn brownstone, only to find that its proprietors are excommunicated Catholic priests guarding a gateway to hell. Michael Winner (Death Wish) directs in his trademark sensationalist style. Co-starring Chris Sarandon, Burgess Meredith, Ava Gardner, Eli Wallach and many surprises. “Boasting a jaw-dropping cast and a plot that combines almost every successful '70s horror trend into one tight little package, The Sentinel is one of those films that either makes viewers ill or scares the bejeezus out of them.” –Mondo Digital (1976, 92 min, 35mm)
ROSEMARY’S BABY 2:35, 7:00
Roman Polanski’s first American picture depicts the mental deterioration of a pregnant woman (Mia Farrow) as she comes to the horrifying suspicion that the child she is carrying is not of this world. Ingenious in design, the camerawork leaves the most grotesque frights to the viewer’s imagination. Ruth Gordon won the Oscar for her role as the nosy neighbor, backed by John Cassavetes and Ralph Bellamy in creepy turns. (1968, 137 min, DCP)
+ THE SENTINEL 5:10, 9:30
A severely neurotic fashion model (Cristina Raines) moves into a residential Brooklyn brownstone, only to find that its proprietors are excommunicated Catholic priests guarding a gateway to hell. Michael Winner (Death Wish) directs in his trademark sensationalist style. Co-starring Chris Sarandon, Burgess Meredith, Ava Gardner, Eli Wallach and many surprises. “Boasting a jaw-dropping cast and a plot that combines almost every successful '70s horror trend into one tight little package, The Sentinel is one of those films that either makes viewers ill or scares the bejeezus out of them.” –Mondo Digital (1976, 92 min, 35mm)
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