PATRICE BAUMEL
Patrice Bäumel is a forward-thinking German audiovisual artist, dj and producer currently living in Amsterdam. He describes his own style of music as "modern dance music for adults". Next to running his own free "EX" label, he is a resident dj at Trouw, one of Europe's leading venues for electronic music.
Patrice started his career in the 90's, playing at mostly illegal warehouse parties and grimy industrial techno clubs in East Germany before relocating to Amsterdam. What followed was a professional detour that led him from teaching, programming databases and freelancing as a multimedia designer back to his first love, electronic music.
His early productions had about them a flowing, melodic, almost romantic touch best witnessed on his break-through single "Mutant Pop" or the follow-up "Just Electricity". However, with the passing years, his music started to navigate more outlandish territories using unconventional sound design and arrangement techniques. "Roar", a beatless freak of a track, became one of the most polarising techno records in recent memory and was hated by many with the same passion as it was loved by others. Today, Bäumel's productions defy categorisation. They feel alien, unhinged, at times uncomfortable and anything but domesticated. Paying no homage at all to the traditions of house and techno, they are a celebration of the free spirit within the tightly regimented world of contemporary dance music.
Bäumel describes himself as "somewhat multi-talented with a functioning left and right side of the brain, pretty good at many things without being great at any of them". Combine that with a broad interest ranging from modern art, literature and film to technology or politics and expanding his artistic ways of expression became the logical step forward.
As of 2012, Patrice Bäumel extends his stage performance with a visual component, acknowledging the need of today's educated crowds for a more expressive, overall stage experience. The artistic focus lies on emotion, not technology. Images displayed during the performance flash on and off the screen in a subliminal, strobe-like way and are unusually dark, sexual, confronting and honest. It is Bäumel's ambition to bring across an unconventional, art-inspired and almost cinematic show to clubs and festivals and cover a broader spectrum of emotions than the usual mix of comfort and ecstasy.
JON CHARNIS
After years of producing music under various guises, Jon Charnis found his true calling in the slower, darker, and deeper spheres of House music. The re-invention manifested beyond music as the former DC native relocated to the city of Los Angeles while launching his new moniker (his actual birth name). From then on it didn't take long for him to make an impression. His track 'Prophecy' was spotted by Innervisions boss Dixon, who signed the track to his prestigious Berlin based label after road testing it at some of the world's premier parties. He followed this up with an official remix of Art Department's Burning Man anthem, 'Robot Heart' on No.19 records, a collaboration with production partners Lovecraft and Prab K. With upcoming tracks on All Day I Dream, Supernature and Leftroom, 2013 will be a year to watch for this fast rising producer.
As a DJ, Jon Charnis' international profile has risen just as quickly. With gigs at Space, Ibiza and events at Sonar in Barcelona already under his belt, 2013 sees Jon traveling worldwide to hotspots like Berlin and London.
Jon Charnis has received support by world renowned DJs such as Art Department, Dixon, Steve Lawler, Tale of Us, Thugfucker, Audiofly, Ame, Anja Shneider, Matt Tolfrey, Droog, and Daniel Bortz to name a few.
show less
Patrice Bäumel is a forward-thinking German audiovisual artist, dj and producer currently living in Amsterdam. He describes his own style of music as "modern dance music for adults". Next to running his own free "EX" label, he is a resident dj at Trouw, one of Europe's leading venues for electronic music.
Patrice started his career in the 90's, playing at mostly illegal warehouse parties and grimy industrial techno clubs in East Germany before relocating to Amsterdam. What followed was a professional detour that led him from teaching, programming databases and freelancing as a multimedia designer back to his first love, electronic music.
His early productions had about them a flowing, melodic, almost romantic touch best witnessed on his break-through single "Mutant Pop" or the follow-up "Just Electricity". However, with the passing years, his music started to navigate more outlandish territories using unconventional sound design and arrangement techniques. "Roar", a beatless freak of a track, became one of the most polarising techno records in recent memory and was hated by many with the same passion as it was loved by others. Today, Bäumel's productions defy categorisation. They feel alien, unhinged, at times uncomfortable and anything but domesticated. Paying no homage at all to the traditions of house and techno, they are a celebration of the free spirit within the tightly regimented world of contemporary dance music.
