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Sun August 9, 2015

Noertker's Moxie & Brett Carson solo

SEE EVENT DETAILS
7:30pm
Brett Carson - solo piano and spoken word
8:30pm
Noertker's Moxie
Annelise Zamula - saxes, flute
Eli Wallace - piano
Bill Noertker - contrabass
Jordan Glenn - drums

Outsound presents the SIMM Series
at Musicians' Union Hall
116 Ninth Street (near Mission)
San Francisco CA 94103
$10-$15 sliding scale

http://www.noertker.com
http://www.bayimproviser.com/artist/353/eli-wallace
http://www.annelisezamula.com/
http://www.jordanglennmusic.com
http://brettcarson.weebly.com/

Bassist/composer Bill Noertker has been active in the Bay Area jazz and avant-garde scene since the late 1980s. Since 2001, he has lead his own ensemble, Noertker's Moxie, as a forum for his compositions inspired by visual artists such as Paul Klee, Wassily Kandinsky, Franz Marc, Salvador Dalí, and Joan Miró, architect Antoni Gaudí, poet Rainer Maria Rilke, sculptor David Beck, and others. Noertker has composed over 150 pieces of music for this group and has released eight CDs, including three CDs of his extended suite Sketches of Catalonia, and two volumes of his extended Blue Rider Suite.
He has also composed music for three films that showcase the intimately-scaled sculptures of David Beck, and composed the score for a Nikos Koumoundouros film, The Commandments or the Nostril of Ektor Kaknavatos, that was selected for the Short Film Corner at the prestigious Festival de Cannes 2010.
He is now at work scoring the upcoming Olympia Stone film “Curious Worlds: the Art and Imagination of David Beck.”
https://www.noertker.com

Annelise Zamula started on flute at age 11 and picked up sax at 14 after falling in love with jazz. She studied classical flute with the late Wallace Mann of the National Symphony while in her teens. After moving to Boston to attend Berklee College of Music, she studied flute with Matt Marvuglio.
Annelise has performed with numerous groups in the Bay Area, including the Riffrats, Moodswing Orchestra, Montclair Women’s Big Band, Connie Champagne and Her Tiny Bubbles, Carwash, The Strayhorns, Golden Gate Park Band, and more.
In 1996 she joined the Billy Tipton Memorial Saxophone Quartet (BTMSQ) and toured the U.S. and Europe with the group, as well as recording a CD, Sunshine Bundtcake, which was released in March 2000. She has played live radio shows with BTMSQ and the After the End of the World Coretet, both in Europe and at the Bay Area’s own KPFA, KUSF, KALX, and KPOO. With BTMSQ, Ms. Zamula performed with the Indigo Girls on their West Coast tour of 1997, including a performance at the Lilith Fair in Vancouver; at the Bumbershoot Festival in Seattle, and with the Pat Graney Dance Company.
She co-founded the After the End of the World Coretet and composed some of the songs released on the group’s two CDs, Quaternity and 13.
Annelise currently performs with Big Lou's Dance Party, Noertker's Moxie, and the Berkeley Saxophone Quartet.
https://www.annelisezamula.com

Eli Wallace, pianist/composer/improviser, is an active player in the San Francisco Bay Area music community, playing in groups ranging from straight-ahead jazz, to indie rock, to free improvisation, to classical music. In addition to Cabbages, Captain, & King, he also leads his concept ensemble Platform Series as well as his solo piano project. Recently, he performed a commissioned work at Jazz at Lincoln Center, New York, NY and Oberlin Dance Conservatory, San Francisco, CA with dancer/choreographer Randee Paufve. He was also awarded Honorable Mention after submitting his piece “Influx Rebellion” to the EarShot Jazz Composers Orchestra Institute Readings. His musical education was granted by Lawrence University, Appleton WI, and New England Conservatory, Boston, MA, where he completed a bachelor’s of music and a master’s of music, respectively.
http://www.bayimproviser.com/artist/353/eli-wallace

Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2003 Glenn received a degree in Jazz Studies from the University of Oregon.
In 2006 he relocated to the Bay Area and since has worked closely with Fred Frith, William Winant, Zeena Parkins, Roscoe Mitchell, Ben Goldberg, Todd Sickafoose, John Schott, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman and the bands Jack O' The Clock, Arts & Sciences, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band.
https://www.jordanglennmusic.com

Brett Carson explores the dynamic intersection of materials and the excavation of myth through his compositions, at once volatile and highly structured. Using architectural elements borrowed from composers such as Braxton, Cage, and Messiaen, and deriving inspiration from such fields as mysticism, science, and archaeology, his work aims toward the deconstruction of a musical reality, to be reassembled in a way that is fragmented though still recognizable.
A native of Georgia, Brett became active in Atlanta's experimental music scene while working in more conventional contexts, particularly as a jazz pianist. In 2012, he released two independent recordings with his group Alembic Circle. He moved to Oakland the same year, and is currently involved with his project Quattuor Elephantis in addition to several Bay Area groups including the Medium-Sized Band and Noertker's Moxie. As a performer he has worked with a wide variety of musicians, including Bill Baird, Nicolas Collins, George Lewis, Rent Romus, Wolter Wierbos, and William Winant. He holds an MA in Composition from Mills College, where he studied with Roscoe Mitchell, Zeena Parkins, Fred Frith, Les Stuck, Joan Jeanrenaud, and Robert Schwartz.
http://brettcarson.weebly.com/
7:30pm
Brett Carson - solo piano and spoken word
8:30pm
Noertker's Moxie
Annelise Zamula - saxes, flute
Eli Wallace - piano
Bill Noertker - contrabass
Jordan Glenn - drums

