GUY GERBER
Guy Gerber has always been comfortable as an outsider. From being the rock kid at the rave, to the Israeli DJ on the European club circuit, to the electronic producer with a fetish for live instruments, he tends to skirt the edge of whatever scene he's in. It's a position that suits him well-so far it has led to dozens of lush, melodic records, an ever- evolving live act and his own label, Supplement Facts. This nonconformist attitude, combined with the emotional content of his art (so rare in today's electronic music), explains how Gerber keeps his audience locked in, be it on record or on stage.
Before he was fiddling with drum machines and synths, Gerber was all about groups like Joy Division and My Bloody Valentine. These influences still echo clearly in his music today, especially in his use of harmony, contemplative moods and trippy, shoegaze- inspired sounds. It's a style that's anything but conventional, yet one that quickly drew in some of Europe's most popular labels; three years after his recording debut, Gerber released the first of several records on John Digweed's Bedrock imprint. A couple of years later, Sven Väth signed him to Cocoon, eventually releasing his album Late Bloomers. All the while, he was building Supplement Facts from the ground up, showcasing his own productions alongside those by likeminded artists, and illustrating each record sleeve by hand, so each release embodied his distinct creative panache.
These days Gerber has the kind of artistic freedom he's always wanted, and it shows. Supplement Facts is more adventurous than ever, melding organic with electronic sounds. Meanwhile, he's embarked on his most unexpected project yet: an album with P Diddy, who hired him for some remixes and took him on more permanently after hearing the results. Now the hip-hop icon flies Gerber out to his studio in LA to work, where he gives him "2000% artistic freedom." The experience has been transformative. "Something opened my mind out there," says Gerber, noting how his approach to music has changed. For one, his rock roots are seeping back in; despite being named one of RA's top 10 acts of the year, he's scrapping his laptop for something more "live," playing bass guitar over drum machines, and remembering the importance of lyrics. It's impossible to say where all of this is headed, but with a talent as bold and unorthodox as Gerber's, it couldn't happen any other way.
ATISH
The Atish experience: deep, emotive, ecstatic. It is more than the beautiful sounds emanating from the speakers, though, it is also the man behind the decks: warm, compassionate, inviting. In an age of oversized DJ egos there is still an artist who is devoted to connecting with his audience, a humble soul with a pure passion for music. This is Atish.
Atish occupies a rare space in dance music. At a time when most DJs rise to prominence primarily through their work as producers, Atish's success has been realized through his total devotion to the art of DJing. What began at a small gig back in 2010 in San Francisco has since flowered into a magical journey around the world at clubs, festivals, and afterhours on six of the seven continents.
Atish's natural talent and passion for music haven't gone unnoticed. Lee Burridge asked Atish to play on the legendary Robot Heart bus sound system at Burning Man in 2011, and Atish has been invited back every year since. He's also been honored to open for or tag with some of the most respected names in dance music including John Digweed, Danny Howells, Guy Gerber, M.A.N.D.Y., and Tyrant. Currently, Atish is on Listed Bookings' roster, and he is a resident at Listed's monthly party, Play, at San Francisco's world-renowned club, The Endup. He's also a resident of the Desert Hearts family, a West Coast collaborative who put on the highly respected semi-annual Desert Hearts festival.
Atish has also developed a strong online presence through Soundcloud. A prolific mixer, Atish produces a monthly podcast series that has allowed him to express a deeper, moodier sound. Scrolling through his extensive catalog of mixes, one can hear an artist passionate about music and dedicated to the perfection of his craft. Having achieved so much in such a short amount of time, the dance music community is excited to see how far he can go.
MARK SLEE
Mark Slee is a resident DJ and co-founder of House-Heads, a San Francisco collective throwing unique underground events focused on forward-thinking dance music. He's a member of the listed Bookings roster, hosts a monthly mix show, Heron Sound on Proton Radio, and has presented his music on the Electronic Groove Podcast. Additionally, he is one half of Manju Masi, a collaboration with long-time partner in crime Atish.
