Pat Metheny guitar
Gwilym Simcock piano
Linda Oh bass
Antonio Sánchez drums
During Opening Night Members enjoy champagne, open bar and hors d'oeuvres, and Member gifts throughout the evening starting at 6 PM.
6:00 PM: Opening Night Reception Begins
6:30 PM: Season 5 Champagne Toast!
7:00 PM: Julian Lage Trio in JHL - Members Only Tickets here
7:30 PM: Pat Metheny in Miner - Members Only Tickets here
8:30 PM: Julian Lage Trio in JHL - Members Only Tickets here
Champagne, Drinks + Food, Member Gifts continue throughout the evening until 11PM.
Far more than a guitar legend, Pat Metheny is a brilliant builder of bands, and he opens the Fifth Anniversary season with his latest game-changing ensemble. Featuring a powerhouse international cast of players who’ve distinguished themselves on a multitude of creative fronts, the quartet continues Metheny’s groundbreaking run with Mexican-born drummer Antonio Sánchez. The motor for almost every Metheny project since the late 1990s, Sánchez reconfigured the Hollywood soundtrack landscape with his percussion-driven score for 2015’s Academy Award-winning film Birdman. When Linda Oh’s not leading her own band, the Malaysian-born, Australian-raised bassist works with heavyweights like Joe Lovano and Dave Douglas. And 35-year-old British pianist Gwilym Simcock is one of Europe’s most acclaimed and influential young musicians, equally in demand in jazz and classical settings as a player and composer. The quartet is just the latest sign that Metheny isn’t easing into his revered veteran status. Busier than ever these days, the 20-time GRAMMY winner recently released two new Nonesuch albums, and even did a sideman stint on rising sax star Logan Richardson’s Blue Note debut.
Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players.
Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. Metheny's versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie. He has been part of a writing team with keyboardist Lyle Mays for more than twenty years - an association that has been compared to the Lennon/McCartney and Ellington/Strayhorn partnerships by critics and listeners alike. Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.
As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than twenty years later (1996). He has also taught music workshops all over the world, from the Dutch Royal Conservatory to the Thelonius Monk Institute of Jazz to clinics in Asia and South America. He has also been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool. He also been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez's PM-100 jazz guitar, and a variety of other custom instruments.
It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for (Still Life) Talking, Letter from Home, and Secret Story. He has also won 17 Grammy Awards spread out over a variety of different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammies for seven consecutive albums.
Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. At the time of this writing, he continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike, helping them to reach their audience as well as realizing their own artistic visions.