OUTERLIMITS FESTIVAL - DIXON, CATZ 'N DOGZ, KINK, DANNY DAZE
Doors: 3:00 pm / Show: 3:00 pm (event ends at 4:00 am)
$39.99
DIXON
When Dixon entered the Berlin club circuit in the early 90's, he established his name on the strength of djing. Back then, confidence or experience based on putting out mixes on the Internet did not matter as much as it does now. You had to do your practice, of course, but when your thing was good and tight enough to take it to the clubs, there were opportunities to do so. But those opportunities meant responsibilities. A residency did not mean playing the same club every once in a while, it meant playing the same club every week. The crowd did not consist of people that wander in and out of club nights and its guest djs as the weekly hype commanded them, it consisted of people which headed straight to a certain club night because they were sure its resident dj would deliver the goods this week as he did last week, and the next weeks to come. As long as that happened, there was no need to move on. You made your decision to return out of good experience and you stuck to it as long as it lasted.
In such a context, there is no way to learn quicker how to become a very good dj than by making people dance throughout a set that lasts the whole night, on a very regular basis. If you can't hold the crowd for hours then, you fall through. It is learning by doing, the hard way. Dixon did not only learn very quickly, he loved every moment of it. Starting out low, slow, unfolding the flow, working towards a peak, then working towards another, turning up, turning down, to find the exact point from which to swing moods, to find the perfect way to end what should be a lasting experience. Once you passed your exams in the nightclub school of that era with distinction, you can rely on it forevermore, and Dixon surely did. His residencies then and now are obviously schooled on the stylistic and technical versatility and skills, attitude, stamina and experience based on countless nights honing ways to direct a loyal crowd on the dance floor at will. Hours spent to find and select the right music to achieve the levels of intensity necessary, hours spent to plan the imminent night's structure and proceedings, and then hours spent putting it into action. Dixon was always more than happy to spend this much time on his nights, because he takes his profession seriously. It is exactly what matters most to him. He has always been and he always will be a dj first. This is the mission he embarked on, no end in sight.
Catz 'n Dogz
If you don't know them by now, their full Polish names are Grzegorz and Wojciech but you can call them Greg and Voitek. As DJs you are likely to find them playing disco/deephouse at the small parties they organize frequently in Berlin and Szczecin as well as tech-house and techno at festivals and big clubs all over the world.
Kink
Strahil Velchev a.k.a KiNK is not Josh Wink`s brother, he isn`t Aphex Twin`s room mate and definetly not Larry Heard`s son. He is simply an innovative, uncompromising producer and captivating DJ / live performer from Bulgaria, who incorporates the best examples of the underground dance music in his production.
At the age of 12 – jumping up & down to acid, techno and early rave tracks; at 20 – his touch with the fist modular software synthesizer and couple of years later – his first vinyl release. These are a few things that shape Strahil as an accomplished electronic artist with his own signature sound. "Take the soul and the groove of house and techno, the futurism and detail of experimental electronica and the raw energy of acid" – this is how Strahil defines his style.
KiNK is no stranger to the underground house scene since his first appearance on vinyl in 2005 on the UK based label Odori: His acid-house track "Same Old Thing" was noticed by DJs like David Duriez and Laurent Garnier, the track was re-released on the French imprint RZ later in 2006. KiNK`s remix of Eviljack from the same vinyl appeared at the Essential mix of Francois K. and numerous dj sets. His tracks and remixes could be found on 10 vinyl releases so far and few digital ones, he produced music for labels such as Odori, Rush Hour, RZ, Rebelone, Endless Flight, Boe, Spatula City, and more. KiNK worked with different artists like the producer / label boss from Berlin – Stefan Goldmann (under the name "Vinyl") and the UK based producer Neville Watson.