Outsound presents the SIMM Series
at Musicians' Union Hall
116 Ninth Street (near Mission)
San Francisco CA 94103
$10-$15 sliding scale

http://www.noertker.com
http://www.bayimproviser.com/artist/353/eli-wallace
http://www.annelisezamula.com/
http://www.jordanglennmusic.com
http://brettcarson.weebly.com/

Bassist/composer Bill Noertker has been active in the Bay Area jazz and avant-garde scene since the late 1980s. Since 2001, he has lead his own ensemble, Noertker's Moxie, as a forum for his compositions inspired by visual artists such as Paul Klee, Wassily Kandinsky, Franz Marc, Salvador Dalí, and Joan Miró, architect Antoni Gaudí, poet Rainer Maria Rilke, sculptor David Beck, and others. Noertker has composed over 150 pieces of music for this group and has released eight CDs, including three CDs of his extended suite Sketches of Catalonia, and two volumes of his extended Blue Rider Suite.
He has also composed music for three films that showcase the intimately-scaled sculptures of David Beck, and composed the score for a Nikos Koumoundouros film, The Commandments or the Nostril of Ektor Kaknavatos, that was selected for the Short Film Corner at the prestigious Festival de Cannes 2010.
He is now at work scoring the upcoming Olympia Stone film “Curious Worlds: the Art and Imagination of David Beck.”
https://www.noertker.com

Annelise Zamula started on flute at age 11 and picked up sax at 14 after falling in love with jazz. She studied classical flute with the late Wallace Mann of the National Symphony while in her teens. After moving to Boston to attend Berklee College of Music, she studied flute with Matt Marvuglio.
Annelise has performed with numerous groups in the Bay Area, including the Riffrats, Moodswing Orchestra, Montclair Women’s Big Band, Connie Champagne and Her Tiny Bubbles, Carwash, The Strayhorns, Golden Gate Park Band, and more.
In 1996 she joined the Billy Tipton Memorial Saxophone Quartet (BTMSQ) and toured the U.S. and Europe with the group, as well as recording a CD, Sunshine Bundtcake, which was released in March 2000. She has played live radio shows with BTMSQ and the After the End of the World Coretet, both in Europe and at the Bay Area’s own KPFA, KUSF, KALX, and KPOO. With BTMSQ, Ms. Zamula performed with the Indigo Girls on their West Coast tour of 1997, including a performance at the Lilith Fair in Vancouver; at the Bumbershoot Festival in Seattle, and with the Pat Graney Dance Company.
She co-founded the After the End of the World Coretet and composed some of the songs released on the group’s two CDs, Quaternity and 13.
Annelise currently performs with Big Lou's Dance Party, Noertker's Moxie, and the Berkeley Saxophone Quartet.
https://www.annelisezamula.com

Eli Wallace, pianist/composer/improviser, is an active player in the San Francisco Bay Area music community, playing in groups ranging from straight-ahead jazz, to indie rock, to free improvisation, to classical music. In addition to Cabbages, Captain, & King, he also leads his concept ensemble Platform Series as well as his solo piano project. Recently, he performed a commissioned work at Jazz at Lincoln Center, New York, NY and Oberlin Dance Conservatory, San Francisco, CA with dancer/choreographer Randee Paufve. He was also awarded Honorable Mention after submitting his piece “Influx Rebellion” to the EarShot Jazz Composers Orchestra Institute Readings. His musical education was granted by Lawrence University, Appleton WI, and New England Conservatory, Boston, MA, where he completed a bachelor’s of music and a master’s of music, respectively.
http://www.bayimproviser.com/artist/353/eli-wallace

Jordan Glenn spent his formative years in Oregon drawing cartoons, taking dance classes from his aunt, and putting on plays with his sisters. As he got older he began making movies with his friends and studying lots of jazz, classical, and rock music. In 2003 Glenn received a degree in Jazz Studies from the University of Oregon.
In 2006 he relocated to the Bay Area and since has worked closely with Fred Frith, William Winant, Zeena Parkins, Roscoe Mitchell, Ben Goldberg, Todd Sickafoose, John Schott, Darren Johnston, Aram Shelton, Cory Wright, Lisa Mezzacappa, Karl Evangelista, Michael Coleman and the bands Jack O' The Clock, Arts & Sciences, 20 Minute Loop, Beep!, tUnE-yArDs, and the Oakland Active Orchestra. He also leads and conducts the project Mindless Thing, a collaboration with poet/free-jazzer/sage Jim Ryan, as well as the long standing trio Wiener Kids and the ten piece expansion, The Wiener Kids Family Band.
https://www.jordanglennmusic.com

Brett Carson explores the dynamic intersection of materials and the excavation of myth through his compositions, at once volatile and highly structured. Using architectural elements borrowed from composers such as Braxton, Cage, and Messiaen, and deriving inspiration from such fields as mysticism, science, and archaeology, his work aims toward the deconstruction of a musical reality, to be reassembled in a way that is fragmented though still recognizable.
A native of Georgia, Brett became active in Atlanta's experimental music scene while working in more conventional contexts, particularly as a jazz pianist. In 2012, he released two independent recordings with his group Alembic Circle. He moved to Oakland the same year, and is currently involved with his project Quattuor Elephantis in addition to several Bay Area groups including the Medium-Sized Band and Noertker's Moxie. As a performer he has worked with a wide variety of musicians, including Bill Baird, Nicolas Collins, George Lewis, Rent Romus, Wolter Wierbos, and William Winant. He holds an MA in Composition from Mills College, where he studied with Roscoe Mitchell, Zeena Parkins, Fred Frith, Les Stuck, Joan Jeanrenaud, and Robert Schwartz.
http://brettcarson.weebly.com/
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116 9th Street, San Francisco, CA 94103

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