The Juilliard Quartet’s founding vision is just as fresh and relevant to today’s ensemble as it was in 1946: “to play new works as if they were established masterpieces, and established masterpieces as if they were new.” The reinvigorated Juilliard, including violist Roger Tapping formerly of the Takács Quartet, continues its unparalleled history with an extraordinary clarity of tone, unanimity of ensemble and beauty of sound that has been described as “vital and warm-hued.” (The New York Times).
The Juilliard Quartet’s founding vision is just as fresh and relevant to today’s ensemble as it was in 1946: “to play new works as if they were established masterpieces, and established masterpieces as if they were new.” The reinvigorated Juilliard, including violist Roger Tapping formerly of the Takács Quartet, continues its unparalleled history with an extraordinary clarity of tone, unanimity of ensemble and beauty of sound that has been described as “vital and warm-hued.” (The New York Times).
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