Danny Daze
Heavily praised for his versatility, DJ and producer Danny Daze continues to smash expectations with an omnivorous groove rooted in Detroit Techno, Italo Disco, and Miami Bass. Daze's freeform selecting and mercurial mixing guarantees the only thing audiences can expect is a musical experience where everything is up for grabs. Combined with his entrepreneurial acumen, Daze's touch has made him one of his generation's most compelling artists.
Steeped in Miami's B-boy culture, Daniel Gomez adopted his Daze moniker early on at his mother's suggestion. Practicing on a set-up she bought him, Danny Daze was spinning at weddings by age 14, funneling his earnings into vinyl to play raves on the side. Danny's esoteric sets quickly attracted adventurous and loyal crowds. Pushing himself to the next level, Danny produced his first tracks on a cracked version of Fruity Loops in 2004 and jumpstarted a techno white label a year later. In 2011, the School of Audio Engineering valedictorian broke through with "Your Everything" featuring kindred rebel, DJ and producer Louisahhh on vocals.
"I've ran a label before and feel its time to begin curating another. I'm not after a selfish agenda built around me. The label must be about the artist being released first." Danny says.
show less
Doors: 3:00 pm / Show: 3:00 pm (event ends at 4:00 am)
$39.99
DIXON
When Dixon entered the Berlin club circuit in the early 90's, he established his name on the strength of djing. Back then, confidence or experience based on putting out mixes on the Internet did not matter as much as it does now. You had to do your practice, of course, but when your thing was good and tight enough to take it to the clubs, there were opportunities to do so. But those opportunities meant responsibilities. A residency did not mean playing the same club every once in a while, it meant playing the same club every week. The crowd did not consist of people that wander in and out of club nights and its guest djs as the weekly hype commanded them, it consisted of people which headed straight to a certain club night because they were sure its resident dj would deliver the goods this week as he did last week, and the next weeks to come. As long as that happened, there was no need to move on. You made your decision to return out of good experience and you stuck to it as long as it lasted.
In such a context, there is no way to learn quicker how to become a very good dj than by making people dance throughout a set that lasts the whole night, on a very regular basis. If you can't hold the crowd for hours then, you fall through. It is learning by doing, the hard way. Dixon did not only learn very quickly, he loved every moment of it. Starting out low, slow, unfolding the flow, working towards a peak, then working towards another, turning up, turning down, to find the exact point from which to swing moods, to find the perfect way to end what should be a lasting experience. Once you passed your exams in the nightclub school of that era with distinction, you can rely on it forevermore, and Dixon surely did. His residencies then and now are obviously schooled on the stylistic and technical versatility and skills, attitude, stamina and experience based on countless nights honing ways to direct a loyal crowd on the dance floor at will. Hours spent to find and select the right music to achieve the levels of intensity necessary, hours spent to plan the imminent night's structure and proceedings, and then hours spent putting it into action. Dixon was always more than happy to spend this much time on his nights, because he takes his profession seriously. It is exactly what matters most to him. He has always been and he always will be a dj first. This is the mission he embarked on, no end in sight.
Catz 'n Dogz
If you don't know them by now, their full Polish names are Grzegorz and Wojciech but you can call them Greg and Voitek. As DJs you are likely to find them playing disco/deephouse at the small parties they organize frequently in Berlin and Szczecin as well as tech-house and techno at festivals and big clubs all over the world.
Kink
Strahil Velchev a.k.a KiNK is not Josh Wink`s brother, he isn`t Aphex Twin`s room mate and definetly not Larry Heard`s son. He is simply an innovative, uncompromising producer and captivating DJ / live performer from Bulgaria, who incorporates the best examples of the underground dance music in his production.
At the age of 12 – jumping up & down to acid, techno and early rave tracks; at 20 – his touch with the fist modular software synthesizer and couple of years later – his first vinyl release. These are a few things that shape Strahil as an accomplished electronic artist with his own signature sound. "Take the soul and the groove of house and techno, the futurism and detail of experimental electronica and the raw energy of acid" – this is how Strahil defines his style.
