Debbie Davies is an award-winning singer, songwriter, guitar player of extraordinary talent. A professional musician since the early 1980s, Debbie ranks among the top blues artists in the country. She has received ten nominations for Blues Music Awards, and in 1997 and 2010 won the award for Best Contemporary Female Blues Artist.
Davies’ rise to the upper echelon of blues music started at an early age as she absorbed the music heard constantly in her home. Her (professional) musician parents were either sitting at the piano or spinning discs on their turntable, filling the air with the sounds of big band jazz, harmony vocal groups, or the pop icons of the day. But the young Davies was particularly attracted to the bluesier sounds of her father’s Ray Charles records, and by the age of 12 realized that her affinity for an instrument was not for the piano, but for the guitar.
Growing up in Los Angeles in the 1960’s, she found that being a female guitar player meant only one thing: acoustic guitar. Electric guitars were still toys meant only for boys. But when Debbie heard the sounds of the British blues-rock bands, particularly the electric guitar of Eric Clapton with John Mayall’s Bluesbreakers, she became completely captivated. Going against the grains of society’s accepted roles of the time, Debbie pursued her dream with the passion of an artist and the soul of a rebel.
Davies cut her teeth playing in blues and rock ‘n roll bands in the San Francisco Bay area before returning to Los Angeles in 1984, where she landed the lead guitar spot in Maggie Mayall and the Cadillacs, an all-female band led by wife of British blues pioneer, John Mayall. In 1988 she was recruited by Albert Collins to join the Icebreakers, and for the next three years she was a featured guitarist performing behind one of the most innovative bluesmen of all time. “I stepped through a door into the real blues world when I joined Albert’s band,” Davies says. “It’s one thing to listen to the records and pull off the licks, or sit in the audience watching these artists play. But actually going out and touring with one, turned the blues into something completely three-dimensional for me. I knew then what a special opportunity this was, but I know it even more now.” During her tenure with Albert, Debbie was invited to perform on John Mayall’s 1990 album, A Sense of Place, and in 1991 she recorded with Albert Collins and the Icebreakers on the Grammy nominated self-titled release for Point Blank/Virgin Records.
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Davies’ rise to the upper echelon of blues music started at an early age as she absorbed the music heard constantly in her home. Her (professional) musician parents were either sitting at the piano or spinning discs on their turntable, filling the air with the sounds of big band jazz, harmony vocal groups, or the pop icons of the day. But the young Davies was particularly attracted to the bluesier sounds of her father’s Ray Charles records, and by the age of 12 realized that her affinity for an instrument was not for the piano, but for the guitar.
Growing up in Los Angeles in the 1960’s, she found that being a female guitar player meant only one thing: acoustic guitar. Electric guitars were still toys meant only for boys. But when Debbie heard the sounds of the British blues-rock bands, particularly the electric guitar of Eric Clapton with John Mayall’s Bluesbreakers, she became completely captivated. Going against the grains of society’s accepted roles of the time, Debbie pursued her dream with the passion of an artist and the soul of a rebel.
Davies cut her teeth playing in blues and rock ‘n roll bands in the San Francisco Bay area before returning to Los Angeles in 1984, where she landed the lead guitar spot in Maggie Mayall and the Cadillacs, an all-female band led by wife of British blues pioneer, John Mayall. In 1988 she was recruited by Albert Collins to join the Icebreakers, and for the next three years she was a featured guitarist performing behind one of the most innovative bluesmen of all time. “I stepped through a door into the real blues world when I joined Albert’s band,” Davies says. “It’s one thing to listen to the records and pull off the licks, or sit in the audience watching these artists play. But actually going out and touring with one, turned the blues into something completely three-dimensional for me. I knew then what a special opportunity this was, but I know it even more now.” During her tenure with Albert, Debbie was invited to perform on John Mayall’s 1990 album, A Sense of Place, and in 1991 she recorded with Albert Collins and the Icebreakers on the Grammy nominated self-titled release for Point Blank/Virgin Records.
