Ever since ‘Everyone Needs A Theme Tune’ on PMR Records stormed the scene, Julio Bashmore has been at the forefront of Bristol’s electronic army. An artist who has expertly fused his city’s bass roots with a deep appreciation for the classic house sound, Bashmore consistently imbues his productions with tangible emotion without losing sight of the dancefloor. The notable ‘Batty Knee Dance EP’ on 3024, was followed by Futureboogie’s inaugural release ‘Father Father feat. Javeon McCarthy’ back in April, with a number of stand out remixes for the label as well as the huge remix of ‘Into The Valley’ by Classixx. Bashmore has been an unstoppable force on the global circuit endowing his sets with a vital eclecticism that was showcased in his mighty contribution to the ubiquitous Essential Mix series on BBC Radio 1.
Perhaps indicative of Bristol’s fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke’s label tellingly signed an EP’s worth of Julio’s material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.
What happened next is the reason you’re reading this. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed Julio’s early productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio’s future-facing output. But what is it about his sonic approach that has created so much fever around the name Julio Bashmore? It’s difficult to say exactly. But bounce to blissed-out Garage of “Footsteppin”, lose your shit to his Mosca remix, or turn out the lights for “Batak Groove” and you’ll realise, simply, that it’s just something you feel and with 3 cuts on Jessie Ware’s highly anticipated debut album (including ‘Running’ and ’110%’), a Radio 1 show as part of their INDJsWT brand and fresh music for his newly imprinted label Broadwalk Records on the horizon.
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Perhaps indicative of Bristol’s fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke’s label tellingly signed an EP’s worth of Julio’s material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.
What happened next is the reason you’re reading this. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed Julio’s early productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio’s future-facing output. But what is it about his sonic approach that has created so much fever around the name Julio Bashmore? It’s difficult to say exactly. But bounce to blissed-out Garage of “Footsteppin”, lose your shit to his Mosca remix, or turn out the lights for “Batak Groove” and you’ll realise, simply, that it’s just something you feel and with 3 cuts on Jessie Ware’s highly anticipated debut album (including ‘Running’ and ’110%’), a Radio 1 show as part of their INDJsWT brand and fresh music for his newly imprinted label Broadwalk Records on the horizon.
Ever since ‘Everyone Needs A Theme Tune’ on PMR Records stormed the scene, Julio Bashmore has been at the forefront of Bristol’s electronic army. An artist who has expertly fused his city’s bass roots with a deep appreciation for the classic house sound, Bashmore consistently imbues his productions with tangible emotion without losing sight of the dancefloor. The notable ‘Batty Knee Dance EP’ on 3024, was followed by Futureboogie’s inaugural release ‘Father Father feat. Javeon McCarthy’ back in April, with a number of stand out remixes for the label as well as the huge remix of ‘Into The Valley’ by Classixx. Bashmore has been an unstoppable force on the global circuit endowing his sets with a vital eclecticism that was showcased in his mighty contribution to the ubiquitous Essential Mix series on BBC Radio 1.
Perhaps indicative of Bristol’s fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke’s label tellingly signed an EP’s worth of Julio’s material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.
What happened next is the reason you’re reading this. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed Julio’s early productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio’s future-facing output. But what is it about his sonic approach that has created so much fever around the name Julio Bashmore? It’s difficult to say exactly. But bounce to blissed-out Garage of “Footsteppin”, lose your shit to his Mosca remix, or turn out the lights for “Batak Groove” and you’ll realise, simply, that it’s just something you feel and with 3 cuts on Jessie Ware’s highly anticipated debut album (including ‘Running’ and ’110%’), a Radio 1 show as part of their INDJsWT brand and fresh music for his newly imprinted label Broadwalk Records on the horizon.
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Perhaps indicative of Bristol’s fascination with low-frequencies, Julio began to gravitate towards the bass- indebted sounds of the Dirtybird label. After spending considerable periods of time sharpening his mixing and productions skills, Claude VonStroke’s label tellingly signed an EP’s worth of Julio’s material for the Julio Bashmore EP. This breakthrough also meant a difficult decision: on the cusp of leaving for university Julio decided instead to remain in Bristol and install production and DJing as his primary focus.
What happened next is the reason you’re reading this. Night Slugs, Ten Thousand Yen, PTN, Dirtybird, fabric and Soul Motive were among those who housed Julio’s early productions/remixes—and this list of forward-thinking labels seemed fittingly representative of Julio’s future-facing output. But what is it about his sonic approach that has created so much fever around the name Julio Bashmore? It’s difficult to say exactly. But bounce to blissed-out Garage of “Footsteppin”, lose your shit to his Mosca remix, or turn out the lights for “Batak Groove” and you’ll realise, simply, that it’s just something you feel and with 3 cuts on Jessie Ware’s highly anticipated debut album (including ‘Running’ and ’110%’), a Radio 1 show as part of their INDJsWT brand and fresh music for his newly imprinted label Broadwalk Records on the horizon.
show less
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