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Galleries
Not the Odalisques of Old
By Ann Taylor (Oct 9, 2009)
The first solo show at the newly opened Fabric8 Gallery, Altered States, Dreamscapes, and Underworlds exhibits the alluring yet playful works of Ursula Xanthe Young, a native of England and long-time Bay Area resident. A curious combination of street and fantasy, Young’s works feature wide-eyed (though not necessarily innocent), pursed-lipped beauties among backdrops of city skylines and climbing vines. More
Galleries
A New Place for Artists -- in the Mail
By Annie Wyman (Sep 21, 2007)
At the Southern Exposure release party last month, visitors and friends sipped Heinekens and plastic cups of wine to celebrate the first issue of Thing Quarterly. But they had come not just for the festivities -- most were lending a hand, assembly-line-style, with the periodical itself. More
Galleries
A Different View from the Middle East
By Clifton Lemon (Apr 15, 2005)
When was the last time you attended an art opening at a small independent gallery that included both uniformed and plainclothes security guards? At "Made in Palestine", an exhibit of Palestinian art now at the SomArts Gallery in San Francisco, they were there in force, a precaution against the controversy that the show has generated across the country. Were we in danger of attack by an anti-Palestinian extremist group? Could violence follow the art and the artists from Palestine and erupt in our fair city? It gave the event a strange and unsettling aura, and somehow magnified our awareness of the work. More
Galleries
A Collaboration of Artists and Poets
By Clifton Lemon (Jul 15, 2005)
"Braided Lives" is a show of paintings and other artworks and the poetry they inspired, currently on exhibit at SOMArts Cultural Center in San Francisco. It's the result of intimate dialogs and collaboration between visual artists, mainly from Taos, New Mexico, and writers from various locations around the U.S. Originally a fundraiser organized by the Taos Chamber of Commerce in 2002, the show now appears in San Francisco. Painters and other artists were asked to select certain pieces that became the subjects of poems written by selected poets. Most of the artists and poets collaborated over the internet, sharing feedback and insights. More
Galleries
The Logo is Mightier than the Sword
By Clifton Lemon (Feb 17, 2006)
This compact exhibit of graphic arts explores the political agendas of American social activist movements and the potent symbols used to convey their underlying messages. The historical range of these movements spans abolitionism through gay rights, and includes the United Farm Workers, Black Panthers, AFL-CIO, anarchism, IWW, ecology, nuclear disarmament, feminism, and the Resistance. More
Galleries
Exotification by Decoupage
By Clifton Lemon (Mar 30, 2007)
One of the key themes explored by this modest show of pieces by local Asian American artists it that of Asians themselves as the object of a fetish. Walk down the street anywhere in San Francisco or the Bay Area , and you’ll spot several instances of what are uncharitably referred to as “rice kings” (or queens) -- tall, handsome and rich white guys with Asian girlfriends (or boyfriends). This phenomena does excite strange emotions in otherwise fair-minded people... More
Galleries
By Danielle Klinenberg (Aug 18, 2004)
Most people know Elliot. You know someone who knows Elliot if you don't know Elliot yourself. Chances are good you have been invited to a performance, art opening, or some kind of event at Build, the intimate gallery space at 483 Guerrero, between 16th and 17th Streets. Sometime in the year 2000, after graduating from the San Francisco Art Institute with a B.F.A. in interdisciplinary studies, Elliot Lessing took over the storefront art space. Previous to assuming a role as Executive Director of Build, Lessing ran Art Hut, a space for site-specific artist installations based in the living room of his home in the upper Haight. In the last insta More
Galleries
Nests for the Eye
By Danielle Klinenberg (Nov 16, 2004)
Among the treasures of living in a city are visits to places creative people inhabit. Just a few minutes in a gallery can provide a visitor entry into an artist's imagination. Observations, ideas, creative processes, and materials worked through by another person can create new terrain. When the work captures your eye you are in business. More
Galleries
Old Haunts and New Visions
By gina basso (Oct 5, 2007)
The Limn Gallery presents the Beijing-based art duo The Gao Brothers’ first solo exhibition in San Francisco in a small, but conceptually dense collection that samples their oeuvre from the past decade. The brothers, Gao Zhen and Gao Qiang, began their collaboration in the 80s as Chinese artists were producing more socially engaged and avant-garde inspired works and achieved international acclaim by the mid-90s. More
Galleries
Chronicle & Critique
By gina basso (Oct 12, 2007)
At the entrance of Catherine Clark Gallery visitors are confronted with a massive black and white woodblock print bearing the phrase “The Depravities of War” chiseled into a monolithic stone monument that is crumbling into ruin. Set against a war torn landscape, the structure is surrounded by shrouded figures posed to express their various states of emotional despair. This is the first in a series of large format prints and paintings by Sandow Birk who uses highly charged, media-inspired images to chronicle and critique the Iraq war. More
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