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Dance Articles
Return of the Sun
By Nirmala Nataraj (Jun 05, 2009)
Tajikistan, Senegal, Hungary, Colombia, the Philippines. Even if you’re a world traveler, it’s unlikely that you’ve trekked through all these terrains -- but not to worry. If the globe-trotting budget is tight this summer, simply head on over to the San Francisco Ethnic Dance Festival to get your requisite dose of culture. The festival, which has wowed thousands of audience members for three decades now, has challenged the already-permeable boundaries of world dance (despite its “ethnic” moniker), as well as viewers’ understanding of the intersections between dance, tradition, and artistic innovation.
Sensation Without Substance
By Ann Taylor (Feb 20, 2009)
Unfortunately, as evidenced in "Dancing with the Stars", sensationalism has overtaken ballroom dancing. Burn the Floor is a dance phenomenon akin to "Dancing With the Stars" that provides a sensational, sensuous spectacle for audiences, but lacks the graceful style and elegance of the Fred-and-Ginger days
Around the World in Eight Days
By Nirmala Nataraj (Jun 06, 2008)
Tajikistan, Senegal, Hungary, Colombia, the Phillipines. Even if you’re a world traveler, it’s unlikely that you’ve trekked through all these terrains, but not to worry. If the globe-trotting budget is tight this summer, simply head on over to the 30th annual San Francisco Ethnic Dance Festival to get your requisite dose of culture. The festival, which has wowed thousands of audience members for three decades now, has challenged the already-permeable boundaries of world dance (despite its “ethnic” moniker), as well as viewers’ understanding of the intersections between dance, tradition, and artistic innovation.
Pliés with Ch'i
By Clifton Lemon (Apr 16, 2007)
In one of this superb works’ most simple and beautiful moments (and there are many such moments) Alonzo King delivers the goods straight up: two young men share the stage, each masters of radically different disciplines of motion, and the stark aesthetic contrast is as amazing as the joyful way in which they discover and explore the richness of their common ground. Western ballet as practiced by the LINES ballet, and martial arts as practiced by the Shaolin Monks could hardly be more different in their history and purpose, yet in this world premiere work, Mr. King manages to go far beyond a superficial East-meets-West juxtaposition.
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