Joe Krown (Hammond B-3), Walter Wolfman Washington (guitar & vocals) & Russell Batiste (drums & background vocals) started playing together in March 2007. The trio has been performing every Sunday at a local New Orleans nightclub, the Maple Leaf Bar. The combination of the soulful vocals of Walter with the big sound of the Hammond B-3 (which Joe also plays all of the bass parts on the B-3) and the masterful drumming skills of Russell Batiste Jr. has developed it's own unique sound.
Joe Krown is a resident and is based out of the city of New Orleans. He is a New Orleans styled piano and Hammond B-3 player. He has been nominated twice and won a New Orleans Big Easy Award in the Blues category in April 2001. Joe held the keyboard chair with Clarence "Gatemouth" Brown & Gate’s Express from 1992 until Gatemouth's passing in the fall of 2005.
As a member of one of N’awlins legendary musical families, Russell Batiste Jr. knows his way around a sound stage. He’s played multiple instruments, and has been at the drum kit since the age of four. Even before that, Russell recalls watching his daddy, David Batiste (of the city’s seminal funk band David Batiste and the Gladiators), jam with an endless array of the city’s most talented musicians. Russell joined the Funky Meters in 1989. Russell has recorded with Allan Toussaint, Robbie Robertson, Harry Connick & has peformed with Mike Gordon (Phish), Eric Krasno (Soulive), Champion Jack DuPree, Page McConnel (Phish) & Oteil Burbridge (Allman Brothers).
Walter “Wolfman” Washington has been an icon on the New Orleans music scene for decades. His searing guitar work and soulful vocals have defined the Crescent City’s unique musical hybrid of R&B, funk and the blues since he formed his first band in the 1970s. During the 1970s, Washington began a 20-year association with one of the most important vocalists to hail from Louisiana- the late, great Johnny Adams. He certainly can howl the blues, hence his nickname, but his musical talents have always defined pure Crescent City soul. In later years, with the second rise of funk, Washington fully embraced that genre as well.
Joe Krown (Hammond B-3), Walter Wolfman Washington (guitar & vocals) & Russell Batiste (drums & background vocals) started playing together in March 2007. The trio has been performing every Sunday at a local New Orleans nightclub, the Maple Leaf Bar. The combination of the soulful vocals of Walter with the big sound of the Hammond B-3 (which Joe also plays all of the bass parts on the B-3) and the masterful drumming skills of Russell Batiste Jr. has developed it's own unique sound.
Joe Krown is a resident and is based out of the city of New Orleans. He is a New Orleans styled piano and Hammond B-3 player. He has been nominated twice and won a New Orleans Big Easy Award in the Blues category in April 2001. Joe held the keyboard chair with Clarence "Gatemouth" Brown & Gate’s Express from 1992 until Gatemouth's passing in the fall of 2005.
As a member of one of N’awlins legendary musical families, Russell Batiste Jr. knows his way around a sound stage. He’s played multiple instruments, and has been at the drum kit since the age of four. Even before that, Russell recalls watching his daddy, David Batiste (of the city’s seminal funk band David Batiste and the Gladiators), jam with an endless array of the city’s most talented musicians. Russell joined the Funky Meters in 1989. Russell has recorded with Allan Toussaint, Robbie Robertson, Harry Connick & has peformed with Mike Gordon (Phish), Eric Krasno (Soulive), Champion Jack DuPree, Page McConnel (Phish) & Oteil Burbridge (Allman Brothers).
Walter “Wolfman” Washington has been an icon on the New Orleans music scene for decades. His searing guitar work and soulful vocals have defined the Crescent City’s unique musical hybrid of R&B, funk and the blues since he formed his first band in the 1970s. During the 1970s, Washington began a 20-year association with one of the most important vocalists to hail from Louisiana- the late, great Johnny Adams. He certainly can howl the blues, hence his nickname, but his musical talents have always defined pure Crescent City soul. In later years, with the second rise of funk, Washington fully embraced that genre as well.
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