Bäumel describes himself as "somewhat multi-talented with a functioning left and right side of the brain, pretty good at many things without being great at any of them". Combine that with a broad interest ranging from modern art, literature and film to technology or politics and expanding his artistic ways of expression became the logical step forward.
As of 2012, Patrice Bäumel extends his stage performance with a visual component, acknowledging the need of today's educated crowds for a more expressive, overall stage experience. The artistic focus lies on emotion, not technology. Images displayed during the performance flash on and off the screen in a subliminal, strobe-like way and are unusually dark, sexual, confronting and honest. It is Bäumel's ambition to bring across an unconventional, art-inspired and almost cinematic show to clubs and festivals and cover a broader spectrum of emotions than the usual mix of comfort and ecstasy.
JON CHARNIS
After years of producing music under various guises, Jon Charnis found his true calling in the slower, darker, and deeper spheres of House music. The re-invention manifested beyond music as the former DC native relocated to the city of Los Angeles while launching his new moniker (his actual birth name). From then on it didn't take long for him to make an impression. His track 'Prophecy' was spotted by Innervisions boss Dixon, who signed the track to his prestigious Berlin based label after road testing it at some of the world's premier parties. He followed this up with an official remix of Art Department's Burning Man anthem, 'Robot Heart' on No.19 records, a collaboration with production partners Lovecraft and Prab K. With upcoming tracks on All Day I Dream, Supernature and Leftroom, 2013 will be a year to watch for this fast rising producer.
As a DJ, Jon Charnis' international profile has risen just as quickly. With gigs at Space, Ibiza and events at Sonar in Barcelona already under his belt, 2013 sees Jon traveling worldwide to hotspots like Berlin and London.
Jon Charnis has received support by world renowned DJs such as Art Department, Dixon, Steve Lawler, Tale of Us, Thugfucker, Audiofly, Ame, Anja Shneider, Matt Tolfrey, Droog, and Daniel Bortz to name a few.
PATRICE BAUMEL
Patrice Bäumel is a forward-thinking German audiovisual artist, dj and producer currently living in Amsterdam. He describes his own style of music as "modern dance music for adults". Next to running his own free "EX" label, he is a resident dj at Trouw, one of Europe's leading venues for electronic music.
Patrice started his career in the 90's, playing at mostly illegal warehouse parties and grimy industrial techno clubs in East Germany before relocating to Amsterdam. What followed was a professional detour that led him from teaching, programming databases and freelancing as a multimedia designer back to his first love, electronic music.
His early productions had about them a flowing, melodic, almost romantic touch best witnessed on his break-through single "Mutant Pop" or the follow-up "Just Electricity". However, with the passing years, his music started to navigate more outlandish territories using unconventional sound design and arrangement techniques. "Roar", a beatless freak of a track, became one of the most polarising techno records in recent memory and was hated by many with the same passion as it was loved by others. Today, Bäumel's productions defy categorisation. They feel alien, unhinged, at times uncomfortable and anything but domesticated. Paying no homage at all to the traditions of house and techno, they are a celebration of the free spirit within the tightly regimented world of contemporary dance music.
Bäumel describes himself as "somewhat multi-talented with a functioning left and right side of the brain, pretty good at many things without being great at any of them". Combine that with a broad interest ranging from modern art, literature and film to technology or politics and expanding his artistic ways of expression became the logical step forward.
As of 2012, Patrice Bäumel extends his stage performance with a visual component, acknowledging the need of today's educated crowds for a more expressive, overall stage experience. The artistic focus lies on emotion, not technology. Images displayed during the performance flash on and off the screen in a subliminal, strobe-like way and are unusually dark, sexual, confronting and honest. It is Bäumel's ambition to bring across an unconventional, art-inspired and almost cinematic show to clubs and festivals and cover a broader spectrum of emotions than the usual mix of comfort and ecstasy.
