Trailblazing keyboardist/composer/producer with new album Hacienda (release date: August 27 on Concord/Heads Up)
By the late 1970s, trailblazing keyboardist/composer/producer Jeff Lorber had become a prominent figure in the new movement known as jazz fusion – a marriage of traditional jazz with elements of rock, R&B, funk and other electrified sounds. Lorber and his band, the Jeff Lorber Fusion, first honed their craft in the Portland, Oregon, club scene and rapidly expanded their reach to a national and international audience via a combination of complex harmonies, unconventional time signatures and compelling rhythms.
In subsequent years, Lorber dropped the term “fusion” from his billing as the movement evolved into what is currently known as contemporary jazz. Still, he continued to explore the innovative, improvisational potential of grafting other musical forms to the jazz idiom.
More than three decades after his earliest recordings, Lorber has come full circle. His new recording, Galaxy, released January 2012, on Heads Up International, a division of Concord Music Group, revisits a sound he helped pioneer. The album takes the experiment that he started with his last GRAMMY®-nominated CD, Now is the Time, up a notch with 11 exciting and energetic new compositions performed by some of the biggest names in jazz today. Core members Lorber, bassist Jimmy Haslip and saxophonist Eric Marienthal are in rare form, aided by the explosive playing of drummer Vinnie Colaiuta and guest appearances by trumpeter Randy Brecker, percussionist Lenny Castro, guitarists Paul Jackson Jr. and Larry Koonse, and drummer Dave Weckl.
Lorber’s music reaches a new level by crystallizing jazz, funk, and Latin rhythms with some killer melodies that will certainly translate to live performance. The first track, “Live Wire,” blends a blistering house beat with extended solos by Lorber and Koonse and some amazing drum fills from Colaiuta. “Big Brother” moves into hip hop territory, similar to Jeff's grooving “Rain Dance,” which became a huge hit for Notorious Big and Lil' Kim as “Crush on You.” “Montserrat” sounds like a mixture of Sly Stone and Tower of Power, with super funky horn arrangements by Dave Mann. Obviously, a year spent touring together has made Lorber, Haslip and Marienthal into a tight unit, which is evident from this recording.
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