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Guy Gerber has always been comfortable as an outsider. From being the rock kid at the rave, to the Israeli DJ on the European club circuit, to the electronic producer with a fetish for live instruments, he tends to skirt the edge of whatever scene he's in. It's a position that suits him well-so far it has led to dozens of lush, melodic records, an ever- evolving live act and his own label, Supplement Facts. This nonconformist attitude, combined with the emotional content of his art (so rare in today's electronic music), explains how Gerber keeps his audience locked in, be it on record or on stage.
Before he was fiddling with drum machines and synths, Gerber was all about groups like Joy Division and My Bloody Valentine. These influences still echo clearly in his music today, especially in his use of harmony, contemplative moods and trippy, shoegaze- inspired sounds. It's a style that's anything but conventional, yet one that quickly drew in some of Europe's most popular labels; three years after his recording debut, Gerber released the first of several records on John Digweed's Bedrock imprint. A couple of years later, Sven Väth signed him to Cocoon, eventually releasing his album Late Bloomers. All the while, he was building Supplement Facts from the ground up, showcasing his own productions alongside those by likeminded artists, and illustrating each record sleeve by hand, so each release embodied his distinct creative panache.
These days Gerber has the kind of artistic freedom he's always wanted, and it shows. Supplement Facts is more adventurous than ever, melding organic with electronic sounds. Meanwhile, he's embarked on his most unexpected project yet: an album with P Diddy, who hired him for some remixes and took him on more permanently after hearing the results. Now the hip-hop icon flies Gerber out to his studio in LA to work, where he gives him "2000% artistic freedom." The experience has been transformative. "Something opened my mind out there," says Gerber, noting how his approach to music has changed. For one, his rock roots are seeping back in; despite being named one of RA's top 10 acts of the year, he's scrapping his laptop for something more "live," playing bass guitar over drum machines, and remembering the importance of lyrics. It's impossible to say where all of this is headed, but with a talent as bold and unorthodox as Gerber's, it couldn't happen any other way.
ATISH
The Atish experience: deep, emotive, ecstatic. It is more than the beautiful sounds emanating from the speakers, though, it is also the man behind the decks: warm, compassionate, inviting. In an age of oversized DJ egos there is still an artist who is devoted to connecting with his audience, a humble soul with a pure passion for music. This is Atish.
Atish occupies a rare space in dance music. At a time when most DJs rise to prominence primarily through their work as producers, Atish's success has been realized through his total devotion to the art of DJing. What began at a small gig back in 2010 in San Francisco has since flowered into a magical journey around the world at clubs, festivals, and afterhours on six of the seven continents.
Atish's natural talent and passion for music haven't gone unnoticed. Lee Burridge asked Atish to play on the legendary Robot Heart bus sound system at Burning Man in 2011, and Atish has been invited back every year since. He's also been honored to open for or tag with some of the most respected names in dance music including John Digweed, Danny Howells, Guy Gerber, M.A.N.D.Y., and Tyrant. Currently, Atish is on Listed Bookings' roster, and he is a resident at Listed's monthly party, Play, at San Francisco's world-renowned club, The Endup. He's also a resident of the Desert Hearts family, a West Coast collaborative who put on the highly respected semi-annual Desert Hearts festival.
Atish has also developed a strong online presence through Soundcloud. A prolific mixer, Atish produces a monthly podcast series that has allowed him to express a deeper, moodier sound. Scrolling through his extensive catalog of mixes, one can hear an artist passionate about music and dedicated to the perfection of his craft. Having achieved so much in such a short amount of time, the dance music community is excited to see how far he can go.
MARK SLEE
Mark Slee is a resident DJ and co-founder of House-Heads, a San Francisco collective throwing unique underground events focused on forward-thinking dance music. He's a member of the listed Bookings roster, hosts a monthly mix show, Heron Sound on Proton Radio, and has presented his music on the Electronic Groove Podcast. Additionally, he is one half of Manju Masi, a collaboration with long-time partner in crime Atish.