KiNK is no stranger to the underground house scene since his first appearance on vinyl in 2005 on the UK based label Odori: His acid-house track "Same Old Thing" was noticed by DJs like David Duriez and Laurent Garnier, the track was re-released on the French imprint RZ later in 2006. KiNK`s remix of Eviljack from the same vinyl appeared at the Essential mix of Francois K. and numerous dj sets. His tracks and remixes could be found on 10 vinyl releases so far and few digital ones, he produced music for labels such as Odori, Rush Hour, RZ, Rebelone, Endless Flight, Boe, Spatula City, and more. KiNK worked with different artists like the producer / label boss from Berlin – Stefan Goldmann (under the name "Vinyl") and the UK based producer Neville Watson.
Danny Daze
Heavily praised for his versatility, DJ and producer Danny Daze continues to smash expectations with an omnivorous groove rooted in Detroit Techno, Italo Disco, and Miami Bass. Daze's freeform selecting and mercurial mixing guarantees the only thing audiences can expect is a musical experience where everything is up for grabs. Combined with his entrepreneurial acumen, Daze's touch has made him one of his generation's most compelling artists.
Steeped in Miami's B-boy culture, Daniel Gomez adopted his Daze moniker early on at his mother's suggestion. Practicing on a set-up she bought him, Danny Daze was spinning at weddings by age 14, funneling his earnings into vinyl to play raves on the side. Danny's esoteric sets quickly attracted adventurous and loyal crowds. Pushing himself to the next level, Danny produced his first tracks on a cracked version of Fruity Loops in 2004 and jumpstarted a techno white label a year later. In 2011, the School of Audio Engineering valedictorian broke through with "Your Everything" featuring kindred rebel, DJ and producer Louisahhh on vocals.
"I've ran a label before and feel its time to begin curating another. I'm not after a selfish agenda built around me. The label must be about the artist being released first." Danny says.
OUTERLIMITS FESTIVAL - DIXON, CATZ 'N DOGZ, KINK, DANNY DAZE
Doors: 3:00 pm / Show: 3:00 pm (event ends at 4:00 am)
$39.99
DIXON
When Dixon entered the Berlin club circuit in the early 90's, he established his name on the strength of djing. Back then, confidence or experience based on putting out mixes on the Internet did not matter as much as it does now. You had to do your practice, of course, but when your thing was good and tight enough to take it to the clubs, there were opportunities to do so. But those opportunities meant responsibilities. A residency did not mean playing the same club every once in a while, it meant playing the same club every week. The crowd did not consist of people that wander in and out of club nights and its guest djs as the weekly hype commanded them, it consisted of people which headed straight to a certain club night because they were sure its resident dj would deliver the goods this week as he did last week, and the next weeks to come. As long as that happened, there was no need to move on. You made your decision to return out of good experience and you stuck to it as long as it lasted.
In such a context, there is no way to learn quicker how to become a very good dj than by making people dance throughout a set that lasts the whole night, on a very regular basis. If you can't hold the crowd for hours then, you fall through. It is learning by doing, the hard way. Dixon did not only learn very quickly, he loved every moment of it. Starting out low, slow, unfolding the flow, working towards a peak, then working towards another, turning up, turning down, to find the exact point from which to swing moods, to find the perfect way to end what should be a lasting experience. Once you passed your exams in the nightclub school of that era with distinction, you can rely on it forevermore, and Dixon surely did. His residencies then and now are obviously schooled on the stylistic and technical versatility and skills, attitude, stamina and experience based on countless nights honing ways to direct a loyal crowd on the dance floor at will. Hours spent to find and select the right music to achieve the levels of intensity necessary, hours spent to plan the imminent night's structure and proceedings, and then hours spent putting it into action. Dixon was always more than happy to spend this much time on his nights, because he takes his profession seriously. It is exactly what matters most to him. He has always been and he always will be a dj first. This is the mission he embarked on, no end in sight.
