https://www.facebook.com/events/597391480328009/
Monarch presents a special evening in house music!
Colette (Candy Talk Records / Los Angeles)
DJ Heather (Black Cherry Records / Chicago)
+ support by
DJ Elz & Dru Deep
links
http://www.djcolette.com/
http://www.residentadvisor.net/dj/djheather
DJ Heather
In the past few years the Chicago house community has produced a number of innovative and distinct djs trained in the art of transforming tranquil dance floors into spaces of sheer bedlam and bliss. Derrick Carter, Diz, Mark Farina and Sneak stand at the forefront of the nouveau jock barrage born and bred in the underground gatherings which flourish there. Their committed visions of undiluted musical appreciation, interactive communication, improvisation and basic integrity has brought greater attention to all the city's great djs including the genre busting DJ Heather. Widely regarded as one of the premier selectors in the nation, this Brooklyn born Chicagoan demonstrates her skills and sharp deck acumen for the massives throughout Chicago and the world at large with verve and undeniable talent.
At the urging of a friend, after hearing an unmixed compilation tape of her's, Heather started out at the Artful Dodger. A neighborhood pub with a cramped moist dance area situated in the rear. Being such a music lover djaying was a natural progression. I would ask some friends to come by. It was my chance to share my favorite records and have a few drinks " I was not really mixing but learning how to play records, programming 101." "I was responsible for five hours of music every Saturday night. Eventually I got into the technical aspect of djaying, watching other djs play and learning by example. Finally I was able to get turntables and began practicing six hours a day if I was able. The first time I mixed two records it was like discovering a new secret language" "At that stage it was truly a hobby, something I did on weekends. I always think of the dj thing as the happy accident. Maybe because I came into it at a stage when it wasn't considered a superstar thing to do. I was the only dj in a circle of photographers, actors, designers and so on." At that time she was also working for local record labels and garnering experience about the industry. One gig lead to another and the hobby soon manifested itself into a full time pursuit. For five years she earned her chops by playing an urgent mix of hip hop, house, jazz, soul, RnB, disco classics, rare groove and all manner of off-center beats relevant to the stew she was brewing. At the Dodger she fully developed her versatility and philosophy as an entertainer.
During her fourth year at the Dodger, she began what would be a three year residency at Red Dog. A Wednesday night gig dedicated to downtempo beats, hip hop, rare groove and disco. "At Red Dog I was able to fully develop as a dj and hone my skills." At that same time she began a short but invaluable stint at world famous Gramaphone Records. Many of Chicago's well known djs have made a stop there; Sneak, Mark Farina, Derrick Carter, Terry Mullan, Gemini, Colette and Miles Maeda to name a few." That place was my resource center. I was hired to be the hip hop buyer. I would also use their phone lines, fax machines, FedEx and ups accounts to the fullest extent. I used the store to make contacts, ship demos/press kits and sell my own mixed material. Three years later, once bookings got in the way of covering shifts, I had to say good bye. I felt like I had graduated Gramaphone Tech. It was such an invaluable experience." Primarily known in the Chicago dance community as a "hip hop" dj she began a shift in the material she played. "It was never a conscious effort to play one genre more than another. I've always been interested in all forms of music. The demand for me to play house seemed to increase after each gig. Over time one just gave way to another. Gone but not forgotten"
Colette
DJ Colette is one of the first DJs to add her vocals to the record she spins, inspiring a new category of performance in the electronic world. As countless others begin to sing and spin, many can still not compare to the vocal/turntable sessions Colette delivers. How many singing DJs combine up-close observation of the legendary Derrick Carter and Mark Farina dating back to Chicago in the late Eighties with formal operatic training from the ages of nine to eighteen? Probably not many. In fact, there may not be any DJ today who can match the impressive pedigree of former music teacher turned mix-master DJ Colette.
Having already displayed that pedigree in clubs and festivals throughout the world, both on her own and with the beloved SuperJane collective she helped form, Colette is ready to establish herself as an upper-echelon DJ with the release of her Nettwerk America debut 'Our Day'. Colette showcases that operatic training from the outset with the bluesy acapella intro/title track.
While the vocals add unmistakable flavor to the mix, the beats come fast and furious on this inviting CD that includes high-energy tracks from Wolf N Flow, Synthique, Colette's boyfriend, Angel Alanis, the can't miss club anthem "Under the Shower," featuring Colette's rising vocals over the Prax Paris original, and the percussion-rich Colette original, "Feelin' Hypnotized," which serves as a tantalizing teaser to Colette's first original artist album, which will be coming out on Nettwerk Records on November 20th.
