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Galleries
Robert Rauschenberg from the collection of Terry Van Brunt
By amy gelbach (Mar 2, 2002)
When I broke up with my boyfriend he burnt, crushed, stomped or ran over everything I had ever made for him. Special delight was taken later in recounting to me how things I had toiled over making met their end. It is truly fortunate that the beauty and deitrous of Terry Van Brunt and Robert Rauschenberg's relationship survived the fireplace’s lure to be hung on a wall for the whole city to see. More
Galleries
Substance of Choice at Galeria de la Raza
By amy gelbach (Mar 2, 2002)
How do you take it? What's your pleasure? Pick your poison. I like coffee and cigarettes. Ask an artist and they may tell you they're partial to paint or plaster. We all fancy something, desire some substance that we just can't do without. Galeria de la Raza's current exhibition, Substance of Choice is an eighteen-artist meditation on this material world and the choices we all make in relation to it. These are choices that often render us or others helpless, either through addiction, or through enslavement to others' addictions, a Third World apart. More
Museums
Introductions South
By Berin Golonu (Mar 2, 2002)
Despite a title like (un)Common Ground, the emerging Bay Area talent included in this group show at the San Jose Institute of Contemporary Art displays a group mentality. This is not to say that they risk conformity. It's quite the opposite, in fact, because each body of work possesses a style unique unto itself. Rather, the artists compiled by curator Chris Oliveria seem to share a common dialogue, one that, aside from other less obvious factors, may result from their shared identity as Bay Area artists. More
Galleries
The Secret Life of Storage
By amy gelbach (Mar 2, 2002)
Bags, the current exhibition from the folks at New Langton Arts, has brought Soma an experience somewhere between a puppet show and the wonderment of a child's first trip to the airport baggage claim - overwhelming, yet intriguing. Bursting with flights of fancy, Bags transforms Langton's gallery into a living, breathing creature full of component parts, referred to by James Bewley, the show's curator, as "bag-based life forms." More
Galleries
By Libby Kountzman
By SFS Staff (Mar 2, 2002)
Our intentions were simple: spend the first Saturday of Open Studios witnessing all the local-born artwork as three hours permitted. My only stipulation was that my two art-seeking friends and I select studios spontaneously. No artist pre-screening, no studio background checks. Keeping in this theme, our first stop was an antique store situated a stone's throw from the California College of Arts and Crafts campus. More
Museums
By Melissa Broder
By SFS Staff (Mar 2, 2002)
The Cartoon Art Museum changes their Gorey at Bay exhibit every three months, presenting Edward Gorey lovers with a perennial buffet. For the rest of the population, a trip to the Cartoon Museum is inherently a mind-expanding experience. The current Gorey Stories exhibit altered my perspective on the validity of cartoons, both within a social context and in an aesthetic framework. This exhibit will continue until November 17th, when it will then be replaced by Gorey Details on November 23rd. More
Galleries
By Alison Gilbert
By SFS Staff (Mar 2, 2002)
The cartoon-like funniness of Thunderbird Theatre Company's newest endeavor Rocket Girl is sure to leave a mark on all who see it. This energetic sci-fi parody brings us back to days when science fiction was just a little bit simpler. Robots were metal cylinders, superheroes were do-gooders, evil nemesis' plotted to take over the universe, and space gorillas were evil assistants chock full of Shakespearian melodrama. Wait. what was that again? More
Galleries
When the Bitter End Meets the Rainbow Swallow
By amy gelbach (Mar 2, 2002)
We've all heard it a million times in the last year, so much that it has all but negated itself through repetition... it is a new era in the modern world. Reactions to this new era vary, as do opinions over whether there is anything very different in this new reality. The only thing that seems constant is the emotionality inherent in people's response to the perceived change in the world order. We need places to go to consider these emotions, to say them aloud and see and hear others say them aloud. And we need to be thankful when we find these places. More
Galleries
The Multiplication of Bread
By SFS Staff (Mar 2, 2002)
A tract of Afghani countryside is spread across the floor: sand and rocks, and scattered dwellings made from the same materials. Here and there, the sand is brushed away, and one can make out the elegant patterns of a large Afghani carpet. This rectangular entity has the visual impact of a palimpsest, a manuscript from which the original writing has been erased to fit another text: softly, the rug still asks to be read. More
Clothing & Accessories
Vegan Style
By Andrea Drugay (Nov 21, 2002)
Shopping for shoes is almost always a pleasurable activity, but for dedicated vegetarians, vegans, or those who simply won't wear animal products, it's often limited to a less-than-satisfying hunt through the bargain racks at Payless. Thanks to the internet, vegan shoes and accessories can now be purchased with relative ease - but the process bears the enormous caveat that buying shoes over the internet sucks. Not even a great pair of kicks is worth the hassle of returning and re-returning ill-fitted sneakers to an online retailer. More
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