JON CHARNIS
After years of producing music under various guises, Jon Charnis found his true calling in the slower, darker, and deeper spheres of House music. The re-invention manifested beyond music as the former DC native relocated to the city of Los Angeles while launching his new moniker (his actual birth name). From then on it didn't take long for him to make an impression. His track 'Prophecy' was spotted by Innervisions boss Dixon, who signed the track to his prestigious Berlin based label after road testing it at some of the world's premier parties. He followed this up with an official remix of Art Department's Burning Man anthem, 'Robot Heart' on No.19 records, a collaboration with production partners Lovecraft and Prab K. With upcoming tracks on All Day I Dream, Supernature and Leftroom, 2013 will be a year to watch for this fast rising producer.
As a DJ, Jon Charnis' international profile has risen just as quickly. With gigs at Space, Ibiza and events at Sonar in Barcelona already under his belt, 2013 sees Jon traveling worldwide to hotspots like Berlin and London.
Jon Charnis has received support by world renowned DJs such as Art Department, Dixon, Steve Lawler, Tale of Us, Thugfucker, Audiofly, Ame, Anja Shneider, Matt Tolfrey, Droog, and Daniel Bortz to name a few.
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Patrice Bäumel is a forward-thinking German audiovisual artist, dj and producer currently living in Amsterdam. He describes his own style of music as "modern dance music for adults". Next to running his own free "EX" label, he is a resident dj at Trouw, one of Europe's leading venues for electronic music.
Patrice started his career in the 90's, playing at mostly illegal warehouse parties and grimy industrial techno clubs in East Germany before relocating to Amsterdam. What followed was a professional detour that led him from teaching, programming databases and freelancing as a multimedia designer back to his first love, electronic music.
His early productions had about them a flowing, melodic, almost romantic touch best witnessed on his break-through single "Mutant Pop" or the follow-up "Just Electricity". However, with the passing years, his music started to navigate more outlandish territories using unconventional sound design and arrangement techniques. "Roar", a beatless freak of a track, became one of the most polarising techno records in recent memory and was hated by many with the same passion as it was loved by others. Today, Bäumel's productions defy categorisation. They feel alien, unhinged, at times uncomfortable and anything but domesticated. Paying no homage at all to the traditions of house and techno, they are a celebration of the free spirit within the tightly regimented world of contemporary dance music.
Bäumel describes himself as "somewhat multi-talented with a functioning left and right side of the brain, pretty good at many things without being great at any of them". Combine that with a broad interest ranging from modern art, literature and film to technology or politics and expanding his artistic ways of expression became the logical step forward.
As of 2012, Patrice Bäumel extends his stage performance with a visual component, acknowledging the need of today's educated crowds for a more expressive, overall stage experience. The artistic focus lies on emotion, not technology. Images displayed during the performance flash on and off the screen in a subliminal, strobe-like way and are unusually dark, sexual, confronting and honest. It is Bäumel's ambition to bring across an unconventional, art-inspired and almost cinematic show to clubs and festivals and cover a broader spectrum of emotions than the usual mix of comfort and ecstasy.
JON CHARNIS
After years of producing music under various guises, Jon Charnis found his true calling in the slower, darker, and deeper spheres of House music. The re-invention manifested beyond music as the former DC native relocated to the city of Los Angeles while launching his new moniker (his actual birth name). From then on it didn't take long for him to make an impression. His track 'Prophecy' was spotted by Innervisions boss Dixon, who signed the track to his prestigious Berlin based label after road testing it at some of the world's premier parties. He followed this up with an official remix of Art Department's Burning Man anthem, 'Robot Heart' on No.19 records, a collaboration with production partners Lovecraft and Prab K. With upcoming tracks on All Day I Dream, Supernature and Leftroom, 2013 will be a year to watch for this fast rising producer.
As a DJ, Jon Charnis' international profile has risen just as quickly. With gigs at Space, Ibiza and events at Sonar in Barcelona already under his belt, 2013 sees Jon traveling worldwide to hotspots like Berlin and London.
Jon Charnis has received support by world renowned DJs such as Art Department, Dixon, Steve Lawler, Tale of Us, Thugfucker, Audiofly, Ame, Anja Shneider, Matt Tolfrey, Droog, and Daniel Bortz to name a few.
show less
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