Shut your eyes as you listen to Our Day and you'd swear Colette was right there spinning in front of you, which is exactly the effect she was striving for. "On most of the material I'm singing over it, so I kind of write new material that goes over other people's songs. That's what I do live. So I try and incorporate everything I do live into the mix CD."
Colette credits both her mixing style and her improvised vocals to coming up as part of the fertile Chicago house music scene at the turn of the Nineties. "I'm very spoiled because Derrick Carter and Mark Farina are the first DJs I got to hear growing up in Chicago. And I definitely learned how to spin watching people. Because at that time, unlike now, there weren't any classes, or people, that were willing to instruct you. I remember when I was 16 I used to watch Diz and Lego; I'd watch every little thing that they were doing and just kind of suck it in."
It was also at those house parties that Colette, a classical music student by day, began to find the liberation she still enjoys from singing over other people's records. "I started singing with house music when I was 16 or 17. I would go to parties and just freestyle over other DJs playing." That spontaneous approach, a dance music version of rapping, is something that has stuck with her through the present. To Colette, there is no better rush than the one that comes from improvising in front of a room full of clubgoers. "It's very impromptu when I write a song over a record, cause a lot of times I'll buy the record that day and when I'm playing it out that's when I write the lyrics," she says laughing. "There's definitely something to be said for a practiced performance, but it's really freeing to just improvise. Because it's almost like you're one of the people in the party. It's just like dancing; you don't really have a set dance routine when you go out to a club; you just feel it and you react to it. And it's the same thing for me."
If the idea of writing lyrics in front of a crowded club sounds gutsy, it's even more impressive when you consider Colette was shy about the idea of spinning publicly until SuperJane mate DJ Heather forced her to overcome her fear. Though her fear came not just from shyness, but from what she felt was a late introduction to the decks. "Growing up in Chicago, everyone started when they were 12, so in high school and my first couple years of college, all of my friends were DJs, and were really accomplished DJs at that. I just had been buying all these records and then I decided to buy some decks just to play around. I never was planning on playing out because it just seemed too late in the game for me to do that, and also, a little bit intimidating," she recalls.
Because of her early fears about entering the DJ scene, Colette is happy and proud to be a role model for young girls who follow her lead. "There are people who ask me questions about spinning or about music and it's great for me to be able to help them. It makes me feel really good about it, because it's just continuation. And it's really nice because I've been meeting so many girls who are 15 or 16 and are spinning, and I think that's amazing," she says.
In addition to being a role model through her music, Colette extends herself to a variety of women's causes. Nearly half of her shows benefit breast cancer organizations or battered women's shelters. Having become increasingly in these types of events, she plans on starting her own charity sometime in the near future. Doing what she does best, she'll spin to raise money for a variety of women's organizations, with the proceeds from each show being split between worthy causes.
Colette's generous nature is something she tried, successfully, to imbue Our Day with. Like it's creator, the CD sings with warmth. "The CD is very summer-y, even though it's coming out in the fall. It's very warm and fun," she says, speaking from LA, where she moved little over a year ago. "With all the music that I've been making I've been really trying to focus on a lot of positive things, both sonically and lyrically."
https://www.monarchsf.com
show less
Monarch presents a special evening in house music!
Colette (Candy Talk Records / Los Angeles)
DJ Heather (Black Cherry Records / Chicago)
+ support by
DJ Elz & Dru Deep
links
http://www.djcolette.com/
http://www.residentadvisor.net/dj/djheather
DJ Heather
In the past few years the Chicago house community has produced a number of innovative and distinct djs trained in the art of transforming tranquil dance floors into spaces of sheer bedlam and bliss. Derrick Carter, Diz, Mark Farina and Sneak stand at the forefront of the nouveau jock barrage born and bred in the underground gatherings which flourish there. Their committed visions of undiluted musical appreciation, interactive communication, improvisation and basic integrity has brought greater attention to all the city's great djs including the genre busting DJ Heather. Widely regarded as one of the premier selectors in the nation, this Brooklyn born Chicagoan demonstrates her skills and sharp deck acumen for the massives throughout Chicago and the world at large with verve and undeniable talent.
