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Galleries
The Brutality of the Everyday
By SFS Staff (Aug 18, 2004)
Beautiful Ugly Violence, Margaret Harrison's newest body of work, is the result of her recent residence and collaboration with Intersection for the Arts and is on display through May 8. A pioneer of British feminism, Margaret Harrison's first solo exhibit in 1971 was shut down by British police who deemed the work, particularly an image of Hugh Hefner as a near-nude Playboy bunny girl, "offensive". Her work has continued with a fierce (and, obviously, often funny) feminist critique ever since. More
Galleries
Community-based projects warrant closer inspection
By Sarah Hromack (Aug 26, 2005)
The Yerba Buena Center for the Arts' Bay Area Now 4 is a real sprawl of an exhibition -- the kind of art show that carries with it the potential to overwhelm in a spatial, sensorial, and even conceptual sense. Many artists seem to have seized this triennial survey as a chance to make a splash, and resulting large-scale installations conquer the walls and floors of both upstairs and downstairs galleries. Aside from the drawings and murals, soundscapes, sculptures, and photographic collages, there lies a host of projects that could easily stand alone as a separate exhibition, a sub-show, if you will, though far from sub-anything in quality. More
Galleries
The Logo is Mightier than the Sword
By Clifton Lemon (Feb 17, 2006)
This compact exhibit of graphic arts explores the political agendas of American social activist movements and the potent symbols used to convey their underlying messages. The historical range of these movements spans abolitionism through gay rights, and includes the United Farm Workers, Black Panthers, AFL-CIO, anarchism, IWW, ecology, nuclear disarmament, feminism, and the Resistance. More
Galleries
By Nirmala Nataraj (Aug 18, 2004)
The wall outside the Haight Street headquarters of record company/art collective Future Primitive Sound is like a signpost to an alternate reality. Composed of hive-like edifices with no apparent function, swirly clouds of silver, and a menacingly elongated superhero figure, the mural indicates the distinct styles of the three artists who created it. More
Galleries
Jan 14th – 27th
By melissa lane (Jan 14, 2005)
On Friday, January 21st, Yerba Buena Center for the Arts throws open the doors of the Grand Lobby and Galleries to celebrate the opening of three new visual arts exhibits. From 8-11pm, there will be a cash bar with live vaudevillian performances, DJs and continuous showings of old magic films. Tickets are $10 in advance, $12 at the door. The new exhibits continue through April 3rd and are as follows: More
Galleries
Jan 28th - Feb 10th
By melissa lane (Jan 28, 2005)
Art SF throws down in their usual creative extravagance to stick it to the Jesus-freaks and office-holding knuckle-draggers. Buckey Sinister hosts "Fuck Your Freedom" on Jan 28th to celebrate civil liberties, Satan and the new CD by Reverend Steven Johnson Leyba and United Satanic Apache Front. Winston Smith and the Church of Satan will join the good reverend in showing off their art wares whilst Lady Hades performs and many a spoken word artist ignite the theme of uncivil disobedience. Entrance is $5-$10 unless you're such a proud Christian that you must identify as such to the doorman – then it's $23, sucker. More
Galleries
Feb 11th to Feb 24th
By melissa lane (Feb 11, 2005)
February hurts. A grayish, coldish wetness stretches interminably ahead, the groundhog saw its shadow and Valentine's is on a Monday. The next two weeks reign in a carnival of creep, cynicism and cheap thrills that could make the sassiest Tenderloin tranny cringe: a new little black dress made of trash bags; humans living in cages for a week (protests are already in the planning); and Ronald McDonald holding two topless girls by a fistful of their hair. So don't get fruity on the 14th -- like my duplicitous friend Claudia likes to say: celebrate V.D. and spread the love. More
Galleries
Feb 25th - March 10th
By melissa lane (Feb 25, 2005)
Due to lease problems, the Punch Gallery will be closing its doors at the end of the month. They arrived almost exactly three years ago on a mission to promote urban art. By any measure -- dance, visual art, music or installation -- they have maintained a consistent presence within the city's different artistic street cultures. They go out in true form by featuring New York's composer-violinist Daniel Bernard Roumain: a man known to use his violin as an ambassador of hip-hop to classical music circles. Friday Feb 25th will be their final farewell. . . More
Galleries
March 11th - 24th
By melissa lane (Mar 11, 2005)
The Commonwealth Club rounds up local art luminaries to talk smart about art. Specifically, they'll hash out what happens when you mix your fine arts with your nightlife. Jennifer Rogers, co-owner of Varnish Fine Art; Laura Janku, editor of Artweek; Gabe Scott, curator for 111 Minna Gallery; and Ariane Maclean, director of Gen Art SF will explore the good and the bad between the two. Are they using each other? Do they see each other as a cheap one-night gimmick? Or do they still respect each other in the morning, feeling revitalized from a night of synergistic mingling? Ali Ghanbarian, Editor of SOMA Magazine will moderate and keep the kids More
Galleries
March 25th - April 7th
By melissa lane (Mar 25, 2005)
The deeply complex, soul-searching rhythm and blues legend Marvin Gaye inspired Soul Salon 10, a multi-media exhibit exploring the late, great musician's work. Fourteen visual artists from the Bay Area and Southern California will be joined by music, spoken word, and slide shows to interpret what his life came to signify before it tragically ended in 1984. Named after one of the Motown artist's favorite songs, The Trouble Man Exhibit will open from 1 to 4 pm on April 2nd at the African American Museum and Library at Oakland. The show continues through May 28th. More
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