GUY GERBER
Guy Gerber has always been comfortable as an outsider. From being the rock kid at the rave, to the Israeli DJ on the European club circuit, to the electronic producer with a fetish for live instruments, he tends to skirt the edge of whatever scene he's in. It's a position that suits him well-so far it has led to dozens of lush, melodic records, an ever- evolving live act and his own label, Supplement Facts. This nonconformist attitude, combined with the emotional content of his art (so rare in today's electronic music), explains how Gerber keeps his audience locked in, be it on record or on stage.
Before he was fiddling with drum machines and synths, Gerber was all about groups like Joy Division and My Bloody Valentine. These influences still echo clearly in his music today, especially in his use of harmony, contemplative moods and trippy, shoegaze- inspired sounds. It's a style that's anything but conventional, yet one that quickly drew in some of Europe's most popular labels; three years after his recording debut, Gerber released the first of several records on John Digweed's Bedrock imprint. A couple of years later, Sven Väth signed him to Cocoon, eventually releasing his album Late Bloomers. All the while, he was building Supplement Facts from the ground up, showcasing his own productions alongside those by likeminded artists, and illustrating each record sleeve by hand, so each release embodied his distinct creative panache.
These days Gerber has the kind of artistic freedom he's always wanted, and it shows. Supplement Facts is more adventurous than ever, melding organic with electronic sounds. Meanwhile, he's embarked on his most unexpected project yet: an album with P Diddy, who hired him for some remixes and took him on more permanently after hearing the results. Now the hip-hop icon flies Gerber out to his studio in LA to work, where he gives him "2000% artistic freedom." The experience has been transformative. "Something opened my mind out there," says Gerber, noting how his approach to music has changed. For one, his rock roots are seeping back in; despite being named one of RA's top 10 acts of the year, he's scrapping his laptop for something more "live," playing bass guitar over drum machines, and remembering the importance of lyrics. It's impossible to say where all of this is headed, but with a talent as bold and unorthodox as Gerber's, it couldn't happen any other way.
ATISH
The Atish experience: deep, emotive, ecstatic. It is more than the beautiful sounds emanating from the speakers, though, it is also the man behind the decks: warm, compassionate, inviting. In an age of oversized DJ egos there is still an artist who is devoted to connecting with his audience, a humble soul with a pure passion for music. This is Atish.
Atish occupies a rare space in dance music. At a time when most DJs rise to prominence primarily through their work as producers, Atish's success has been realized through his total devotion to the art of DJing. What began at a small gig back in 2010 in San Francisco has since flowered into a magical journey around the world at clubs, festivals, and afterhours on six of the seven continents.
Atish's natural talent and passion for music haven't gone unnoticed. Lee Burridge asked Atish to play on the legendary Robot Heart bus sound system at Burning Man in 2011, and Atish has been invited back every year since. He's also been honored to open for or tag with some of the most respected names in dance music including John Digweed, Danny Howells, Guy Gerber, M.A.N.D.Y., and Tyrant. Currently, Atish is on Listed Bookings' roster, and he is a resident at Listed's monthly party, Play, at San Francisco's world-renowned club, The Endup. He's also a resident of the Desert Hearts family, a West Coast collaborative who put on the highly respected semi-annual Desert Hearts festival.
Atish has also developed a strong online presence through Soundcloud. A prolific mixer, Atish produces a monthly podcast series that has allowed him to express a deeper, moodier sound. Scrolling through his extensive catalog of mixes, one can hear an artist passionate about music and dedicated to the perfection of his craft. Having achieved so much in such a short amount of time, the dance music community is excited to see how far he can go.
MARK SLEE
Mark Slee is a resident DJ and co-founder of House-Heads, a San Francisco collective throwing unique underground events focused on forward-thinking dance music. He's a member of the listed Bookings roster, hosts a monthly mix show, Heron Sound on Proton Radio, and has presented his music on the Electronic Groove Podcast. Additionally, he is one half of Manju Masi, a collaboration with long-time partner in crime Atish.