At the urging of a friend, after hearing an unmixed compilation tape of her's, Heather started out at the Artful Dodger. A neighborhood pub with a cramped moist dance area situated in the rear. Being such a music lover djaying was a natural progression. I would ask some friends to come by. It was my chance to share my favorite records and have a few drinks " I was not really mixing but learning how to play records, programming 101." "I was responsible for five hours of music every Saturday night. Eventually I got into the technical aspect of djaying, watching other djs play and learning by example. Finally I was able to get turntables and began practicing six hours a day if I was able. The first time I mixed two records it was like discovering a new secret language" "At that stage it was truly a hobby, something I did on weekends. I always think of the dj thing as the happy accident. Maybe because I came into it at a stage when it wasn't considered a superstar thing to do. I was the only dj in a circle of photographers, actors, designers and so on." At that time she was also working for local record labels and garnering experience about the industry. One gig lead to another and the hobby soon manifested itself into a full time pursuit. For five years she earned her chops by playing an urgent mix of hip hop, house, jazz, soul, RnB, disco classics, rare groove and all manner of off-center beats relevant to the stew she was brewing. At the Dodger she fully developed her versatility and philosophy as an entertainer.
During her fourth year at the Dodger, she began what would be a three year residency at Red Dog. A Wednesday night gig dedicated to downtempo beats, hip hop, rare groove and disco. "At Red Dog I was able to fully develop as a dj and hone my skills." At that same time she began a short but invaluable stint at world famous Gramaphone Records. Many of Chicago's well known djs have made a stop there; Sneak, Mark Farina, Derrick Carter, Terry Mullan, Gemini, Colette and Miles Maeda to name a few." That place was my resource center. I was hired to be the hip hop buyer. I would also use their phone lines, fax machines, FedEx and ups accounts to the fullest extent. I used the store to make contacts, ship demos/press kits and sell my own mixed material. Three years later, once bookings got in the way of covering shifts, I had to say good bye. I felt like I had graduated Gramaphone Tech. It was such an invaluable experience." Primarily known in the Chicago dance community as a "hip hop" dj she began a shift in the material she played. "It was never a conscious effort to play one genre more than another. I've always been interested in all forms of music. The demand for me to play house seemed to increase after each gig. Over time one just gave way to another. Gone but not forgotten"
Colette
DJ Colette is one of the first DJs to add her vocals to the record she spins, inspiring a new category of performance in the electronic world. As countless others begin to sing and spin, many can still not compare to the vocal/turntable sessions Colette delivers. How many singing DJs combine up-close observation of the legendary Derrick Carter and Mark Farina dating back to Chicago in the late Eighties with formal operatic training from the ages of nine to eighteen? Probably not many. In fact, there may not be any DJ today who can match the impressive pedigree of former music teacher turned mix-master DJ Colette.
Having already displayed that pedigree in clubs and festivals throughout the world, both on her own and with the beloved SuperJane collective she helped form, Colette is ready to establish herself as an upper-echelon DJ with the release of her Nettwerk America debut 'Our Day'. Colette showcases that operatic training from the outset with the bluesy acapella intro/title track.
While the vocals add unmistakable flavor to the mix, the beats come fast and furious on this inviting CD that includes high-energy tracks from Wolf N Flow, Synthique, Colette's boyfriend, Angel Alanis, the can't miss club anthem "Under the Shower," featuring Colette's rising vocals over the Prax Paris original, and the percussion-rich Colette original, "Feelin' Hypnotized," which serves as a tantalizing teaser to Colette's first original artist album, which will be coming out on Nettwerk Records on November 20th.
Shut your eyes as you listen to Our Day and you'd swear Colette was right there spinning in front of you, which is exactly the effect she was striving for. "On most of the material I'm singing over it, so I kind of write new material that goes over other people's songs. That's what I do live. So I try and incorporate everything I do live into the mix CD."
Colette credits both her mixing style and her improvised vocals to coming up as part of the fertile Chicago house music scene at the turn of the Nineties. "I'm very spoiled because Derrick Carter and Mark Farina are the first DJs I got to hear growing up in Chicago. And I definitely learned how to spin watching people. Because at that time, unlike now, there weren't any classes, or people, that were willing to instruct you. I remember when I was 16 I used to watch Diz and Lego; I'd watch every little thing that they were doing and just kind of suck it in."