Debbie Davies is an award-winning singer, songwriter, guitar player of extraordinary talent. A professional musician since the early 1980s, Debbie ranks among the top blues artists in the country. She has received ten nominations for Blues Music Awards, and in 1997 and 2010 won the award for Best Contemporary Female Blues Artist.
Davies’ rise to the upper echelon of blues music started at an early age as she absorbed the music heard constantly in her home. Her (professional) musician parents were either sitting at the piano or spinning discs on their turntable, filling the air with the sounds of big band jazz, harmony vocal groups, or the pop icons of the day. But the young Davies was particularly attracted to the bluesier sounds of her father’s Ray Charles records, and by the age of 12 realized that her affinity for an instrument was not for the piano, but for the guitar.
Growing up in Los Angeles in the 1960’s, she found that being a female guitar player meant only one thing: acoustic guitar. Electric guitars were still toys meant only for boys. But when Debbie heard the sounds of the British blues-rock bands, particularly the electric guitar of Eric Clapton with John Mayall’s Bluesbreakers, she became completely captivated. Going against the grains of society’s accepted roles of the time, Debbie pursued her dream with the passion of an artist and the soul of a rebel.
Davies cut her teeth playing in blues and rock ‘n roll bands in the San Francisco Bay area before returning to Los Angeles in 1984, where she landed the lead guitar spot in Maggie Mayall and the Cadillacs, an all-female band led by wife of British blues pioneer, John Mayall. In 1988 she was recruited by Albert Collins to join the Icebreakers, and for the next three years she was a featured guitarist performing behind one of the most innovative bluesmen of all time. “I stepped through a door into the real blues world when I joined Albert’s band,” Davies says. “It’s one thing to listen to the records and pull off the licks, or sit in the audience watching these artists play. But actually going out and touring with one, turned the blues into something completely three-dimensional for me. I knew then what a special opportunity this was, but I know it even more now.” During her tenure with Albert, Debbie was invited to perform on John Mayall’s 1990 album, A Sense of Place, and in 1991 she recorded with Albert Collins and the Icebreakers on the Grammy nominated self-titled release for Point Blank/Virgin Records.
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Davies’ rise to the upper echelon of blues music started at an early age as she absorbed the music heard constantly in her home. Her (professional) musician parents were either sitting at the piano or spinning discs on their turntable, filling the air with the sounds of big band jazz, harmony vocal groups, or the pop icons of the day. But the young Davies was particularly attracted to the bluesier sounds of her father’s Ray Charles records, and by the age of 12 realized that her affinity for an instrument was not for the piano, but for the guitar.
Growing up in Los Angeles in the 1960’s, she found that being a female guitar player meant only one thing: acoustic guitar. Electric guitars were still toys meant only for boys. But when Debbie heard the sounds of the British blues-rock bands, particularly the electric guitar of Eric Clapton with John Mayall’s Bluesbreakers, she became completely captivated. Going against the grains of society’s accepted roles of the time, Debbie pursued her dream with the passion of an artist and the soul of a rebel.
Davies cut her teeth playing in blues and rock ‘n roll bands in the San Francisco Bay area before returning to Los Angeles in 1984, where she landed the lead guitar spot in Maggie Mayall and the Cadillacs, an all-female band led by wife of British blues pioneer, John Mayall. In 1988 she was recruited by Albert Collins to join the Icebreakers, and for the next three years she was a featured guitarist performing behind one of the most innovative bluesmen of all time. “I stepped through a door into the real blues world when I joined Albert’s band,” Davies says. “It’s one thing to listen to the records and pull off the licks, or sit in the audience watching these artists play. But actually going out and touring with one, turned the blues into something completely three-dimensional for me. I knew then what a special opportunity this was, but I know it even more now.” During her tenure with Albert, Debbie was invited to perform on John Mayall’s 1990 album, A Sense of Place, and in 1991 she recorded with Albert Collins and the Icebreakers on the Grammy nominated self-titled release for Point Blank/Virgin Records.
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401 Mason Street, San Francisco, CA 94102
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