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Fri May 13, 2016

Hot Buttered Rum

SEE EVENT DETAILS
Hot Buttered Rum with Front Country, Quiles & Cloud
The Kite & the Key Album Release Party
Hot Buttered Rum
Presents The Black & Red Ball
With special guests

“Few things rejuvenate the soul like a warm fireside drink after an exhausting day in the snow. Hot Buttered Rum has that effect. Their original songs are instantly familiar and inviting, and their easygoing versions of timeless classics (the Beatles, Hank Williams) belie the intricacy of the arrangements.”
– San Francisco Chronicle

http://www.hotbutteredrum.net
https://www.facebook.com/hotbutteredrum
https://twitter.com/hotbutteredrum

---------

"Hot Buttered Rum, one of the hardest-working and fastest-rising acts in acoustic rock, began in the San Francisco Bay Area with five uniquely talented singer-songwriter/instrumentalists setting out to create a new Northern California sound. The Bay Area claims credit for producing dozens of bands. From this fertile ground sprang Hot Buttered Rum’s own infectious blend of American styles—folk, rock, jazz, and newgrass—all informed by the landscape of their home.

Shunning stagnation in any form, Hot Buttered Rum diligently continues to hone their sound through 150+ live performances a year, with each show boasting a unique setlist and feel. Often referred to as a rock band with bluegrass instruments, the band recently has blended drums and electric instruments into their otherwise acoustic folk-rock live performances. This evolution will lead Hot Buttered Rum into the studio in January to further refine their sound."

http://www.myspace.com/hotbutteredrum

---------

In the summer of 1999, the Hot Buttered Rum String Band set out to rediscover the high lonesome sound of mountain music from the Sierra Nevadas, a style they called "high altitude bluegrass." A decade and a bit later, after years of near-constant touring, the group has evolved into a plugged-in, rocking powerhouse that blends jazz, country, and world music into its tasty, percussive mix.

Tonight, the band's members—Aaron Redner (fiddle and mandolin), Bryan Horne (upright bass), Nat Keefe (guitar), Erik Yates (banjo, guitar, woodwinds, and resophonic guitar), and drummer Matt Butler—offer selections from their recent CD Limbs Akimbo, full of original numbers that hearken back to the group's acoustic string band days while unapologetically propelling it toward a mature left-coast, drum-driven pop-rock sound.

---------

Initially formed as an acoustic string band, seven years of constant touring has transformed Hot Buttered Rum into a plugged-in, percussive powerhouse that wows critics and fans alike. Their left-coast rock reveals an access to jazz, country, and world music that few groups can match. While the band's music belies simple categorization, its songwriting and stage chemistry delights listeners at every turn.

Hot Buttered Rum’s story is one of evolution. The “high altitude bluegrass” era captured on their first studio album, In These Parts, found the band enjoying success at such diverse stages as the Newport Folk Festival, Bonnaroo, Grey Fox, High Sierra, Wakarusa, and the Telluride Bluegrass Festival. Along the way, the group shared the stage with some of today's most accomplished artists, including Phil Lesh, Bela Fleck, Ben Harper, and Nickel Creek’s Chris Thile. In 2006, acoustic pioneer Mike Marshall produced Hot Buttered Rum’s second studio album, Well-Oiled Machine, and captured the sound of a hard-touring band charting its course along the highways and byways of American music.

The continued expansion of Hot Buttered Rum’s sound and writing found a home in Live in the Northeast. More electric pickups made their way to the stage, along with an increased focus on songwriting. As the band developed a heavier sound, fans and press began to describe them as a rock band with acoustic instruments. It therefore came as no surprise when, following the departure of mandolinist Zac Matthews, the other founding members Aaron Redner (fiddle and mandolin), Bryan Horne (upright bass), Nat Keefe (guitar), and Erik Yates (banjo, guitar, woodwinds, and resophonic guitar) joined forces with Everyone Orchestra conductor and drummer Matt Butler.

The new lineup has recently emerged from San Francisco’s Mission Bells Studios, where they recorded Limbs Akimbo under the watchful eye of producer Tim Bluhm (The Mother Hips). Featuring guest appearances by Jackie Greene (Skinny Singers, Phil Lesh and Friends) and Zach Gill (ALO, Jack Johnson), the album marks the beginning of a new creative phase. Limbs Akimbo now signals the arrival of a highly matured, impressively listenable, stirringly rocking, and pleasantly poppy sound. Proving himself a forceful producer, Bluhm has struck an impressive balance between highlighting the multi-instrumental, cross-genre elements of the band’s sound while avoiding the contemporary trappings of music that is complex and different merely for the sake of complexity and difference. The result is beautifully paradoxical: a tremendous, minimalist pop album full of hints, teases, and cameos of the band’s complex musical personality. In “Something New,” Keefe recites the familiar wedding adage “something old, something new, something borrowed, something blue.” And right there, in a nutshell, is Limbs Akimbo: an album that is both an elegy and reincarnation of Hot Buttered Rum’s past sound, that borrows heavily from the rock pantheon while sprinkling in just a little of everything else. Limbs Akimbo is an album that evidences the acoustic string band of yesteryear while unapologetically propelling into the scene a mature left-coast, drum-driven, pop-rock band.
Hot Buttered Rum with Front Country, Quiles & Cloud
The Kite & the Key Album Release Party
Hot Buttered Rum
Presents The Black & Red Ball
With special guests

