On Saturday, October 5, ATA Gallery's OTHER CINEMA continues its commitment to live cinema with FIVE projector performances, enacting the theme with an aggressive Live Cinema show!!
Deploying a free-hanging screen, Alfonso Alvarez & Dyemark's double-16mm projection As Big as a House rhapsodizes on sports, while Tommy Becker vocalizes to Songs for the Lemons and ...for Disobedient Youth, with audience participation!
Cincinnati’s Charlie (viDEO sAVant) Woodman pic-mixes his Drowned World in concert with the ambient-jazz Geishafold.
Shalo P unveils The Spy, a neo-psychedelic electronic collage, while Sam (Dumptruck) Manera hunkers down on a home-made knot of noise-makers, with closed circuit close-ups!
Twixt the live acts: Semiconductor’s latest, Claire Bain’s mirrored imagery, Lillian Schwartz’ 3-D, Bing Crosby’s Auroratone, Len Lye’s ’35 GasparColor, and Peggy Nelson’s adieu-to-analog.
On Saturday, October 5, ATA Gallery's OTHER CINEMA continues its commitment to live cinema with FIVE projector performances, enacting the theme with an aggressive Live Cinema show!!
Deploying a free-hanging screen, Alfonso Alvarez & Dyemark's double-16mm projection As Big as a House rhapsodizes on sports, while Tommy Becker vocalizes to Songs for the Lemons and ...for Disobedient Youth, with audience participation!
Cincinnati’s Charlie (viDEO sAVant) Woodman pic-mixes his Drowned World in concert with the ambient-jazz Geishafold.
Shalo P unveils The Spy, a neo-psychedelic electronic collage, while Sam (Dumptruck) Manera hunkers down on a home-made knot of noise-makers, with closed circuit close-ups!
Twixt the live acts: Semiconductor’s latest, Claire Bain’s mirrored imagery, Lillian Schwartz’ 3-D, Bing Crosby’s Auroratone, Len Lye’s ’35 GasparColor, and Peggy Nelson’s adieu-to-analog.
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