Wolfgang Amadeus Mozart, trans. Alkan Motet from Thamos, King in Egypt and Piano Concerto in D minor, K. 466
Charles Valentin Alkan Don Juan Fantaisie, Op. 26 and 3 Petites Fantaisies
José Comellas Nocturne and Sonata Brillante
This program features two rarely heard transcriptions by Charles Valentin Alkan (1813–1888) of Mozart’s works: the Motet from the incidental music to Thamos, King in Egypt and the Piano Concerto in D minor K. 466, which, along with Beethoven’s C minor Concerto, Op. 37, was a favored item in the repertoire of pianists during the Romantic movement due to its underlying pathos. Alkan’s original cadenzas for the outer movements provide a unique commentary and evidence his peculiar humor. William Wellborn and José López, respective Presidents of American Liszt Society chapters in the Bay area and South Florida, join hands in Alkan’s four-handed Don Juan Fantaisie, Op. 26, which uses the famous aria Finch’ han dal vino from Mozart’s Don Giovanni as a finale. The program proceeds with two works by the Cuban-born, Spanish Romantic composer José Comellas (1842-1888): a Nocturne and his Sonata Brillante. Comellas, European-trained in the Leipzig Conservatory under Ignaz Moscheles, lived several years of his short life in Baltimore, USA as a teacher and appears to have ignored completely the nationalistic tendencies of his Cuban contemporaries in his extant works. The program concludes with the rarely played 3 Petites Fantaisies by Alkan.
show less
Charles Valentin Alkan Don Juan Fantaisie, Op. 26 and 3 Petites Fantaisies
José Comellas Nocturne and Sonata Brillante
This program features two rarely heard transcriptions by Charles Valentin Alkan (1813–1888) of Mozart’s works: the Motet from the incidental music to Thamos, King in Egypt and the Piano Concerto in D minor K. 466, which, along with Beethoven’s C minor Concerto, Op. 37, was a favored item in the repertoire of pianists during the Romantic movement due to its underlying pathos. Alkan’s original cadenzas for the outer movements provide a unique commentary and evidence his peculiar humor. William Wellborn and José López, respective Presidents of American Liszt Society chapters in the Bay area and South Florida, join hands in Alkan’s four-handed Don Juan Fantaisie, Op. 26, which uses the famous aria Finch’ han dal vino from Mozart’s Don Giovanni as a finale. The program proceeds with two works by the Cuban-born, Spanish Romantic composer José Comellas (1842-1888): a Nocturne and his Sonata Brillante. Comellas, European-trained in the Leipzig Conservatory under Ignaz Moscheles, lived several years of his short life in Baltimore, USA as a teacher and appears to have ignored completely the nationalistic tendencies of his Cuban contemporaries in his extant works. The program concludes with the rarely played 3 Petites Fantaisies by Alkan.
Wolfgang Amadeus Mozart, trans. Alkan Motet from Thamos, King in Egypt and Piano Concerto in D minor, K. 466
Charles Valentin Alkan Don Juan Fantaisie, Op. 26 and 3 Petites Fantaisies
José Comellas Nocturne and Sonata Brillante
This program features two rarely heard transcriptions by Charles Valentin Alkan (1813–1888) of Mozart’s works: the Motet from the incidental music to Thamos, King in Egypt and the Piano Concerto in D minor K. 466, which, along with Beethoven’s C minor Concerto, Op. 37, was a favored item in the repertoire of pianists during the Romantic movement due to its underlying pathos. Alkan’s original cadenzas for the outer movements provide a unique commentary and evidence his peculiar humor. William Wellborn and José López, respective Presidents of American Liszt Society chapters in the Bay area and South Florida, join hands in Alkan’s four-handed Don Juan Fantaisie, Op. 26, which uses the famous aria Finch’ han dal vino from Mozart’s Don Giovanni as a finale. The program proceeds with two works by the Cuban-born, Spanish Romantic composer José Comellas (1842-1888): a Nocturne and his Sonata Brillante. Comellas, European-trained in the Leipzig Conservatory under Ignaz Moscheles, lived several years of his short life in Baltimore, USA as a teacher and appears to have ignored completely the nationalistic tendencies of his Cuban contemporaries in his extant works. The program concludes with the rarely played 3 Petites Fantaisies by Alkan.
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Charles Valentin Alkan Don Juan Fantaisie, Op. 26 and 3 Petites Fantaisies
José Comellas Nocturne and Sonata Brillante
This program features two rarely heard transcriptions by Charles Valentin Alkan (1813–1888) of Mozart’s works: the Motet from the incidental music to Thamos, King in Egypt and the Piano Concerto in D minor K. 466, which, along with Beethoven’s C minor Concerto, Op. 37, was a favored item in the repertoire of pianists during the Romantic movement due to its underlying pathos. Alkan’s original cadenzas for the outer movements provide a unique commentary and evidence his peculiar humor. William Wellborn and José López, respective Presidents of American Liszt Society chapters in the Bay area and South Florida, join hands in Alkan’s four-handed Don Juan Fantaisie, Op. 26, which uses the famous aria Finch’ han dal vino from Mozart’s Don Giovanni as a finale. The program proceeds with two works by the Cuban-born, Spanish Romantic composer José Comellas (1842-1888): a Nocturne and his Sonata Brillante. Comellas, European-trained in the Leipzig Conservatory under Ignaz Moscheles, lived several years of his short life in Baltimore, USA as a teacher and appears to have ignored completely the nationalistic tendencies of his Cuban contemporaries in his extant works. The program concludes with the rarely played 3 Petites Fantaisies by Alkan.
show less
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1751 Sacramento Street, San Francisco, CA 94109
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