Catz 'n Dogz
If you don't know them by now, their full Polish names are Grzegorz and Wojciech but you can call them Greg and Voitek. As DJs you are likely to find them playing disco/deephouse at the small parties they organize frequently in Berlin and Szczecin as well as tech-house and techno at festivals and big clubs all over the world.
Kink
Strahil Velchev a.k.a KiNK is not Josh Wink`s brother, he isn`t Aphex Twin`s room mate and definetly not Larry Heard`s son. He is simply an innovative, uncompromising producer and captivating DJ / live performer from Bulgaria, who incorporates the best examples of the underground dance music in his production.
At the age of 12 – jumping up & down to acid, techno and early rave tracks; at 20 – his touch with the fist modular software synthesizer and couple of years later – his first vinyl release. These are a few things that shape Strahil as an accomplished electronic artist with his own signature sound. "Take the soul and the groove of house and techno, the futurism and detail of experimental electronica and the raw energy of acid" – this is how Strahil defines his style.
KiNK is no stranger to the underground house scene since his first appearance on vinyl in 2005 on the UK based label Odori: His acid-house track "Same Old Thing" was noticed by DJs like David Duriez and Laurent Garnier, the track was re-released on the French imprint RZ later in 2006. KiNK`s remix of Eviljack from the same vinyl appeared at the Essential mix of Francois K. and numerous dj sets. His tracks and remixes could be found on 10 vinyl releases so far and few digital ones, he produced music for labels such as Odori, Rush Hour, RZ, Rebelone, Endless Flight, Boe, Spatula City, and more. KiNK worked with different artists like the producer / label boss from Berlin – Stefan Goldmann (under the name "Vinyl") and the UK based producer Neville Watson.
Danny Daze
Heavily praised for his versatility, DJ and producer Danny Daze continues to smash expectations with an omnivorous groove rooted in Detroit Techno, Italo Disco, and Miami Bass. Daze's freeform selecting and mercurial mixing guarantees the only thing audiences can expect is a musical experience where everything is up for grabs. Combined with his entrepreneurial acumen, Daze's touch has made him one of his generation's most compelling artists.
Steeped in Miami's B-boy culture, Daniel Gomez adopted his Daze moniker early on at his mother's suggestion. Practicing on a set-up she bought him, Danny Daze was spinning at weddings by age 14, funneling his earnings into vinyl to play raves on the side. Danny's esoteric sets quickly attracted adventurous and loyal crowds. Pushing himself to the next level, Danny produced his first tracks on a cracked version of Fruity Loops in 2004 and jumpstarted a techno white label a year later. In 2011, the School of Audio Engineering valedictorian broke through with "Your Everything" featuring kindred rebel, DJ and producer Louisahhh on vocals.
"I've ran a label before and feel its time to begin curating another. I'm not after a selfish agenda built around me. The label must be about the artist being released first." Danny says.
read more
Doors: 3:00 pm / Show: 3:00 pm (event ends at 4:00 am)
$39.99
DIXON
When Dixon entered the Berlin club circuit in the early 90's, he established his name on the strength of djing. Back then, confidence or experience based on putting out mixes on the Internet did not matter as much as it does now. You had to do your practice, of course, but when your thing was good and tight enough to take it to the clubs, there were opportunities to do so. But those opportunities meant responsibilities. A residency did not mean playing the same club every once in a while, it meant playing the same club every week. The crowd did not consist of people that wander in and out of club nights and its guest djs as the weekly hype commanded them, it consisted of people which headed straight to a certain club night because they were sure its resident dj would deliver the goods this week as he did last week, and the next weeks to come. As long as that happened, there was no need to move on. You made your decision to return out of good experience and you stuck to it as long as it lasted.