It was also at those house parties that Colette, a classical music student by day, began to find the liberation she still enjoys from singing over other people's records. "I started singing with house music when I was 16 or 17. I would go to parties and just freestyle over other DJs playing." That spontaneous approach, a dance music version of rapping, is something that has stuck with her through the present. To Colette, there is no better rush than the one that comes from improvising in front of a room full of clubgoers. "It's very impromptu when I write a song over a record, cause a lot of times I'll buy the record that day and when I'm playing it out that's when I write the lyrics," she says laughing. "There's definitely something to be said for a practiced performance, but it's really freeing to just improvise. Because it's almost like you're one of the people in the party. It's just like dancing; you don't really have a set dance routine when you go out to a club; you just feel it and you react to it. And it's the same thing for me."
If the idea of writing lyrics in front of a crowded club sounds gutsy, it's even more impressive when you consider Colette was shy about the idea of spinning publicly until SuperJane mate DJ Heather forced her to overcome her fear. Though her fear came not just from shyness, but from what she felt was a late introduction to the decks. "Growing up in Chicago, everyone started when they were 12, so in high school and my first couple years of college, all of my friends were DJs, and were really accomplished DJs at that. I just had been buying all these records and then I decided to buy some decks just to play around. I never was planning on playing out because it just seemed too late in the game for me to do that, and also, a little bit intimidating," she recalls.
Because of her early fears about entering the DJ scene, Colette is happy and proud to be a role model for young girls who follow her lead. "There are people who ask me questions about spinning or about music and it's great for me to be able to help them. It makes me feel really good about it, because it's just continuation. And it's really nice because I've been meeting so many girls who are 15 or 16 and are spinning, and I think that's amazing," she says.
In addition to being a role model through her music, Colette extends herself to a variety of women's causes. Nearly half of her shows benefit breast cancer organizations or battered women's shelters. Having become increasingly in these types of events, she plans on starting her own charity sometime in the near future. Doing what she does best, she'll spin to raise money for a variety of women's organizations, with the proceeds from each show being split between worthy causes.
Colette's generous nature is something she tried, successfully, to imbue Our Day with. Like it's creator, the CD sings with warmth. "The CD is very summer-y, even though it's coming out in the fall. It's very warm and fun," she says, speaking from LA, where she moved little over a year ago. "With all the music that I've been making I've been really trying to focus on a lot of positive things, both sonically and lyrically."
https://www.monarchsf.com
https://www.facebook.com/events/597391480328009/
Monarch presents a special evening in house music!
Colette (Candy Talk Records / Los Angeles)
DJ Heather (Black Cherry Records / Chicago)
+ support by
DJ Elz & Dru Deep
links
http://www.djcolette.com/
http://www.residentadvisor.net/dj/djheather
DJ Heather
In the past few years the Chicago house community has produced a number of innovative and distinct djs trained in the art of transforming tranquil dance floors into spaces of sheer bedlam and bliss. Derrick Carter, Diz, Mark Farina and Sneak stand at the forefront of the nouveau jock barrage born and bred in the underground gatherings which flourish there. Their committed visions of undiluted musical appreciation, interactive communication, improvisation and basic integrity has brought greater attention to all the city's great djs including the genre busting DJ Heather. Widely regarded as one of the premier selectors in the nation, this Brooklyn born Chicagoan demonstrates her skills and sharp deck acumen for the massives throughout Chicago and the world at large with verve and undeniable talent.
At the urging of a friend, after hearing an unmixed compilation tape of her's, Heather started out at the Artful Dodger. A neighborhood pub with a cramped moist dance area situated in the rear. Being such a music lover djaying was a natural progression. I would ask some friends to come by. It was my chance to share my favorite records and have a few drinks " I was not really mixing but learning how to play records, programming 101." "I was responsible for five hours of music every Saturday night. Eventually I got into the technical aspect of djaying, watching other djs play and learning by example. Finally I was able to get turntables and began practicing six hours a day if I was able. The first time I mixed two records it was like discovering a new secret language" "At that stage it was truly a hobby, something I did on weekends. I always think of the dj thing as the happy accident. Maybe because I came into it at a stage when it wasn't considered a superstar thing to do. I was the only dj in a circle of photographers, actors, designers and so on." At that time she was also working for local record labels and garnering experience about the industry. One gig lead to another and the hobby soon manifested itself into a full time pursuit. For five years she earned her chops by playing an urgent mix of hip hop, house, jazz, soul, RnB, disco classics, rare groove and all manner of off-center beats relevant to the stew she was brewing. At the Dodger she fully developed her versatility and philosophy as an entertainer.
