Public Works and Dax present

Mark Farina, Roman Fluegel

Dax Lee, Support TBA

Fri Jun 7, 2013
Public Works
10pm - 3:30am
$13 - $20
Clubs, Music
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Public Works & Dax Present:

MARK FARINA (Mushroom Jazz and House Sets)

ROMAN FLUGEL (House and Techno Sets)

Legendary Lineup! East meets West with Mark Farina playing an early Mushroom Jazz set in the Loft then rocking the house in the main room later.
Roman Flugel is gonna rock a house set early in the main room and then rock it out with Techno and Tech House later in the Loft!

+ Dax Lee (Nexus)

+ TBA support

Main Room Funktion One Sound.
Get the discount presales for this one!

Mark Farina Bio

Shortly after Mark befriended Derrick Carter in 1988 at a record store in Chicago, his passion for House music, and sharing it with the world, exploded.

Mark experimented with a deeper style, dropping De La Soul, disco classics and other stuff that wasnt being played in the main rooms of nightclubs. While exploring his love for the purist forms of House Music, Mark developed his trademark style: Mushroom Jazz; acid jazz infused with the West Coasts jazzy, organic productions combined with urban beats.

Fans embraced Marks downtempo style so much that he started a weekly Mushroom Jazz club night in San Francisco with Patty Ryan. In 3 short years, the club established a fanatical, cult-like following for Farina and the Mushroom Jazz sound. When the doors closed, Farina continued the tradition by releasing a series of Cds on OM Records: simply titled, Mushroom Jazz.

Since then, Mark has been traveling the globe performing 100s of shows, to over one million club goers, every year. His House sets take fans on journeys to the jazzy side of Chicago House mixed San Fran style. Some of these sets have been known to last up to 8 hours. And sometimes youll find Mark playing in two different rooms at the same party, showcasing his range of big room sound to the uber-chill.

When Marks not touring, you can likely find him in his studio, working on his next release for his imprint, Great Lakes Audio, or on another signature mix for Mushroom Jazz.

Marks chunky-funky underground house style continually turns the heads of tastemakers worldwide, drawing him not only new fans, but landing him on the Top DJs in the World lists by URB, MUZIK and BPM Magazines.

Roman Flugel Bio
It all started with one of these Chicago Trax compilations on DM/Streetsounds. As a reaction to his thirsting for more of these crazed beats from overseas and with a view to his tight budget, the greatest hits of these expensive, imported 12 singles were soon released in the form of a compendium.

This opened Pandoras box, for very young Roman Flgel, too. Innocently given to him by his elder brother as a present (He probably had no idea what he was about to unleash and just wanted to give me some new music), the dazzle of the unrefined and feverish dance music, furnished with just a few drum machines and inexpensive synthesizers, turned the whole world upside down for the cultivated music pupil from Darmstadt.
After several evenings at Sven Vths renowned Omen club, few kilometres further up north, and his mind was made up. Memories of the atmosphere at the legendary Warp or Underground Resistance label nights has put a smile on Flgels delicate face ever since a man who would also make a fine figure as a literature lecturer, poet or thinker. LFOs bass, once they had set up their massive range of equipment, was unbelievable", he says laughing. It didnt take long before the well-trained ear tried out more than just classical melodies. Little by little, he collected a vast array of equipment, bringing forth his first sound experiments and enough courage to give a demo tape to indie fan (thats what music magazines like Zillo used to call people like that back then) Jrn Elling Wuttke. The latter was a well-known face in Darmstadts music scene and often enthused about new electronic music. In him he had found the right partner and Wuttke could hardly believe his spellbound ears.

DJs und Delirium record sellers Ata and Heiko MSO from Frankfurt felt the same. At first they thought someone was making fun of them. It sounded too authentic and unique. The music Flgel and Wuttke had presented to their label Ongaku and Klang Elektronik as Acid Jesus or, rather, Alter Ego, couldnt possibly come from the little neighbouring town Darmstadt. In Frankfurt, that kind of sound made people think of Detroit. The rest is history and forged an almost holy alliance. Speaking of holy: a humid summers day, a crate of beer and a studio in a garage sufficed to found a new label by the name of Playhouse for Holy Garage and to create that certain surprise which still excites house clubs today. Comrades-in-arms such as Isole, Don Disco alias Losoul and Ricardo Villalobos made the label the number one address. So they went on, history was written and the nineties flew by in a jiffy. His degree course in music was in the way: It seemed obsolete somehow, just to be analyzing church sonatas all day when there were so many interesting things going on around me. When, on top of that, the only semester on modern music was cancelled that year, I decided to leave the university. Luckily for us all, actually. The electronic intellectuals productivity is virtually unparalleled and Roman Flgel, the producer, DJ and label co-owner of Ongaku/Klang/Playhouse has meanwhile become a gentle giant in the German electro scene. With his own personal style and the privilege of being independent from the usual constraints of the music industry. A free spirit instead of a sheep. His solo project as Soylent Green (see the latest La Forca Del Destino compendium) is just as much of a must as his Alter Ego project with Wuttke, rigorously affirming techno down to the very last detail. He and Wuttke also count as techno Teuton Sven Vths favourite producers, who booked the team to produce a series of his own music. Romans work as Eight Miles High and Ro 70 show his quieter side, while the remixes (e.g. for Daft Punk, The Human League, Primal Scream, Pet Shop Boys, Kylie Minogue) and tracks under his own name (just think of the Arcade rave of Gehts Noch) are light dancefloor affirmations.

Roman also champions the cause of this in his job as an entertainer. Tried and tested by the stadium and pop hit Rocker, Flgel and Wuttke can be proud of being able to set any auditorium in the world on fire with their live set. DJ Roman Flgel can say the same of himself. Be it his sets at Offenbachs Robert-Johnson, Amnesia on Ibiza or Berlins Tollhaus Berghain/Panorama Bar: instead of disappearing in trivial and meaningless elevator clicks, he prefers to make his way through 20 years of rave. Contemporary music that includes bleeping house or quirky techno meets futuristic Italo-disco and electronica devoid of all provenance.There was a time when youd call that kind of sound acid house, released cheaper by the dozen on compilations. It all turns full circle again.



  1. Public Works
    161 Erie Street , San Francisco, CA