Mighty and Face Present

Mighty's 10 Year Anniversary with 2manydjs (DJ Set)

Sat Dec 7, 2013
Electronic Music, Music


On Saturday, December 7th, Face and Mighty are proud as part of Mighty's 10 year anniversary celebration to present an exclusive Bay Area DJ set by 2manydjs (Soulwax). Support from dj EUG (Face/Public Release).
In times where moms give their sons and daughters DJ-courses for their birthdays and bootlegging has become an Olympic sport, it is nice to see a record that sets a new standard in the genre of mix-albums: 2 Many DJs from Belgian groove-gurus Soulwax.

Fans of quality left-of-centre rock music will know Soulwax from their highly acclaimed album Much Against Everyones Advice, which made it into the British Top 40 and got rave responses in Japan and Australia. But theres much more to the two brothers than meets the eye. Apart from being chairman of the Belgian Carpenters Association (Stephen) and having a black belt in tae kwon do (David), they are also masters in blending the finest products of music history together into a catchy, hilarious and -above all- intriguing groove exploration. From politically incorrect prog-rock to funky r&b, from trendy hiptrop to banging German techno, ja: if it gets a booty going, the Dewaele brothers have it in their record collection.

Blending beautiful tunes is far from new for the Soulwax brothers. Back in the dark days of 1999, David and Stephen started a DJ-show on Belgian national radio, called Hang The DJ, where they did exactly that. Years before bootlegging reached the trendy pages of The Face, they were already making their own mixes for inclusion on the show. Inspired by the philosophy of one Grandmaster Flash, they cut together the best bits of funky tracks into an even funkier mix. It was then that classic mixes of Blackstreet with Grandmaster Flash, Beck with Prodigy and Beastie Boys vs. Herbie Hancock with INXS vs. AC/DC saw the light of day. Praise the Lord.

After having wooed Belgian and Dutch crowds for a few years with these eclectic sets, they went on to impress the most cynical part of the world, the London scene, a loud yet harmless species. The British capital, where approximately 67% of the population (including 17% of women over 65) owns two decks and a mixer, is used to a thing or two, but Stephen and David immediately raised quite a few eyebrows with sparkling sets for Londons independent radio station Xfm, national institution BBC Radio 1 and appearances at the renowned Trash nights in London and Arthur Bakers Sunday Sessions in The Elbow Room.

Impact on the trendometer: a fat 9.5. When we played our first set for Xfm, says David, several club owners phoned up during the transmission to ask us to come and play their venues. And when an (unnamed) DJ played Soulwaxs classic bootleg mix of Skee-Los I Wish, Survivors Eye Of The Tiger and The Breeders Cannonball at a London club night and pretended he was mixing it himself, it became official: Soulwax was hot property. Even Jarvis Cocker showed his appreciation for their skills and none other than ber-producer Felix Da Housecat invited the brothers to collaborate on his new project: a girlband called Glamarama. You gotta believe it

No surprise then that 2 Many DJs has been in the pipeline for yonks, but because getting tracks cleared is a legal war zone, it has taken quite a bit longer. Mick Jones from The Clash was very impressed with our bootleg version of their The Magnificent Seven mixed with Basement Jaxxs Romeo, explains Stephen, but still we didnt manage to secure the rights to include it on the album. Rumours that two lawyers have been decapitated since are unconfirmed.
Too bad, but theres more than enough magic material to keep you intrigued, smiling and shaking. The record includes already renowned mixes like Destinys Childs Independent Women with 10CCs Dreadlock Holiday and Stooges No Fun with Salt N Pepas Push It, but it also features new beautiful blends like Ryksopps Eple with Dolly Partons Nine To Five and Basement Jaxxs Wheres Your Head At with Emerson Lake & Palmers Theme From Peter Gun.

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