During her fourth year at the Dodger, she began what would be a three year residency at Red Dog. A Wednesday night gig dedicated to downtempo beats, hip hop, rare groove and disco. "At Red Dog I was able to fully develop as a dj and hone my skills." At that same time she began a short but invaluable stint at world famous Gramaphone Records. Many of Chicago's well known djs have made a stop there; Sneak, Mark Farina, Derrick Carter, Terry Mullan, Gemini, Colette and Miles Maeda to name a few." That place was my resource center. I was hired to be the hip hop buyer. I would also use their phone lines, fax machines, FedEx and ups accounts to the fullest extent. I used the store to make contacts, ship demos/press kits and sell my own mixed material. Three years later, once bookings got in the way of covering shifts, I had to say good bye. I felt like I had graduated Gramaphone Tech. It was such an invaluable experience." Primarily known in the Chicago dance community as a "hip hop" dj she began a shift in the material she played. "It was never a conscious effort to play one genre more than another. I've always been interested in all forms of music. The demand for me to play house seemed to increase after each gig. Over time one just gave way to another. Gone but not forgotten"
Colette
DJ Colette is one of the first DJs to add her vocals to the record she spins, inspiring a new category of performance in the electronic world. As countless others begin to sing and spin, many can still not compare to the vocal/turntable sessions Colette delivers. How many singing DJs combine up-close observation of the legendary Derrick Carter and Mark Farina dating back to Chicago in the late Eighties with formal operatic training from the ages of nine to eighteen? Probably not many. In fact, there may not be any DJ today who can match the impressive pedigree of former music teacher turned mix-master DJ Colette.
Having already displayed that pedigree in clubs and festivals throughout the world, both on her own and with the beloved SuperJane collective she helped form, Colette is ready to establish herself as an upper-echelon DJ with the release of her Nettwerk America debut 'Our Day'. Colette showcases that operatic training from the outset with the bluesy acapella intro/title track.
While the vocals add unmistakable flavor to the mix, the beats come fast and furious on this inviting CD that includes high-energy tracks from Wolf N Flow, Synthique, Colette's boyfriend, Angel Alanis, the can't miss club anthem "Under the Shower," featuring Colette's rising vocals over the Prax Paris original, and the percussion-rich Colette original, "Feelin' Hypnotized," which serves as a tantalizing teaser to Colette's first original artist album, which will be coming out on Nettwerk Records on November 20th.
Shut your eyes as you listen to Our Day and you'd swear Colette was right there spinning in front of you, which is exactly the effect she was striving for. "On most of the material I'm singing over it, so I kind of write new material that goes over other people's songs. That's what I do live. So I try and incorporate everything I do live into the mix CD."
Colette credits both her mixing style and her improvised vocals to coming up as part of the fertile Chicago house music scene at the turn of the Nineties. "I'm very spoiled because Derrick Carter and Mark Farina are the first DJs I got to hear growing up in Chicago. And I definitely learned how to spin watching people. Because at that time, unlike now, there weren't any classes, or people, that were willing to instruct you. I remember when I was 16 I used to watch Diz and Lego; I'd watch every little thing that they were doing and just kind of suck it in."
It was also at those house parties that Colette, a classical music student by day, began to find the liberation she still enjoys from singing over other people's records. "I started singing with house music when I was 16 or 17. I would go to parties and just freestyle over other DJs playing." That spontaneous approach, a dance music version of rapping, is something that has stuck with her through the present. To Colette, there is no better rush than the one that comes from improvising in front of a room full of clubgoers. "It's very impromptu when I write a song over a record, cause a lot of times I'll buy the record that day and when I'm playing it out that's when I write the lyrics," she says laughing. "There's definitely something to be said for a practiced performance, but it's really freeing to just improvise. Because it's almost like you're one of the people in the party. It's just like dancing; you don't really have a set dance routine when you go out to a club; you just feel it and you react to it. And it's the same thing for me."
If the idea of writing lyrics in front of a crowded club sounds gutsy, it's even more impressive when you consider Colette was shy about the idea of spinning publicly until SuperJane mate DJ Heather forced her to overcome her fear. Though her fear came not just from shyness, but from what she felt was a late introduction to the decks. "Growing up in Chicago, everyone started when they were 12, so in high school and my first couple years of college, all of my friends were DJs, and were really accomplished DJs at that. I just had been buying all these records and then I decided to buy some decks just to play around. I never was planning on playing out because it just seemed too late in the game for me to do that, and also, a little bit intimidating," she recalls.