In such a context, there is no way to learn quicker how to become a very good dj than by making people dance throughout a set that lasts the whole night, on a very regular basis. If you can't hold the crowd for hours then, you fall through. It is learning by doing, the hard way. Dixon did not only learn very quickly, he loved every moment of it. Starting out low, slow, unfolding the flow, working towards a peak, then working towards another, turning up, turning down, to find the exact point from which to swing moods, to find the perfect way to end what should be a lasting experience. Once you passed your exams in the nightclub school of that era with distinction, you can rely on it forevermore, and Dixon surely did. His residencies then and now are obviously schooled on the stylistic and technical versatility and skills, attitude, stamina and experience based on countless nights honing ways to direct a loyal crowd on the dance floor at will. Hours spent to find and select the right music to achieve the levels of intensity necessary, hours spent to plan the imminent night's structure and proceedings, and then hours spent putting it into action. Dixon was always more than happy to spend this much time on his nights, because he takes his profession seriously. It is exactly what matters most to him. He has always been and he always will be a dj first. This is the mission he embarked on, no end in sight.
Catz 'n Dogz
If you don't know them by now, their full Polish names are Grzegorz and Wojciech but you can call them Greg and Voitek. As DJs you are likely to find them playing disco/deephouse at the small parties they organize frequently in Berlin and Szczecin as well as tech-house and techno at festivals and big clubs all over the world.
Kink
Strahil Velchev a.k.a KiNK is not Josh Wink`s brother, he isn`t Aphex Twin`s room mate and definetly not Larry Heard`s son. He is simply an innovative, uncompromising producer and captivating DJ / live performer from Bulgaria, who incorporates the best examples of the underground dance music in his production.
At the age of 12 – jumping up & down to acid, techno and early rave tracks; at 20 – his touch with the fist modular software synthesizer and couple of years later – his first vinyl release. These are a few things that shape Strahil as an accomplished electronic artist with his own signature sound. "Take the soul and the groove of house and techno, the futurism and detail of experimental electronica and the raw energy of acid" – this is how Strahil defines his style.
KiNK is no stranger to the underground house scene since his first appearance on vinyl in 2005 on the UK based label Odori: His acid-house track "Same Old Thing" was noticed by DJs like David Duriez and Laurent Garnier, the track was re-released on the French imprint RZ later in 2006. KiNK`s remix of Eviljack from the same vinyl appeared at the Essential mix of Francois K. and numerous dj sets. His tracks and remixes could be found on 10 vinyl releases so far and few digital ones, he produced music for labels such as Odori, Rush Hour, RZ, Rebelone, Endless Flight, Boe, Spatula City, and more. KiNK worked with different artists like the producer / label boss from Berlin – Stefan Goldmann (under the name "Vinyl") and the UK based producer Neville Watson.
Danny Daze
Heavily praised for his versatility, DJ and producer Danny Daze continues to smash expectations with an omnivorous groove rooted in Detroit Techno, Italo Disco, and Miami Bass. Daze's freeform selecting and mercurial mixing guarantees the only thing audiences can expect is a musical experience where everything is up for grabs. Combined with his entrepreneurial acumen, Daze's touch has made him one of his generation's most compelling artists.
Steeped in Miami's B-boy culture, Daniel Gomez adopted his Daze moniker early on at his mother's suggestion. Practicing on a set-up she bought him, Danny Daze was spinning at weddings by age 14, funneling his earnings into vinyl to play raves on the side. Danny's esoteric sets quickly attracted adventurous and loyal crowds. Pushing himself to the next level, Danny produced his first tracks on a cracked version of Fruity Loops in 2004 and jumpstarted a techno white label a year later. In 2011, the School of Audio Engineering valedictorian broke through with "Your Everything" featuring kindred rebel, DJ and producer Louisahhh on vocals.
"I've ran a label before and feel its time to begin curating another. I'm not after a selfish agenda built around me. The label must be about the artist being released first." Danny says.
show less
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The Great Northern
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119 Utah Street, San Francisco, CA 94103
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