Please join Green Apple Books in welcoming Megan Sexton, author of Swift Hour on Thursday, September 17th, 2015 at 7pm at our Clement St. location (506 Clement St.).
Swift Hour opens with an epigraph from a Leonard Cohen song: I hope youre keeping some kind of record. Like Cohen, Sexton is looking for the crack in everything that lets the light in, but even more urgent is the recording of these moments. Life is quickly passing, but along the way, relics are harvested for safekeeping. Sexton is a poet in search of shadows as well as light. Her explorations range from the grieving mothers of the Disappeared of Argentina, the censorship of Anna Akmatova, to Ghandi’s ashes being scattered into the Ganges. With surrealist twists, her poems capture how incongruous images of memory can redeem the pain of our past. Sexton’s poems of marriage and motherhood explore the mythical possibilities of relationships -- her daughter conjures Persephone in the grocery aisle and a man and woman on a Greyhound bus suddenly become Orpheus and Eurydice. Her work reminds us of the ways in which myth and knowledge help us navigate through the shadows toward the light.
Megan Sexton is co-editor of Five Points: A Journal of Literature & Art. Her first collection of poems, Swift Hour, won the Adrienne Bond Award for Poetry and was published by Mercer University Press in April 2014. Her chapbook, Insects & Mystics, was awarded the Redbone Press Prize. Her poetry and nonfiction have been widely published in anthologies and journals, including Poetry, Ploughshares, The Iowa Review, The Southern Review, The Literary Review, Poetry Daily, and elsewhere. She has been nominated for the PEN/Newman First Amendment Award and has received a fellowship from the Hambidge Center.
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Swift Hour opens with an epigraph from a Leonard Cohen song: I hope youre keeping some kind of record. Like Cohen, Sexton is looking for the crack in everything that lets the light in, but even more urgent is the recording of these moments. Life is quickly passing, but along the way, relics are harvested for safekeeping. Sexton is a poet in search of shadows as well as light. Her explorations range from the grieving mothers of the Disappeared of Argentina, the censorship of Anna Akmatova, to Ghandi’s ashes being scattered into the Ganges. With surrealist twists, her poems capture how incongruous images of memory can redeem the pain of our past. Sexton’s poems of marriage and motherhood explore the mythical possibilities of relationships -- her daughter conjures Persephone in the grocery aisle and a man and woman on a Greyhound bus suddenly become Orpheus and Eurydice. Her work reminds us of the ways in which myth and knowledge help us navigate through the shadows toward the light.
Megan Sexton is co-editor of Five Points: A Journal of Literature & Art. Her first collection of poems, Swift Hour, won the Adrienne Bond Award for Poetry and was published by Mercer University Press in April 2014. Her chapbook, Insects & Mystics, was awarded the Redbone Press Prize. Her poetry and nonfiction have been widely published in anthologies and journals, including Poetry, Ploughshares, The Iowa Review, The Southern Review, The Literary Review, Poetry Daily, and elsewhere. She has been nominated for the PEN/Newman First Amendment Award and has received a fellowship from the Hambidge Center.
Please join Green Apple Books in welcoming Megan Sexton, author of Swift Hour on Thursday, September 17th, 2015 at 7pm at our Clement St. location (506 Clement St.).
Swift Hour opens with an epigraph from a Leonard Cohen song: I hope youre keeping some kind of record. Like Cohen, Sexton is looking for the crack in everything that lets the light in, but even more urgent is the recording of these moments. Life is quickly passing, but along the way, relics are harvested for safekeeping. Sexton is a poet in search of shadows as well as light. Her explorations range from the grieving mothers of the Disappeared of Argentina, the censorship of Anna Akmatova, to Ghandi’s ashes being scattered into the Ganges. With surrealist twists, her poems capture how incongruous images of memory can redeem the pain of our past. Sexton’s poems of marriage and motherhood explore the mythical possibilities of relationships -- her daughter conjures Persephone in the grocery aisle and a man and woman on a Greyhound bus suddenly become Orpheus and Eurydice. Her work reminds us of the ways in which myth and knowledge help us navigate through the shadows toward the light.
Megan Sexton is co-editor of Five Points: A Journal of Literature & Art. Her first collection of poems, Swift Hour, won the Adrienne Bond Award for Poetry and was published by Mercer University Press in April 2014. Her chapbook, Insects & Mystics, was awarded the Redbone Press Prize. Her poetry and nonfiction have been widely published in anthologies and journals, including Poetry, Ploughshares, The Iowa Review, The Southern Review, The Literary Review, Poetry Daily, and elsewhere. She has been nominated for the PEN/Newman First Amendment Award and has received a fellowship from the Hambidge Center.
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Swift Hour opens with an epigraph from a Leonard Cohen song: I hope youre keeping some kind of record. Like Cohen, Sexton is looking for the crack in everything that lets the light in, but even more urgent is the recording of these moments. Life is quickly passing, but along the way, relics are harvested for safekeeping. Sexton is a poet in search of shadows as well as light. Her explorations range from the grieving mothers of the Disappeared of Argentina, the censorship of Anna Akmatova, to Ghandi’s ashes being scattered into the Ganges. With surrealist twists, her poems capture how incongruous images of memory can redeem the pain of our past. Sexton’s poems of marriage and motherhood explore the mythical possibilities of relationships -- her daughter conjures Persephone in the grocery aisle and a man and woman on a Greyhound bus suddenly become Orpheus and Eurydice. Her work reminds us of the ways in which myth and knowledge help us navigate through the shadows toward the light.
Megan Sexton is co-editor of Five Points: A Journal of Literature & Art. Her first collection of poems, Swift Hour, won the Adrienne Bond Award for Poetry and was published by Mercer University Press in April 2014. Her chapbook, Insects & Mystics, was awarded the Redbone Press Prize. Her poetry and nonfiction have been widely published in anthologies and journals, including Poetry, Ploughshares, The Iowa Review, The Southern Review, The Literary Review, Poetry Daily, and elsewhere. She has been nominated for the PEN/Newman First Amendment Award and has received a fellowship from the Hambidge Center.
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506 Clement Street, San Francisco, CA 94118
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