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Guy Gerber has always been comfortable as an outsider. From being the rock kid at the rave, to the Israeli DJ on the European club circuit, to the electronic producer with a fetish for live instruments, he tends to skirt the edge of whatever scene he's in. It's a position that suits him well-so far it has led to dozens of lush, melodic records, an ever- evolving live act and his own label, Supplement Facts. This nonconformist attitude, combined with the emotional content of his art (so rare in today's electronic music), explains how Gerber keeps his audience locked in, be it on record or on stage.
Before he was fiddling with drum machines and synths, Gerber was all about groups like Joy Division and My Bloody Valentine. These influences still echo clearly in his music today, especially in his use of harmony, contemplative moods and trippy, shoegaze- inspired sounds. It's a style that's anything but conventional, yet one that quickly drew in some of Europe's most popular labels; three years after his recording debut, Gerber released the first of several records on John Digweed's Bedrock imprint. A couple of years later, Sven Väth signed him to Cocoon, eventually releasing his album Late Bloomers. All the while, he was building Supplement Facts from the ground up, showcasing his own productions alongside those by likeminded artists, and illustrating each record sleeve by hand, so each release embodied his distinct creative panache.
These days Gerber has the kind of artistic freedom he's always wanted, and it shows. Supplement Facts is more adventurous than ever, melding organic with electronic sounds. Meanwhile, he's embarked on his most unexpected project yet: an album with P Diddy, who hired him for some remixes and took him on more permanently after hearing the results. Now the hip-hop icon flies Gerber out to his studio in LA to work, where he gives him "2000% artistic freedom." The experience has been transformative. "Something opened my mind out there," says Gerber, noting how his approach to music has changed. For one, his rock roots are seeping back in; despite being named one of RA's top 10 acts of the year, he's scrapping his laptop for something more "live," playing bass guitar over drum machines, and remembering the importance of lyrics. It's impossible to say where all of this is headed, but with a talent as bold and unorthodox as Gerber's, it couldn't happen any other way.
ATISH
The Atish experience: deep, emotive, ecstatic. It is more than the beautiful sounds emanating from the speakers, though, it is also the man behind the decks: warm, compassionate, inviting. In an age of oversized DJ egos there is still an artist who is devoted to connecting with his audience, a humble soul with a pure passion for music. This is Atish.
Atish occupies a rare space in dance music. At a time when most DJs rise to prominence primarily through their work as producers, Atish's success has been realized through his total devotion to the art of DJing. What began at a small gig back in 2010 in San Francisco has since flowered into a magical journey around the world at clubs, festivals, and afterhours on six of the seven continents.
Atish's natural talent and passion for music haven't gone unnoticed. Lee Burridge asked Atish to play on the legendary Robot Heart bus sound system at Burning Man in 2011, and Atish has been invited back every year since. He's also been honored to open for or tag with some of the most respected names in dance music including John Digweed, Danny Howells, Guy Gerber, M.A.N.D.Y., and Tyrant. Currently, Atish is on Listed Bookings' roster, and he is a resident at Listed's monthly party, Play, at San Francisco's world-renowned club, The Endup. He's also a resident of the Desert Hearts family, a West Coast collaborative who put on the highly respected semi-annual Desert Hearts festival.
Atish has also developed a strong online presence through Soundcloud. A prolific mixer, Atish produces a monthly podcast series that has allowed him to express a deeper, moodier sound. Scrolling through his extensive catalog of mixes, one can hear an artist passionate about music and dedicated to the perfection of his craft. Having achieved so much in such a short amount of time, the dance music community is excited to see how far he can go.
MARK SLEE
Mark Slee is a resident DJ and co-founder of House-Heads, a San Francisco collective throwing unique underground events focused on forward-thinking dance music. He's a member of the listed Bookings roster, hosts a monthly mix show, Heron Sound on Proton Radio, and has presented his music on the Electronic Groove Podcast. Additionally, he is one half of Manju Masi, a collaboration with long-time partner in crime Atish.
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The Great Northern
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119 Utah Street, San Francisco, CA 94103
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