After years in the making here at last is Illumination, the fully realised debut album from Melbourne’s favourite psychedelic indie-electronic adventurers Miami Horror. With Illumination, Miami Horror has delivered on two years of teeth-cutting live shows and an ever escalating wave of buzz that’s made the group bonafide blog darlings the world over. But what’s most amazing about the grand arrival of Illumination is that the roots of the record stretch back countless moons to when Miami Horror began as just one synthesizer-obsessed producer huddled over a laptop in a bedroom-come-studio and the album itself just a spark waiting to be lit.
The afore mentioned synth tragic was, and let’s face it still is, electronic young gun Ben Plant, who kick started Miami Horror out of a love of Roland keyboards and French house, landing himself on Pitchfork’s hot-list overnight and copping a barrage of high profile remix requests from the likes of Datarock, PNAU and The Presets.
Yet it was while Ben was punching out 2008’s epochal Bravado EP that Miami Horror took off in a completely new and different direction. Characteristically wanting to flex his creative muscle and avoid the limitations of being stereotyped as simply a dance or electro act, Ben rewired Miami Horror’s genetic makeup, deputising the talents of Josh Moriarty, Aaron Shanahan and Daniel Whitechurch to form a new live band persona of Miami Horror, a whole new beast immeasurably more exciting than before.
Miami Horror has launched into dizzying new stratospheres, their well-polished chops as a group making for some unmissable sets at Australia’s biggest festivals, and that’s not to mention some A-list support slot call ups for everyone from Phoenix, Friendly Fires and La Roux to a hand-picked hook up from Lily Allen.