“Few things rejuvenate the soul like a warm fireside drink after an exhausting day in the snow. Hot Buttered Rum has that effect. Their original songs are instantly familiar and inviting, and their easygoing versions of timeless classics (the Beatles, Hank Williams) belie the intricacy of the arrangements.”
– San Francisco Chronicle

http://www.hotbutteredrum.net
https://www.facebook.com/hotbutteredrum
https://twitter.com/hotbutteredrum

---------

"Hot Buttered Rum, one of the hardest-working and fastest-rising acts in acoustic rock, began in the San Francisco Bay Area with five uniquely talented singer-songwriter/instrumentalists setting out to create a new Northern California sound. The Bay Area claims credit for producing dozens of bands. From this fertile ground sprang Hot Buttered Rum’s own infectious blend of American styles—folk, rock, jazz, and newgrass—all informed by the landscape of their home.

Shunning stagnation in any form, Hot Buttered Rum diligently continues to hone their sound through 150+ live performances a year, with each show boasting a unique setlist and feel. Often referred to as a rock band with bluegrass instruments, the band recently has blended drums and electric instruments into their otherwise acoustic folk-rock live performances. This evolution will lead Hot Buttered Rum into the studio in January to further refine their sound."

http://www.myspace.com/hotbutteredrum

---------

In the summer of 1999, the Hot Buttered Rum String Band set out to rediscover the high lonesome sound of mountain music from the Sierra Nevadas, a style they called "high altitude bluegrass." A decade and a bit later, after years of near-constant touring, the group has evolved into a plugged-in, rocking powerhouse that blends jazz, country, and world music into its tasty, percussive mix.

Tonight, the band's members—Aaron Redner (fiddle and mandolin), Bryan Horne (upright bass), Nat Keefe (guitar), Erik Yates (banjo, guitar, woodwinds, and resophonic guitar), and drummer Matt Butler—offer selections from their recent CD Limbs Akimbo, full of original numbers that hearken back to the group's acoustic string band days while unapologetically propelling it toward a mature left-coast, drum-driven pop-rock sound.

---------

Initially formed as an acoustic string band, seven years of constant touring has transformed Hot Buttered Rum into a plugged-in, percussive powerhouse that wows critics and fans alike. Their left-coast rock reveals an access to jazz, country, and world music that few groups can match. While the band's music belies simple categorization, its songwriting and stage chemistry delights listeners at every turn.

Hot Buttered Rum’s story is one of evolution. The “high altitude bluegrass” era captured on their first studio album, In These Parts, found the band enjoying success at such diverse stages as the Newport Folk Festival, Bonnaroo, Grey Fox, High Sierra, Wakarusa, and the Telluride Bluegrass Festival. Along the way, the group shared the stage with some of today's most accomplished artists, including Phil Lesh, Bela Fleck, Ben Harper, and Nickel Creek’s Chris Thile. In 2006, acoustic pioneer Mike Marshall produced Hot Buttered Rum’s second studio album, Well-Oiled Machine, and captured the sound of a hard-touring band charting its course along the highways and byways of American music.

The continued expansion of Hot Buttered Rum’s sound and writing found a home in Live in the Northeast. More electric pickups made their way to the stage, along with an increased focus on songwriting. As the band developed a heavier sound, fans and press began to describe them as a rock band with acoustic instruments. It therefore came as no surprise when, following the departure of mandolinist Zac Matthews, the other founding members Aaron Redner (fiddle and mandolin), Bryan Horne (upright bass), Nat Keefe (guitar), and Erik Yates (banjo, guitar, woodwinds, and resophonic guitar) joined forces with Everyone Orchestra conductor and drummer Matt Butler.

The new lineup has recently emerged from San Francisco’s Mission Bells Studios, where they recorded Limbs Akimbo under the watchful eye of producer Tim Bluhm (The Mother Hips). Featuring guest appearances by Jackie Greene (Skinny Singers, Phil Lesh and Friends) and Zach Gill (ALO, Jack Johnson), the album marks the beginning of a new creative phase. Limbs Akimbo now signals the arrival of a highly matured, impressively listenable, stirringly rocking, and pleasantly poppy sound. Proving himself a forceful producer, Bluhm has struck an impressive balance between highlighting the multi-instrumental, cross-genre elements of the band’s sound while avoiding the contemporary trappings of music that is complex and different merely for the sake of complexity and difference. The result is beautifully paradoxical: a tremendous, minimalist pop album full of hints, teases, and cameos of the band’s complex musical personality. In “Something New,” Keefe recites the familiar wedding adage “something old, something new, something borrowed, something blue.” And right there, in a nutshell, is Limbs Akimbo: an album that is both an elegy and reincarnation of Hot Buttered Rum’s past sound, that borrows heavily from the rock pantheon while sprinkling in just a little of everything else. Limbs Akimbo is an album that evidences the acoustic string band of yesteryear while unapologetically propelling into the scene a mature left-coast, drum-driven, pop-rock band.
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The Fillmore 31 Upcoming Events
1805 Geary Blvd, San Francisco, CA 94115

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