Because of her early fears about entering the DJ scene, Colette is happy and proud to be a role model for young girls who follow her lead. "There are people who ask me questions about spinning or about music and it's great for me to be able to help them. It makes me feel really good about it, because it's just continuation. And it's really nice because I've been meeting so many girls who are 15 or 16 and are spinning, and I think that's amazing," she says.
In addition to being a role model through her music, Colette extends herself to a variety of women's causes. Nearly half of her shows benefit breast cancer organizations or battered women's shelters. Having become increasingly in these types of events, she plans on starting her own charity sometime in the near future. Doing what she does best, she'll spin to raise money for a variety of women's organizations, with the proceeds from each show being split between worthy causes.
Colette's generous nature is something she tried, successfully, to imbue Our Day with. Like it's creator, the CD sings with warmth. "The CD is very summer-y, even though it's coming out in the fall. It's very warm and fun," she says, speaking from LA, where she moved little over a year ago. "With all the music that I've been making I've been really trying to focus on a lot of positive things, both sonically and lyrically."
https://www.monarchsf.com
read more
Monarch presents a special evening in house music!
Colette (Candy Talk Records / Los Angeles)
DJ Heather (Black Cherry Records / Chicago)
+ support by
DJ Elz & Dru Deep
links
http://www.djcolette.com/
http://www.residentadvisor.net/dj/djheather
DJ Heather
In the past few years the Chicago house community has produced a number of innovative and distinct djs trained in the art of transforming tranquil dance floors into spaces of sheer bedlam and bliss. Derrick Carter, Diz, Mark Farina and Sneak stand at the forefront of the nouveau jock barrage born and bred in the underground gatherings which flourish there. Their committed visions of undiluted musical appreciation, interactive communication, improvisation and basic integrity has brought greater attention to all the city's great djs including the genre busting DJ Heather. Widely regarded as one of the premier selectors in the nation, this Brooklyn born Chicagoan demonstrates her skills and sharp deck acumen for the massives throughout Chicago and the world at large with verve and undeniable talent.
At the urging of a friend, after hearing an unmixed compilation tape of her's, Heather started out at the Artful Dodger. A neighborhood pub with a cramped moist dance area situated in the rear. Being such a music lover djaying was a natural progression. I would ask some friends to come by. It was my chance to share my favorite records and have a few drinks " I was not really mixing but learning how to play records, programming 101." "I was responsible for five hours of music every Saturday night. Eventually I got into the technical aspect of djaying, watching other djs play and learning by example. Finally I was able to get turntables and began practicing six hours a day if I was able. The first time I mixed two records it was like discovering a new secret language" "At that stage it was truly a hobby, something I did on weekends. I always think of the dj thing as the happy accident. Maybe because I came into it at a stage when it wasn't considered a superstar thing to do. I was the only dj in a circle of photographers, actors, designers and so on." At that time she was also working for local record labels and garnering experience about the industry. One gig lead to another and the hobby soon manifested itself into a full time pursuit. For five years she earned her chops by playing an urgent mix of hip hop, house, jazz, soul, RnB, disco classics, rare groove and all manner of off-center beats relevant to the stew she was brewing. At the Dodger she fully developed her versatility and philosophy as an entertainer.
During her fourth year at the Dodger, she began what would be a three year residency at Red Dog. A Wednesday night gig dedicated to downtempo beats, hip hop, rare groove and disco. "At Red Dog I was able to fully develop as a dj and hone my skills." At that same time she began a short but invaluable stint at world famous Gramaphone Records. Many of Chicago's well known djs have made a stop there; Sneak, Mark Farina, Derrick Carter, Terry Mullan, Gemini, Colette and Miles Maeda to name a few." That place was my resource center. I was hired to be the hip hop buyer. I would also use their phone lines, fax machines, FedEx and ups accounts to the fullest extent. I used the store to make contacts, ship demos/press kits and sell my own mixed material. Three years later, once bookings got in the way of covering shifts, I had to say good bye. I felt like I had graduated Gramaphone Tech. It was such an invaluable experience." Primarily known in the Chicago dance community as a "hip hop" dj she began a shift in the material she played. "It was never a conscious effort to play one genre more than another. I've always been interested in all forms of music. The demand for me to play house seemed to increase after each gig. Over time one just gave way to another. Gone but not forgotten"
Colette
DJ Colette is one of the first DJs to add her vocals to the record she spins, inspiring a new category of performance in the electronic world. As countless others begin to sing and spin, many can still not compare to the vocal/turntable sessions Colette delivers. How many singing DJs combine up-close observation of the legendary Derrick Carter and Mark Farina dating back to Chicago in the late Eighties with formal operatic training from the ages of nine to eighteen? Probably not many. In fact, there may not be any DJ today who can match the impressive pedigree of former music teacher turned mix-master DJ Colette.
