There is perhaps one story that explains Erykah Badu's cyclical outlook on her new album, New Amerykah Part Two: Return Of The Ankh, and it involves a visit to a Santeria priest in Cuba in 1999. When Badu says "return of the ankh," she doesn't mean she's returning to wearing the head wrap or any other accessory that evokes 1997's Baduizm epoch. She means much more. The return of the ankh is the return of a feeling, what makes her creative, what makes her passionate, what makes her Badu. Indeed, diehard fans of Badu will love New Amerykah Part Two: Return Of The Ankh and newcomers to Badu's world will be curiously intrigued by the mystique and authenticity of an artist who is totally comfortable in her own skin. Whether directing a dope music video or exposing her vulnerabilities in rhyme, Badu transcends image. Just like the Santeria priest she met in Cuba, Badu no longer tries to be, she just is.