Having already displayed that pedigree in clubs and festivals throughout the world, both on her own and with the beloved SuperJane collective she helped form, Colette is ready to establish herself as an upper-echelon DJ with the release of her Nettwerk America debut 'Our Day'. Colette showcases that operatic training from the outset with the bluesy acapella intro/title track.
While the vocals add unmistakable flavor to the mix, the beats come fast and furious on this inviting CD that includes high-energy tracks from Wolf N Flow, Synthique, Colette's boyfriend, Angel Alanis, the can't miss club anthem "Under the Shower," featuring Colette's rising vocals over the Prax Paris original, and the percussion-rich Colette original, "Feelin' Hypnotized," which serves as a tantalizing teaser to Colette's first original artist album, which will be coming out on Nettwerk Records on November 20th.
Shut your eyes as you listen to Our Day and you'd swear Colette was right there spinning in front of you, which is exactly the effect she was striving for. "On most of the material I'm singing over it, so I kind of write new material that goes over other people's songs. That's what I do live. So I try and incorporate everything I do live into the mix CD."
Colette credits both her mixing style and her improvised vocals to coming up as part of the fertile Chicago house music scene at the turn of the Nineties. "I'm very spoiled because Derrick Carter and Mark Farina are the first DJs I got to hear growing up in Chicago. And I definitely learned how to spin watching people. Because at that time, unlike now, there weren't any classes, or people, that were willing to instruct you. I remember when I was 16 I used to watch Diz and Lego; I'd watch every little thing that they were doing and just kind of suck it in."
It was also at those house parties that Colette, a classical music student by day, began to find the liberation she still enjoys from singing over other people's records. "I started singing with house music when I was 16 or 17. I would go to parties and just freestyle over other DJs playing." That spontaneous approach, a dance music version of rapping, is something that has stuck with her through the present. To Colette, there is no better rush than the one that comes from improvising in front of a room full of clubgoers. "It's very impromptu when I write a song over a record, cause a lot of times I'll buy the record that day and when I'm playing it out that's when I write the lyrics," she says laughing. "There's definitely something to be said for a practiced performance, but it's really freeing to just improvise. Because it's almost like you're one of the people in the party. It's just like dancing; you don't really have a set dance routine when you go out to a club; you just feel it and you react to it. And it's the same thing for me."
If the idea of writing lyrics in front of a crowded club sounds gutsy, it's even more impressive when you consider Colette was shy about the idea of spinning publicly until SuperJane mate DJ Heather forced her to overcome her fear. Though her fear came not just from shyness, but from what she felt was a late introduction to the decks. "Growing up in Chicago, everyone started when they were 12, so in high school and my first couple years of college, all of my friends were DJs, and were really accomplished DJs at that. I just had been buying all these records and then I decided to buy some decks just to play around. I never was planning on playing out because it just seemed too late in the game for me to do that, and also, a little bit intimidating," she recalls.
Because of her early fears about entering the DJ scene, Colette is happy and proud to be a role model for young girls who follow her lead. "There are people who ask me questions about spinning or about music and it's great for me to be able to help them. It makes me feel really good about it, because it's just continuation. And it's really nice because I've been meeting so many girls who are 15 or 16 and are spinning, and I think that's amazing," she says.
In addition to being a role model through her music, Colette extends herself to a variety of women's causes. Nearly half of her shows benefit breast cancer organizations or battered women's shelters. Having become increasingly in these types of events, she plans on starting her own charity sometime in the near future. Doing what she does best, she'll spin to raise money for a variety of women's organizations, with the proceeds from each show being split between worthy causes.
Colette's generous nature is something she tried, successfully, to imbue Our Day with. Like it's creator, the CD sings with warmth. "The CD is very summer-y, even though it's coming out in the fall. It's very warm and fun," she says, speaking from LA, where she moved little over a year ago. "With all the music that I've been making I've been really trying to focus on a lot of positive things, both sonically and lyrically."
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